{"id":767,"date":"2024-04-10T20:10:20","date_gmt":"2024-04-10T20:10:20","guid":{"rendered":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/?p=767"},"modified":"2024-05-04T21:20:33","modified_gmt":"2024-05-05T01:20:33","slug":"articles","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"<p><a target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2005\/06\/02\/fashion\/thursdaystyles\/loosing-googles-lock-on-the-past.html\" rel=\"noopener\">https:\/\/www.nytimes.com\/2005\/06\/02\/fashion\/thursdaystyles\/loosing-googles-lock-on-the-past.html<\/a><\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Wendy_Barrie-Wilson\" rel=\"noopener\" onclick=\"javascript:window.open('https:\/\/en.wikipedia.org\/wiki\/Wendy_Barrie-Wilson', '_blank', 'noopener'); return false;\">https:\/\/en.wikipedia.org\/wiki\/Wendy_Barrie-Wilson<\/a><span style=\"font-family: Lato, sans-serif; font-size: 1em;\"><\/span><\/p>\n<p><span style=\"font-size: 17.85px;\"><\/span><a href=\"\/\/lptw30blog.wordpress.com\/2012\/05\/19\/wendy-barrie-wilson\/19\/wendy-barrie-wilson\/\" rel=\"noopener\" onclick=\"javascript:window.open('https:\/\/lptw30blog.wordpress.com\/2012\/05\/19\/wendy-barrie-wilson\/19\/wendy-barrie-wilson\/', '_blank', 'noopener'); return false;\">From League of Professional Theatre Women: &nbsp;https:\/\/lptw30blog.wordpress.com\/2012\/05\/19\/wendy-barrie-wilson\/<\/a><span style=\"font-size: 17.85px;\"><\/span><\/p>\n<\/p>\n<p>        [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Playmakers Repertory Company Newsletter, Winter 1990\/91, Vol4 No2.&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/Playmakers-199091-article-ME.jpg&#8221; panorama=&#8221;off&#8221;]\n<p>        [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Bennington Banner Oct 9-10, 2004, and corrected version October 14, 2004, Andrew McKeever&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/bennington-banner2-correction.jpg&#8221; panorama=&#8221;off&#8221;]\n<p>        [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;The Newark Advocate. &#038; The Granville Sentinel, 2006, Melissa Knific&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/article1-e1714066357533.jpg&#8221; panorama=&#8221;off&#8221;]\n<p>        [aesop_content disable_bgshading=&#8221;off&#8221; background=&#8221;#ffffff&#8221; color=&#8221;#000000&#8243; floaterposition=&#8221;left&#8221; floaterdirection=&#8221;down&#8221; imgsize=&#8221;cover&#8221; imgposition=&#8221;center center&#8221; imgrepeat=&#8221;no-repeat&#8221; position=&#8221;center&#8221; component_width=&#8221;100%&#8221; width=&#8221;100%&#8221;]\n<p><a class=\"\\\" lasso-link\\\"\"=\"\" _blank\\\"\"=\"\" href=\"\/\/denison.edu\/magazine\/winter-2021\/140435\\\" \"=\"\" rel=\"noopener\" onclick=\"javascript:window.open('https:\/\/denison.edu\/magazine\/winter-2021\/140435\/', '_blank', 'noopener'); return false;\">https:\/\/denison.edu\/magazine\/winter-2021\/140435<\/a><\/p>\n<\/p>\n<p>                    [\/aesop_content]\n<p>                        [aesop_content overlay_revealfx=&#8221;off&#8221; revealfx=&#8221;off&#8221; disable_bgshading=&#8221;off&#8221; background=&#8221;#ffffff&#8221; color=&#8221;#000000&#8243; floaterposition=&#8221;left&#8221; floaterdirection=&#8221;down&#8221; imgsize=&#8221;cover&#8221; imgposition=&#8221;center center&#8221; imgrepeat=&#8221;no-repeat&#8221; position=&#8221;center&#8221; component_width=&#8221;100%&#8221; width=&#8221;100%&#8221;]\n<p data-sr-id=\"7\" style=\"; visibility: visible;  -webkit-transform: scale(1); opacity: 1;transform: scale(1); opacity: 1;-webkit-transition: -webkit-transform 1s cubic-bezier(0.6, 0.2, 0.1, 1) 0.5s, opacity 1s cubic-bezier(0.6, 0.2, 0.1, 1) 0.5s; transition: transform 1s cubic-bezier(0.6, 0.2, 0.1, 1) 0.5s, opacity 1s cubic-bezier(0.6, 0.2, 0.1, 1) 0.5s; \">\n[\/aesop_content]\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.nytimes.com\/2005\/06\/02\/fashion\/thursdaystyles\/loosing-googles-lock-on-the-past.html https:\/\/en.wikipedia.org\/wiki\/Wendy_Barrie-Wilson From League of Professional Theatre Women: &nbsp;https:\/\/lptw30blog.wordpress.com\/2012\/05\/19\/wendy-barrie-wilson\/ [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Playmakers Repertory Company Newsletter, Winter 1990\/91, Vol4 No2.