{"id":732,"date":"2024-03-24T21:23:42","date_gmt":"2024-03-24T21:23:42","guid":{"rendered":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/?p=732"},"modified":"2024-12-24T12:38:59","modified_gmt":"2024-12-24T17:38:59","slug":"middletown","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/middletown\/","title":{"rendered":"Middletown by Will Eno"},"content":{"rendered":"<p>I have to say it was a revelation for me to work on <em>Middletown<\/em> by Will Eno. Every day working on that play brought out some insight either in the student or in myself, as we discussed these seemingly \u2018not complicated\u2019 scenes and moments in the play. Small moments in the day of one&#8217;s life. I wish at the time that I had taken detailed notes about all the things we learned. I intended to write something about it, but then I got busy and time moved on. There\u2019s a moment in the play where a young man gives a woman a pack of matches. We kept talking about how to personalize that moment, so it wasn\u2019t just a random act. I kept asking him where did the matches come from? Did they have any connection to his character? How long had they been there in his pocket? And then we came up with this moment. It was decided that the matches were from a place he and his old girlfriend used to go. They reminded him of her and their time together. It held a precious meaning. So, then in giving these matches to this new woman, he\u2019s releasing the past, opening his hand up to the future. The students understood during that conversation the importance of deepening meaning in every little thing you do on stage. If you make the choice, it could just be a random act,&nbsp;but it meant so much more to this young actor having made this more personalized choice.&nbsp;<\/p>\n<p>\nThere\u2019s one other moment in that play that I don\u2019t think I\u2019ll ever forget. There is a monologue that is impossible to learn. The young man who was assigned that character and I worked and worked on it. They are seemingly random words. But as we worked on it he was able to find ways that his brain began to connect one word to the next word. On paper, they seemed to be coming from a completely different tangent. He kept working on what these words were triggering inside of him. One word might be something that made him happy, another word was something he was profoundly upset about. And they might come one right after the other. He was learning how to create an inner story that made the next word make sense to him. Then the day came when he had to do this off-book fully prepared. It was honestly one of the best moments I\u2019ve seen in the theater. All of those words seem to connect for some reason and he fully brought their emotion to life. He was not jumping wildly from emotion to emotion, but he was making me feel it all. He made the audience that was there that afternoon experience all these words. We understood what he was going through, and we were feeling it. The deep sadness, then the quick change to a funny moment or a happy moment. When it was done, I had so much emotion running inside of me. It was like being on some drug. That monologue seemed to encapsulate the entire meaning of the play, that these seemingly non-important moments, like giving a pack of matches to someone, can hold so much meaning inside our lives. That life is filled with tragedy one day, and joy the next. We need to \u201cbe here now\u201d, experience it, feel it, and be alive in the moments. It\u2019s what the play <em>Our Town<\/em> is about. It\u2019s what this play <em>Middletown<\/em> is about. In that one monologue, I experienced all of it, as if I had just taken a tab of acid and had a revelation revealing the mysteries of life. And the strangest thing is, I know that some people in the audience listening to that monologue, just heard a lot of words.<br \/>\n<br class=\"Apple-interchange-newline\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I have to say it was a revelation for me to work on Middletown by Will Eno. Every day working on that play brought out some insight either in the student or in myself, as we discussed these seemingly \u2018not complicated\u2019 scenes and moments in the play. Small moments in the day of one&#8217;s life. [&hellip;]<\/p>\n","protected":false},"author":168,"featured_media":537,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-thoughts-on-acting"],"metadata":{"_edit_lock":["1735314460:340"],"_wp_old_slug":["more-to-come"],"_wp_old_date":["2022-06-23"],"_thumbnail_id":["537"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Middletown by Will Eno - Wendy Barrie-Wilson<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/barriewilsonwendy\/middletown\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Middletown by Will Eno - Wendy Barrie-Wilson\" \/>\n<meta property=\"og:description\" content=\"I have to say it was a revelation for me to work on Middletown by Will Eno. Every day working on that play brought out some insight either in the student or in myself, as we discussed these seemingly \u2018not complicated\u2019 scenes and moments in the play. Small moments in the day of one&#8217;s life. