{"id":394,"date":"1968-11-11T00:03:17","date_gmt":"1968-11-11T05:03:17","guid":{"rendered":"https:\/\/performingartslegacy.org\/bartenieff\/?p=394"},"modified":"2018-09-26T13:11:44","modified_gmt":"2018-09-26T17:11:44","slug":"1968-1975-street-theatre-stories","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/","title":{"rendered":"1967-1993: Street Theater Stories"},"content":{"rendered":"\n<div id=\"attachment_396\" style=\"width: 3019px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-396\" class=\"wp-image-396 size-full\" src=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker-.jpg\" alt=\"\" width=\"3009\" height=\"1947\" srcset=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker-.jpg 1600w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker--300x194.jpg 300w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker--768x497.jpg 768w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker--1024x663.jpg 1024w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker--973x630.jpg 973w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker--508x329.jpg 508w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker--1250x809.jpg 1250w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker--400x259.jpg 400w\" sizes=\"auto, (max-width: 3009px) 100vw, 3009px\" \/><p id=\"caption-attachment-396\" class=\"wp-caption-text\">George Discusses what happens when he plays a drug addict a little too convincingly.<\/p><\/div>[aesop_audio hidden=&#8221;off&#8221; loop=&#8221;on&#8221; viewend=&#8221;on&#8221; viewstart=&#8221;on&#8221; src=&#8221;https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Lamp-Post-and-Near-Death-Experience-.mp3&#8243;]\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-394 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/bartenieff\/the-expressway\/scan-oct-12-2017-1-39-pm-page-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"232\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-232x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-102\" srcset=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-232x300.jpg 232w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-768x994.jpg 768w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-791x1024.jpg 791w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-973x1259.jpg 973w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-508x657.jpg 508w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-1250x1618.jpg 1250w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2-400x518.jpg 400w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-2.jpg 1236w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-102'>\n\t\t\t\tPerformers in The &#8220;Vietnam&#8221; play \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/bartenieff\/the-expressway\/scan-oct-12-2017-1-39-pm-page-1\/'><img loading=\"lazy\" decoding=\"async\" width=\"247\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-247x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-101\" srcset=\"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-247x300.jpg 247w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-768x934.jpg 768w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-842x1024.jpg 842w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-973x1183.jpg 973w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-508x617.jpg 508w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-1250x1519.jpg 1250w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1-400x486.jpg 400w, https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/10\/Scan-Oct-12-2017-1.39-PM-page-1.jpg 1814w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-101'>\n\t\t\t\tPerformers in The &#8220;Vietnam&#8221; play \n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p class=\"wp-report-this\"><a class=\"thickbox\" title=\"Report This Post\" href=\"https:\/\/performingartslegacy.org\/bartenieff?moderation_action=report_form&amp;object_type=post&amp;object_id=394&amp;width=250&amp;height=300\">Report This Post<\/a><\/p>\n<p class=\"wp-report-this\"><a href=\"https:\/\/performingartslegacy.org\/bartenieff?moderation_action=report_form&amp;object_type=post&amp;object_id=394&amp;width=250&amp;height=300\" class=\"thickbox\" title=\"Report This Post\">Report This Post<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[aesop_audio hidden=&#8221;off&#8221; loop=&#8221;on&#8221; viewend=&#8221;on&#8221; viewstart=&#8221;on&#8221; src=&#8221;https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Lamp-Post-and-Near-Death-Experience-.mp3&#8243;] Report This Post Report This