{"id":120,"date":"2001-10-04T01:30:03","date_gmt":"2001-10-04T05:30:03","guid":{"rendered":"https:\/\/performingartslegacy.org\/bartenieff\/?p=120"},"modified":"2018-10-05T19:46:53","modified_gmt":"2018-10-05T23:46:53","slug":"clinton-hill-subway-art","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/bartenieff\/clinton-hill-subway-art\/","title":{"rendered":"1998-2001: Clinton Hill Subway Murals"},"content":{"rendered":"<p>George was director of the Clinton Hill Society Subway Art Project, which was in development from 1998 to 2001, with the purpose of featuring community artists in the Clinton\/Washington Station.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-120 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/bartenieff\/clinton-hill-subway-art\/clintonhillsubwaygroup_chesterlindsay\/'><img loading=\"lazy\" decoding=\"async\" width=\"753\" height=\"421\" src=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2001\/10\/ClintonHillSubwayGroup_ChesterLindsay.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-772\" srcset=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2001\/10\/ClintonHillSubwayGroup_ChesterLindsay.jpg 753w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2001\/10\/ClintonHillSubwayGroup_ChesterLindsay-300x168.jpg 300w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2001\/10\/ClintonHillSubwayGroup_ChesterLindsay-508x284.jpg 508w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2001\/10\/ClintonHillSubwayGroup_ChesterLindsay-400x224.jpg 400w\" sizes=\"auto, (max-width: 753px) 100vw, 753px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-772'>\n\t\t\t\tGeorge, far left, pictured with some of the people who supported the project (left to right): Assemblyman Joseph Lentol; Danny Simmons, participating artist and curator; Charlie Bayerer, technical director; and Senator Velmanette Montgomery. Photograph by Charles Lindsay.\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>An article about the launch of the Clinton Hill Society Subway Art Project appeared in the <em>New York Times<\/em> on October 4, 2001, just weeks after the attacks of September 11th. The art has remained in the station ever since, despite MTA remarks that it could be \u201ctaken down\u201d should it offend anyone. The realization of the Clinton Hill Society Subway Art Project is a great source of pride for George.<\/p>\n<p style=\"text-align: center\">To see the installations from Clinton Hill Society Subway Art Project, visit the following pages of <a href=\"https:\/\/www.nycsubway.org\/\">www.nycsubway.org<\/a>.<\/p>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77981\"><em><strong>Smith &amp; 9th<\/strong><\/em> by Gwynne Duncan<\/a> (1998)<\/h4>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77716\"><em><strong>Night and Day<\/strong><\/em> by Jim Porter<\/a> (1998)<\/h4>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77983\"><strong><em>The Dream<\/em><\/strong> by Sameeh Alderazi<\/a> (2000)<\/h4>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77714\"><strong><em>Fusion<\/em><\/strong> by Jamal Ince<\/a> (2000)<\/h4>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77715\"><strong><em>Mercury<\/em><\/strong> by John Woodrow Kelley<\/a> (2000)<\/h4>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77984\"><em><strong>Minor Landscape<\/strong><\/em> by Josh Dorman<\/a><\/h4>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77718\"><em><strong>Untitled<\/strong><\/em> by Maku<\/a><\/h4>\n<h4 style=\"text-align: left;padding-left: 30px\"><a href=\"https:\/\/www.nycsubway.org\/perl\/show?77717\"><em><strong>Safe Passage<\/strong><\/em> by Danny Simmons<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>George was director of the Clinton Hill Society Subway Art Project, which was in development from 1998 to 2001, with the purpose of featuring community artists in the Clinton\/Washington Station. An article about the launch of the Clinton Hill