{"id":423,"date":"2022-12-02T18:43:28","date_gmt":"2022-12-02T23:43:28","guid":{"rendered":"https:\/\/performingartslegacy.org\/avilachristine\/?p=423"},"modified":"2022-12-21T18:15:33","modified_gmt":"2022-12-21T23:15:33","slug":"concert-benefit-2008-1991","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/avilachristine\/concert-benefit-2008-1991\/","title":{"rendered":"Benefit Concert : 1989, 2008\u00a0\u00a0"},"content":{"rendered":"<audio class=\"wp-audio-shortcode\" id=\"audio-423-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/POl0..mp3?_=1\" \/><a href=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/POl0..mp3\">https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/POl0..mp3<\/a><\/audio>\n<p>Polo. Siete Canciones Populares, Manuel de Falla.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 00;00. &#8211; 1:57<\/p>\n\n<audio class=\"wp-audio-shortcode\" id=\"audio-423-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/NANA-Cancion-11.mp3?_=2\" \/><a href=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/NANA-Cancion-11.mp3\">https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/NANA-Cancion-11.mp3<\/a><\/audio>\n<p>NANA (Berceuse), Siete Canciones Populares, Manuel de Falla.\u00a0 \u00a0 \u00a0 \u00a000 -1:20<\/p>\n<p>CANCION , Siete Canciones Popluares, Manuel de Falla.\u00a0 \u00a0 1:43 &#8211; 3:33<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-423 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/El-Caballo-Raptor_The-Proberbios_Goya_Concert-2-scaled.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/El-Caballo-Raptor_The-Proberbios_Goya_Concert-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-315\" srcset=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/El-Caballo-Raptor_The-Proberbios_Goya_Concert-2-150x150.jpg 150w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/El-Caballo-Raptor_The-Proberbios_Goya_Concert-2-88x88.jpg 88w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/El-Caballo-Raptor_The-Proberbios_Goya_Concert-2-200x200.jpg 200w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/El-Caballo-Raptor_The-Proberbios_Goya_Concert-2-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-315'>\n\t\t\t\tPublished in 1864. Goya was 73   \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/MERGING-1-Concert_GOYESCAS_1989-scaled-e1668639781532.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/MERGING-1-Concert_GOYESCAS_1989-scaled-e1668639781532-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"SOlO CONCERT. Merging One Art Gallery, Santa Monica, California\" aria-describedby=\"gallery-1-314\" srcset=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/MERGING-1-Concert_GOYESCAS_1989-scaled-e1668639781532-150x150.jpg 150w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/MERGING-1-Concert_GOYESCAS_1989-scaled-e1668639781532-88x88.jpg 88w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/MERGING-1-Concert_GOYESCAS_1989-scaled-e1668639781532-200x200.jpg 200w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/MERGING-1-Concert_GOYESCAS_1989-scaled-e1668639781532-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-314'>\n\t\t\t\tManuel de Falla, Enrique Granados, Jack Jackson and Ian Krouse\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/Tonadillas.Flyer71208-scaled-e1670282269368.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/Tonadillas.Flyer71208-scaled-e1670282269368-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"El Jaleo. John Singer Sargent. 1882.\" aria-describedby=\"gallery-1-408\" srcset=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/Tonadillas.Flyer71208-scaled-e1670282269368-150x150.jpg 150w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/Tonadillas.Flyer71208-scaled-e1670282269368-88x88.jpg 88w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/Tonadillas.Flyer71208-scaled-e1670282269368-200x200.jpg 200w, https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/Tonadillas.Flyer71208-scaled-e1670282269368-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-408'>\n\t\t\t\tBenefit for the Musicians at St Joan of Arc Church. Tonadillas by Granados and Siete Canciones Populares, Manuel de Falla.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Polo. Siete Canciones Populares, Manuel de Falla.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 00;00. &#8211; 1:57 NANA (Berceuse), Siete Canciones Populares, Manuel de Falla.\u00a0 \u00a0 \u00a0 \u00a000 -1:20 CANCION , Siete Canciones Popluares, Manuel de Falla.\u00a0 \u00a0 1:43 &#8211; 3:33<\/p>\n","protected":false},"author":306,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-423","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["306"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"_edit_lock":["1671664401:306"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"],"enclosure":["https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/POl0..mp3\n6152013\naudio\/mpeg\n","https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/12\/NANA-Cancion-11.mp3\n7899129\naudio\/mpeg\n"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Benefit Concert : 1989, 2008\u00a0\u00a0 - Christine Avila<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/avilachristine\/concert-benefit-2008-1991\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Benefit Concert : 1989, 2008\u00a0\u00a0 - Christine Avila\" \/>\n<meta property=\"og:description\" content=\"Polo. Siete Canciones Populares, Manuel de Falla.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 00;00. &#8211; 1:57 NANA (Berceuse), Siete Canciones Populares, Manuel de Falla.\u00a0 \u00a0 \u00a0 \u00a000 -1:20 CANCION , Siete Canciones Popluares, Manuel de Falla.\u00a0 \u00a0 1:43 &#8211; 3:33\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/avilachristine\/concert-benefit-2008-1991\/\" \/>\n<meta property=\"og:site_name\" content=\"Christine Avila\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-02T23:43:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-21T23:15:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/avilachristine\/wp-content\/uploads\/sites\/283\/2022\/11\/El-Caballo-Raptor_The-Proberbios_Goya_Concert-2-150x150.jpg\" \/>\n<meta name=\"author\" content=\"Christine Avila\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christine Avila\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/avilachristine\\\/concert-benefit-2008-1991\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/avilachristine\\\/concert-benefit-2008-1991\\\/\"},\"author\":{\"name\":\"Christine Avila\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/avilachristine\\\/#\\\/schema\\\/person\\\/f146a83a4b2701261d95bd47652b32b7\"},\"headline\":\"Benefit Concert : 1989, 2008\u00a0\u00a0\",\"datePublished\":\"2022-12-02T23:43:28+00:00\",\"dateModified\":\"2022-12-21T23:15:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/avilachristine\\\/concert-benefit-2008-1991\\\/\"},\"wordCount\":56,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/avilachristine\\\/concert-benefit-2008-1991\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/avilachristine\\\/concert-benefit-2008-1991\\\/\",\"name\":\"Benefit Concert : 1989, 2008\u00a0\u00a0 - 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