&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/Playmakers-199091-article-ME.jpg&#8221; panorama=&#8221;off&#8221;] [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Bennington Banner Oct 9-10, 2004, and corrected version October 14, 2004, Andrew McKeever&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/bennington-banner2-correction.jpg&#8221; panorama=&#8221;off&#8221;] [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;The Newark Advocate. [&hellip;]<\/p>\n","protected":false},"author":168,"featured_media":768,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-memories"],"metadata":{"_thumbnail_id":["768"],"_edit_lock":["1734985531:340"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Articles - Wendy Barrie-Wilson<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Articles - Wendy Barrie-Wilson\" \/>\n<meta property=\"og:description\" content=\"https:\/\/www.nytimes.com\/2005\/06\/02\/fashion\/thursdaystyles\/loosing-googles-lock-on-the-past.html https:\/\/en.wikipedia.org\/wiki\/Wendy_Barrie-Wilson From League of Professional Theatre Women: &nbsp;https:\/\/lptw30blog.wordpress.com\/2012\/05\/19\/wendy-barrie-wilson\/ [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Playmakers Repertory Company Newsletter, Winter 1990\/91, Vol4 No2.&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/Playmakers-199091-article-ME.jpg&#8221; panorama=&#8221;off&#8221;] [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Bennington Banner Oct 9-10, 2004, and corrected version October 14, 2004, Andrew McKeever&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/bennington-banner2-correction.jpg&#8221; panorama=&#8221;off&#8221;] [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;The Newark Advocate. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/\" \/>\n<meta property=\"og:site_name\" content=\"Wendy Barrie-Wilson\" \/>\n<meta property=\"article:published_time\" content=\"2024-04-10T20:10:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-05-05T01:20:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/NYTimes-Web-article-My-pix.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"480\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"wendy barrie-wilson\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"wendy barrie-wilson\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/\"},\"author\":{\"name\":\"wendy barrie-wilson\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/#\\\/schema\\\/person\\\/8d7d06e32d1589225390e1fe6b2e137d\"},\"headline\":\"Articles\",\"datePublished\":\"2024-04-10T20:10:20+00:00\",\"dateModified\":\"2024-05-05T01:20:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/\"},\"wordCount\":162,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/wp-content\\\/uploads\\\/sites\\\/160\\\/2024\\\/04\\\/NYTimes-Web-article-My-pix.jpg\",\"articleSection\":[\"Memories\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/\",\"name\":\"Articles - Wendy Barrie-Wilson\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/wp-content\\\/uploads\\\/sites\\\/160\\\/2024\\\/04\\\/NYTimes-Web-article-My-pix.jpg\",\"datePublished\":\"2024-04-10T20:10:20+00:00\",\"dateModified\":\"2024-05-05T01:20:33+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/#\\\/schema\\\/person\\\/8d7d06e32d1589225390e1fe6b2e137d\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/#primaryimage\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/wp-content\\\/uploads\\\/sites\\\/160\\\/2024\\\/04\\\/NYTimes-Web-article-My-pix.jpg\",\"contentUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/wp-content\\\/uploads\\\/sites\\\/160\\\/2024\\\/04\\\/NYTimes-Web-article-My-pix.jpg\",\"width\":480,\"height\":640,\"caption\":\"NY Times article By Stephanie Rosenbloom June 2, 2005\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/articles\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Articles\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/\",\"name\":\"Wendy Barrie-Wilson\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/#\\\/schema\\\/person\\\/8d7d06e32d1589225390e1fe6b2e137d\",\"name\":\"wendy barrie-wilson\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/10141e4ac04a549ea6cef7d776c301a9d0b93efe955e527b1a85da340311846f?