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/barriewilsonwendy\/middletown\/\" \/>\n<meta property=\"og:site_name\" content=\"Wendy Barrie-Wilson\" \/>\n<meta property=\"article:published_time\" content=\"2024-03-24T21:23:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-24T17:38:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2021\/10\/MiddletownPoster.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"480\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"wendy barrie-wilson\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"wendy barrie-wilson\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/middletown\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/middletown\\\/\"},\"author\":{\"name\":\"wendy barrie-wilson\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/#\\\/schema\\\/person\\\/8d7d06e32d1589225390e1fe6b2e137d\"},\"headline\":\"Middletown by Will Eno\",\"datePublished\":\"2024-03-24T21:23:42+00:00\",\"dateModified\":\"2024-12-24T17:38:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/middletown\\\/\"},\"wordCount\":655,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/middletown\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/wp-content\\\/uploads\\\/sites\\\/160\\\/2021\\\/10\\\/MiddletownPoster.jpg\",\"articleSection\":[\"Thoughts on Acting\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/middletown\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/middletown\\\/\",\"name\":\"Middletown by Will Eno - 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She played Sister Aloysius in the European premiere of Doubt in Vienna. Wendy received a SALT Award and a DayTony award for her other productions of Doubt. Wendy was on Broadway in Our Town starring Paul Newman; and in the Tony Award winning production of Arthur Miller's All My Sons. Wendy has six seasons for the Shakespeare Theatre of NJ, Including, The Guardsman (Mama), I Capture the Castle (Mrs. Cotton), The Grapes Of Wrath (Ma Joad), and The Glass Menagerie (Amanda). Variety hailed her Amanda Wingfield as:\u00a0She is one of the finest Amanda Wingfields in memory, and can proudly take her place alongside the memorable Amandas in this critic's experience: Helen Hayes, Jessica Tandy, Julie Harris and Maureen Stapleton.\u00a0 Wendy has performed all over the country, at the Alabama Shakespeare Festival, Actor's Theatre of Louisville, Great Lakes Theatre Festival, Huntington Theatre, Asolo Theatre, Virginia Stage, Portland Stage, New Jersey Shakespeare Festival, River Arts Repertory, Indiana Repertory, Alliance Theatre, Playmaker's Repertory, and Denver Center Theatre Company, Princeton University Guest artist, among many others. She has worked with such wonderful writer's as J.P. Donleavy, Derek Walcott, Soviet writer Sasha Galin, The Red Clay Rambler's, Theresa Rebeck, and Arthur Miller. Roles include: Yelena (opposite Hal Holbrook) in Uncle Vanya, Lady Croom in Arcadia, May in Fool For Love, Masha in Three Sisters, Andromache in The Greeks, Tourvel in Les Liaisons Dangereuses; Mags in Painting Churches, Maud\\\/Lin in Cloud Nine, Nadya Lenin in Travesties, Anna in Old Times, Mrs. Gibbs in Our Town, Sasha in Wild Honey, Olivia in Twelfth Night, Mariana in Measure for Measure, and several times in her two favorite's; Roxane in Rostand's Cyrano De Bergerac, and Stella in Tennessee William's A Streetcar Named Desire. Wendy played Mrs. Chitwood on \u201cThe Guiding Light\u201d. She can be seen on reruns of \u201cLaw &amp; Order\\\/ L&amp;O\u2019s SVU and C.I\u201d. On PBS in \\\"Novel Reflections\u201d, and with PBS\\\/Showtime in \u201cOur Town\u201d. Commercials: Wendy was for several years on Japanese TV as the Mom for General Foods \u201cBlendy\u201d Coffee. Many others inc: for Adidas (Europe) starring Anna Kornikova; Wendy also won an Addy award for Z94's Morning Zoo for her voiceover work. Wendy coaches actors and has taught Master Acting classes, theatre history and the \\\"Business of the Biz\\\", at Denison University, UNC-Chapel Hill; The ArtSchool, NC; Northeastern University, Baltimore's School for the Performing Arts, Denver Center Conservatory; Asolo Theatre; Alabama Shakespeare Festival, Shakespeare Theatre of New Jersey; among others. She received her BFA in Theatre\\\/Film at Denison University and her MFA in Acting at the UNC\\\/Chapel Hill. Wendy\u2019s Great-Great Aunt Elisabeth Risdon and Uncle Brandon Evans were members of the Theatre Guild and worked with Lunt and Fontanne, Helen Hayes, J.B. Shaw, among many others. Elisabeth had a longtime career in Hollywood as well starring along with most of the famous actors of her day.