Post<\/p>\n","protected":false},"author":28,"featured_media":396,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-394","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight"],"metadata":{"_edit_lock":["1537987436:53"],"_edit_last":["53"],"_thumbnail_id":["396"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"],"enclosure":["https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Lamp-Post-and-Near-Death-Experience-.mp3\n6742832\naudio\/mpeg\n"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast 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Broadway: THE MERCHANT OF VENICE (with Al Pacino), FIDDLER ON THE ROOF, THE WHOLE WORLD OVER, MONTSERRAT, MISALLIANCE, UNLIKELY HEROES, ROOM SERVICE, MOON BESEIGED, BOX MAO BOX. Off-Broadway: KRAPP'S LAST TAPE, THE ZOO STORY, THE AMERICAN DREA, THE SANDBOX, PROMETHEUS BOUND, I WILL BEAR WITNESS (OBIE), STUFF HAPPENS (DRAMA DESK) HOME MOVIES, THE BRIG, ROMEO AND JULIET, ALL'S WELL THAT ENDS WELL, THE MEMORFANDUM, INCREASED DIFFICULTY OF COCENTRATION, CYMBELINE, AMERICAN NOTES, DEAD END KIDS, THE EXPRESSWAY, US (OBIE), REGIONAL: TUESDAYS WITH MORRIE (PHILLY AWARD FOR BEST ACTOR 2005-06 SEASON), THE TEMPEST, THE CHERRY ORCHARD, MRS. WARREN'S PROFESSION, VALLEY SONG, AS YOU LIKE IT, THE LADY'S NOT FOR BURNING, ORDINARY NATION. Founder and co-Artistic Director of Theater for the New City for 24 years; then, Theater Three Collaborative in 1994. Recipient of two additional Obies for producing. TV and Film includes: CURB YOUR ENTHUSIASM, LAW &amp; ORDER, 30 ROCK, RESCUE ME, ANIMA, SEE NO EVIL, JULIE AND JULIA (with Meryl Streep), THE DICTATOR (with Sasha Baron Cohen). Guest teacher at Sarah Lawrence, Wesleyan University, Towson State, Center Stage Theater, CUNY, Maryland State College, HB Studio. https:\\\/\\\/www.theaterthreecollaborative.org\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/bartenieff\\\/author\\\/bartenieff\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"1967-1993: Street Theater Stories - George Bartenieff","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/","og_locale":"en_US","og_type":"article","og_title":"1967-1993: Street Theater Stories - George Bartenieff","og_description":"[aesop_audio hidden=&#8221;off&#8221; loop=&#8221;on&#8221; viewend=&#8221;on&#8221; viewstart=&#8221;on&#8221; src=&#8221;https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Lamp-Post-and-Near-Death-Experience-.mp3&#8243;] Report This Post Report This Post","og_url":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/","og_site_name":"George Bartenieff","article_published_time":"1968-11-11T05:03:17+00:00","article_modified_time":"2018-09-26T17:11:44+00:00","og_image":[{"width":1600,"height":1035,"url":"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker-.jpg","type":"image\/jpeg"}],"author":"George Bartenieff","twitter_card":"summary_large_image","twitter_misc":{"Written by":"George Bartenieff"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/"},"author":{"name":"George Bartenieff","@id":"https:\/\/performingartslegacy.org\/bartenieff\/#\/schema\/person\/539df02f855185ecfe92b93470fdb835"},"headline":"1967-1993: Street Theater Stories","datePublished":"1968-11-11T05:03:17+00:00","dateModified":"2018-09-26T17:11:44+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/"},"wordCount":57,"image":{"@id":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/bartenieff\/wp-content\/uploads\/sites\/30\/2017\/11\/The-Census-Taker-.jpg","articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/","url":"https:\/\/performingartslegacy.org\/bartenieff\/1968-1975-street-theatre-stories\/","name":"1967-1993: Street Theater Stories - 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Broadway: THE MERCHANT OF VENICE (with Al Pacino), FIDDLER ON THE ROOF, THE WHOLE WORLD OVER, MONTSERRAT, MISALLIANCE, UNLIKELY HEROES, ROOM SERVICE, MOON BESEIGED, BOX MAO BOX. Off-Broadway: KRAPP'S LAST TAPE, THE ZOO STORY, THE AMERICAN DREA, THE SANDBOX, PROMETHEUS BOUND, I WILL BEAR WITNESS (OBIE), STUFF HAPPENS (DRAMA DESK) HOME MOVIES, THE BRIG, ROMEO AND JULIET, ALL'S WELL THAT ENDS WELL, THE MEMORFANDUM, INCREASED DIFFICULTY OF COCENTRATION, CYMBELINE, AMERICAN NOTES, DEAD END KIDS, THE EXPRESSWAY, US (OBIE), REGIONAL: TUESDAYS WITH MORRIE (PHILLY AWARD FOR BEST ACTOR 2005-06 SEASON), THE TEMPEST, THE CHERRY ORCHARD, MRS. WARREN'S PROFESSION, VALLEY SONG, AS YOU LIKE IT, THE LADY'S NOT FOR BURNING, ORDINARY NATION. Founder and co-Artistic Director of Theater for the New City for 24 years; then, Theater Three Collaborative in 1994. Recipient of two additional Obies for producing. TV and Film includes: CURB YOUR ENTHUSIASM, LAW &amp; ORDER, 30 ROCK, RESCUE ME, ANIMA, SEE NO EVIL, JULIE AND JULIA (with Meryl Streep), THE DICTATOR (with Sasha Baron Cohen). 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