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/10141e4ac04a549ea6cef7d776c301a9d0b93efe955e527b1a85da340311846f?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/10141e4ac04a549ea6cef7d776c301a9d0b93efe955e527b1a85da340311846f?s=96&d=blank&r=g\",\"caption\":\"wendy barrie-wilson\"},\"description\":\"Wendy Barrie-Wilson: Wendy Barrie-Wilson has performed in over 100 plays, and hundreds of readings, working with dozen's of new writers helping develop their latest projects. She played Sister Aloysius in the European premiere of Doubt in Vienna. Wendy received a SALT Award and a DayTony award for her other productions of Doubt. Wendy was on Broadway in Our Town starring Paul Newman; and in the Tony Award winning production of Arthur Miller's All My Sons. Wendy has six seasons for the Shakespeare Theatre of NJ, Including, The Guardsman (Mama), I Capture the Castle (Mrs. Cotton), The Grapes Of Wrath (Ma Joad), and The Glass Menagerie (Amanda). Variety hailed her Amanda Wingfield as:\u00a0She is one of the finest Amanda Wingfields in memory, and can proudly take her place alongside the memorable Amandas in this critic's experience: Helen Hayes, Jessica Tandy, Julie Harris and Maureen Stapleton.\u00a0 Wendy has performed all over the country, at the Alabama Shakespeare Festival, Actor's Theatre of Louisville, Great Lakes Theatre Festival, Huntington Theatre, Asolo Theatre, Virginia Stage, Portland Stage, New Jersey Shakespeare Festival, River Arts Repertory, Indiana Repertory, Alliance Theatre, Playmaker's Repertory, and Denver Center Theatre Company, Princeton University Guest artist, among many others. She has worked with such wonderful writer's as J.P. Donleavy, Derek Walcott, Soviet writer Sasha Galin, The Red Clay Rambler's, Theresa Rebeck, and Arthur Miller. Roles include: Yelena (opposite Hal Holbrook) in Uncle Vanya, Lady Croom in Arcadia, May in Fool For Love, Masha in Three Sisters, Andromache in The Greeks, Tourvel in Les Liaisons Dangereuses; Mags in Painting Churches, Maud\\\/Lin in Cloud Nine, Nadya Lenin in Travesties, Anna in Old Times, Mrs. Gibbs in Our Town, Sasha in Wild Honey, Olivia in Twelfth Night, Mariana in Measure for Measure, and several times in her two favorite's; Roxane in Rostand's Cyrano De Bergerac, and Stella in Tennessee William's A Streetcar Named Desire. Wendy played Mrs. Chitwood on \u201cThe Guiding Light\u201d. She can be seen on reruns of \u201cLaw &amp; Order\\\/ L&amp;O\u2019s SVU and C.I\u201d. On PBS in \\\"Novel Reflections\u201d, and with PBS\\\/Showtime in \u201cOur Town\u201d. Commercials: Wendy was for several years on Japanese TV as the Mom for General Foods \u201cBlendy\u201d Coffee. Many others inc: for Adidas (Europe) starring Anna Kornikova; Wendy also won an Addy award for Z94's Morning Zoo for her voiceover work. Wendy coaches actors and has taught Master Acting classes, theatre history and the \\\"Business of the Biz\\\", at Denison University, UNC-Chapel Hill; The ArtSchool, NC; Northeastern University, Baltimore's School for the Performing Arts, Denver Center Conservatory; Asolo Theatre; Alabama Shakespeare Festival, Shakespeare Theatre of New Jersey; among others. She received her BFA in Theatre\\\/Film at Denison University and her MFA in Acting at the UNC\\\/Chapel Hill. Wendy\u2019s Great-Great Aunt Elisabeth Risdon and Uncle Brandon Evans were members of the Theatre Guild and worked with Lunt and Fontanne, Helen Hayes, J.B. Shaw, among many others. Elisabeth had a longtime career in Hollywood as well starring along with most of the famous actors of her day.