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/author\\\/barriewilsonwendy\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Middletown by Will Eno - Wendy Barrie-Wilson","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/middletown\/","og_locale":"en_US","og_type":"article","og_title":"Middletown by Will Eno - Wendy Barrie-Wilson","og_description":"I have to say it was a revelation for me to work on Middletown by Will Eno. Every day working on that play brought out some insight either in the student or in myself, as we discussed these seemingly \u2018not complicated\u2019 scenes and moments in the play. 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Variety hailed her Amanda Wingfield as:\u00a0She is one of the finest Amanda Wingfields in memory, and can proudly take her place alongside the memorable Amandas in this critic's experience: Helen Hayes, Jessica Tandy, Julie Harris and Maureen Stapleton.\u00a0 Wendy has performed all over the country, at the Alabama Shakespeare Festival, Actor's Theatre of Louisville, Great Lakes Theatre Festival, Huntington Theatre, Asolo Theatre, Virginia Stage, Portland Stage, New Jersey Shakespeare Festival, River Arts Repertory, Indiana Repertory, Alliance Theatre, Playmaker's Repertory, and Denver Center Theatre Company, Princeton University Guest artist, among many others. She has worked with such wonderful writer's as J.P. Donleavy, Derek Walcott, Soviet writer Sasha Galin, The Red Clay Rambler's, Theresa Rebeck, and Arthur Miller. Roles include: Yelena (opposite Hal Holbrook) in Uncle Vanya, Lady Croom in Arcadia, May in Fool For Love, Masha in Three Sisters, Andromache in The Greeks, Tourvel in Les Liaisons Dangereuses; Mags in Painting Churches, Maud\/Lin in Cloud Nine, Nadya Lenin in Travesties, Anna in Old Times, Mrs. Gibbs in Our Town, Sasha in Wild Honey, Olivia in Twelfth Night, Mariana in Measure for Measure, and several times in her two favorite's; Roxane in Rostand's Cyrano De Bergerac, and Stella in Tennessee William's A Streetcar Named Desire. Wendy played Mrs. Chitwood on \u201cThe Guiding Light\u201d. She can be seen on reruns of \u201cLaw &amp; Order\/ L&amp;O\u2019s SVU and C.I\u201d. On PBS in \"Novel Reflections\u201d, and with PBS\/Showtime in \u201cOur Town\u201d. Commercials: Wendy was for several years on Japanese TV as the Mom for General Foods \u201cBlendy\u201d Coffee. Many others inc: for Adidas (Europe) starring Anna Kornikova; Wendy also won an Addy award for Z94's Morning Zoo for her voiceover work. Wendy coaches actors and has taught Master Acting classes, theatre history and the \"Business of the Biz\", at Denison University, UNC-Chapel Hill; The ArtSchool, NC; Northeastern University, Baltimore's School for the Performing Arts, Denver Center Conservatory; Asolo Theatre; Alabama Shakespeare Festival, Shakespeare Theatre of New Jersey; among others. She received her BFA in Theatre\/Film at Denison University and her MFA in Acting at the UNC\/Chapel Hill. Wendy\u2019s Great-Great Aunt Elisabeth Risdon and Uncle Brandon Evans were members of the Theatre Guild and worked with Lunt and Fontanne, Helen Hayes, J.B. Shaw, among many others. Elisabeth had a longtime career in Hollywood as well starring along with most of the famous actors of her day.","url":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/author\/barriewilsonwendy\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/posts\/732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/users\/168"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/comments?post=732"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/posts\/732\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/media\/537"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/media?parent=732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/categories?post=732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/tags?post=732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}