Society Subway Art Project appeared in the New York Times on October 4, 2001, just weeks [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight"],"metadata":{"_edit_lock":["1538794482:53"],"_edit_last":["53"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_wp_old_date":["2001-09-11"],"_thumbnail_id":["772"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1998-2001: Clinton Hill Subway Murals - George Bartenieff<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/bartenieff\/clinton-hill-subway-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1998-2001: Clinton Hill Subway Murals - George Bartenieff\" \/>\n<meta property=\"og:description\" content=\"George was director of the Clinton Hill Society Subway Art Project, which was in development from 1998 to 2001, with the purpose of featuring community artists in the Clinton\/Washington Station. 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Broadway: THE MERCHANT OF VENICE (with Al Pacino), FIDDLER ON THE ROOF, THE WHOLE WORLD OVER, MONTSERRAT, MISALLIANCE, UNLIKELY HEROES, ROOM SERVICE, MOON BESEIGED, BOX MAO BOX. Off-Broadway: KRAPP'S LAST TAPE, THE ZOO STORY, THE AMERICAN DREA, THE SANDBOX, PROMETHEUS BOUND, I WILL BEAR WITNESS (OBIE), STUFF HAPPENS (DRAMA DESK) HOME MOVIES, THE BRIG, ROMEO AND JULIET, ALL'S WELL THAT ENDS WELL, THE MEMORFANDUM, INCREASED DIFFICULTY OF COCENTRATION, CYMBELINE, AMERICAN NOTES, DEAD END KIDS, THE EXPRESSWAY, US (OBIE), REGIONAL: TUESDAYS WITH MORRIE (PHILLY AWARD FOR BEST ACTOR 2005-06 SEASON), THE TEMPEST, THE CHERRY ORCHARD, MRS. WARREN'S PROFESSION, VALLEY SONG, AS YOU LIKE IT, THE LADY'S NOT FOR BURNING, ORDINARY NATION. Founder and co-Artistic Director of Theater for the New City for 24 years; then, Theater Three Collaborative in 1994. Recipient of two additional Obies for producing. TV and Film includes: CURB YOUR ENTHUSIASM, LAW &amp; ORDER, 30 ROCK, RESCUE ME, ANIMA, SEE NO EVIL, JULIE AND JULIA (with Meryl Streep), THE DICTATOR (with Sasha Baron Cohen). Guest teacher at Sarah Lawrence, Wesleyan University, Towson State, Center Stage Theater, CUNY, Maryland State College, HB Studio. https:\\\/\\\/www.theaterthreecollaborative.org\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/bartenieff\\\/author\\\/bartenieff\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"1998-2001: Clinton Hill Subway Murals - George Bartenieff","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/bartenieff\/clinton-hill-subway-art\/","og_locale":"en_US","og_type":"article","og_title":"1998-2001: Clinton Hill Subway Murals - George Bartenieff","og_description":"George was director of the Clinton Hill Society Subway Art Project, which was in development from 1998 to 2001, with the purpose of featuring community artists in the Clinton\/Washington Station. 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Broadway: THE MERCHANT OF VENICE (with Al Pacino), FIDDLER ON THE ROOF, THE WHOLE WORLD OVER, MONTSERRAT, MISALLIANCE, UNLIKELY HEROES, ROOM SERVICE, MOON BESEIGED, BOX MAO BOX. Off-Broadway: KRAPP'S LAST TAPE, THE ZOO STORY, THE AMERICAN DREA, THE SANDBOX, PROMETHEUS BOUND, I WILL BEAR WITNESS (OBIE), STUFF HAPPENS (DRAMA DESK) HOME MOVIES, THE BRIG, ROMEO AND JULIET, ALL'S WELL THAT ENDS WELL, THE MEMORFANDUM, INCREASED DIFFICULTY OF COCENTRATION, CYMBELINE, AMERICAN NOTES, DEAD END KIDS, THE EXPRESSWAY, US (OBIE), REGIONAL: TUESDAYS WITH MORRIE (PHILLY AWARD FOR BEST ACTOR 2005-06 SEASON), THE TEMPEST, THE CHERRY ORCHARD, MRS. WARREN'S PROFESSION, VALLEY SONG, AS YOU LIKE IT, THE LADY'S NOT FOR BURNING, ORDINARY NATION. Founder and co-Artistic Director of Theater for the New City for 24 years; then, Theater Three Collaborative in 1994. Recipient of two additional Obies for producing. TV and Film includes: CURB YOUR ENTHUSIASM, LAW &amp; ORDER, 30 ROCK, RESCUE ME, ANIMA, SEE NO EVIL, JULIE AND JULIA (with Meryl Streep), THE DICTATOR (with Sasha Baron Cohen). 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