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/barriewilsonwendy\\\/author\\\/barriewilsonwendy\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Articles - Wendy Barrie-Wilson","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/","og_locale":"en_US","og_type":"article","og_title":"Articles - Wendy Barrie-Wilson","og_description":"https:\/\/www.nytimes.com\/2005\/06\/02\/fashion\/thursdaystyles\/loosing-googles-lock-on-the-past.html https:\/\/en.wikipedia.org\/wiki\/Wendy_Barrie-Wilson From League of Professional Theatre Women: &nbsp;https:\/\/lptw30blog.wordpress.com\/2012\/05\/19\/wendy-barrie-wilson\/ [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Playmakers Repertory Company Newsletter, Winter 1990\/91, Vol4 No2.&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/Playmakers-199091-article-ME.jpg&#8221; panorama=&#8221;off&#8221;] [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Bennington Banner Oct 9-10, 2004, and corrected version October 14, 2004, Andrew McKeever&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/bennington-banner2-correction.jpg&#8221; panorama=&#8221;off&#8221;] [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;The Newark Advocate. [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/","og_site_name":"Wendy Barrie-Wilson","article_published_time":"2024-04-10T20:10:20+00:00","article_modified_time":"2024-05-05T01:20:33+00:00","og_image":[{"width":480,"height":640,"url":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/NYTimes-Web-article-My-pix.jpg","type":"image\/jpeg"}],"author":"wendy barrie-wilson","twitter_card":"summary_large_image","twitter_misc":{"Written by":"wendy barrie-wilson","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/"},"author":{"name":"wendy barrie-wilson","@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/#\/schema\/person\/8d7d06e32d1589225390e1fe6b2e137d"},"headline":"Articles","datePublished":"2024-04-10T20:10:20+00:00","dateModified":"2024-05-05T01:20:33+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/"},"wordCount":162,"image":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/NYTimes-Web-article-My-pix.jpg","articleSection":["Memories"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/","url":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/","name":"Articles - Wendy Barrie-Wilson","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/#website"},"primaryImageOfPage":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/#primaryimage"},"image":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/NYTimes-Web-article-My-pix.jpg","datePublished":"2024-04-10T20:10:20+00:00","dateModified":"2024-05-05T01:20:33+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/#\/schema\/person\/8d7d06e32d1589225390e1fe6b2e137d"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/#primaryimage","url":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/NYTimes-Web-article-My-pix.jpg","contentUrl":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-content\/uploads\/sites\/160\/2024\/04\/NYTimes-Web-article-My-pix.jpg","width":480,"height":640,"caption":"NY Times article By Stephanie Rosenbloom June 2, 2005"},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/articles\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/"},{"@type":"ListItem","position":2,"name":"Articles"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/#website","url":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/","name":"Wendy Barrie-Wilson","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/#\/schema\/person\/8d7d06e32d1589225390e1fe6b2e137d","name":"wendy barrie-wilson","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/10141e4ac04a549ea6cef7d776c301a9d0b93efe955e527b1a85da340311846f?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/10141e4ac04a549ea6cef7d776c301a9d0b93efe955e527b1a85da340311846f?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/10141e4ac04a549ea6cef7d776c301a9d0b93efe955e527b1a85da340311846f?s=96&d=blank&r=g","caption":"wendy barrie-wilson"},"description":"Wendy Barrie-Wilson: Wendy Barrie-Wilson has performed in over 100 plays, and hundreds of readings, working with dozen's of new writers helping develop their latest projects. She played Sister Aloysius in the European premiere of Doubt in Vienna. Wendy received a SALT Award and a DayTony award for her other productions of Doubt. Wendy was on Broadway in Our Town starring Paul Newman; and in the Tony Award winning production of Arthur Miller's All My Sons. Wendy has six seasons for the Shakespeare Theatre of NJ, Including, The Guardsman (Mama), I Capture the Castle (Mrs. Cotton), The Grapes Of Wrath (Ma Joad), and The Glass Menagerie (Amanda). Variety hailed her Amanda Wingfield as:\u00a0She is one of the finest Amanda Wingfields in memory, and can proudly take her place alongside the memorable Amandas in this critic's experience: Helen Hayes, Jessica Tandy, Julie Harris and Maureen Stapleton.\u00a0 Wendy has performed all over the country, at the Alabama Shakespeare Festival, Actor's Theatre of Louisville, Great Lakes Theatre Festival, Huntington Theatre, Asolo Theatre, Virginia Stage, Portland Stage, New Jersey Shakespeare Festival, River Arts Repertory, Indiana Repertory, Alliance Theatre, Playmaker's Repertory, and Denver Center Theatre Company, Princeton University Guest artist, among many others. She has worked with such wonderful writer's as J.P. Donleavy, Derek Walcott, Soviet writer Sasha Galin, The Red Clay Rambler's, Theresa Rebeck, and Arthur Miller. Roles include: Yelena (opposite Hal Holbrook) in Uncle Vanya, Lady Croom in Arcadia, May in Fool For Love, Masha in Three Sisters, Andromache in The Greeks, Tourvel in Les Liaisons Dangereuses; Mags in Painting Churches, Maud\/Lin in Cloud Nine, Nadya Lenin in Travesties, Anna in Old Times, Mrs. Gibbs in Our Town, Sasha in Wild Honey, Olivia in Twelfth Night, Mariana in Measure for Measure, and several times in her two favorite's; Roxane in Rostand's Cyrano De Bergerac, and Stella in Tennessee William's A Streetcar Named Desire. Wendy played Mrs. Chitwood on \u201cThe Guiding Light\u201d. She can be seen on reruns of \u201cLaw &amp; Order\/ L&amp;O\u2019s SVU and C.I\u201d. On PBS in \"Novel Reflections\u201d, and with PBS\/Showtime in \u201cOur Town\u201d. Commercials: Wendy was for several years on Japanese TV as the Mom for General Foods \u201cBlendy\u201d Coffee. Many others inc: for Adidas (Europe) starring Anna Kornikova; Wendy also won an Addy award for Z94's Morning Zoo for her voiceover work. Wendy coaches actors and has taught Master Acting classes, theatre history and the \"Business of the Biz\", at Denison University, UNC-Chapel Hill; The ArtSchool, NC; Northeastern University, Baltimore's School for the Performing Arts, Denver Center Conservatory; Asolo Theatre; Alabama Shakespeare Festival, Shakespeare Theatre of New Jersey; among others. She received her BFA in Theatre\/Film at Denison University and her MFA in Acting at the UNC\/Chapel Hill. Wendy\u2019s Great-Great Aunt Elisabeth Risdon and Uncle Brandon Evans were members of the Theatre Guild and worked with Lunt and Fontanne, Helen Hayes, J.B. Shaw, among many others. Elisabeth had a longtime career in Hollywood as well starring along with most of the famous actors of her day.","url":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/author\/barriewilsonwendy\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/posts\/767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/users\/168"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/comments?post=767"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/posts\/767\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/media\/768"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/media?parent=767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/categories?post=767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/barriewilsonwendy\/wp-json\/wp\/v2\/tags?post=767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}