{"id":11,"date":"2021-07-21T17:21:50","date_gmt":"2021-07-21T21:21:50","guid":{"rendered":"https:\/\/performingartslegacy.org\/layers\/?page_id=11"},"modified":"2022-01-24T07:46:25","modified_gmt":"2022-01-24T12:46:25","slug":"look-listen","status":"publish","type":"page","link":"https:\/\/performingartslegacy.org\/beattyjohnlee\/look-listen\/","title":{"rendered":"Look\/Listen"},"content":{"rendered":"<div style=\"width: 640px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-11-1\" width=\"640\" height=\"360\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-content\/uploads\/sites\/251\/2021\/09\/John-Lee-Beatty-Highlights.mp4?_=1\" \/><a href=\"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-content\/uploads\/sites\/251\/2021\/09\/John-Lee-Beatty-Highlights.mp4\">https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-content\/uploads\/sites\/251\/2021\/09\/John-Lee-Beatty-Highlights.mp4<\/a><\/video><\/div>\n<p>This is an excerpt of me in an unvarnished interview. Go <a href=\"https:\/\/primarystagesoffcenter.org\/index.php?id=162\">here<\/a> for the full interview, posted in two parts on the Primary Stages\u2019 website.<\/p>\n<p><iframe loading=\"lazy\" style=\"width: 1071.16px; height: 602.528px;\" title=\"Broadway Set Designer John Lee Beatty on His Tony Award-Nominated Set for &quot;The Nance&quot;\" src=\"https:\/\/www.youtube.com\/embed\/V-o4q-Y0-gE?feature=oembed\" width=\"1200\" height=\"675\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-origwidth=\"1200\" data-origheight=\"675\"><\/iframe><br \/>\n<strong><strong>Broadway Set Designer John Lee Beatty demonstrates his Tony award-winning set for <\/strong><em><strong>The Nance.<\/strong><\/em><\/strong><\/p>\n<p><iframe loading=\"lazy\" style=\"border: none; min-width: min(100%, 430px);\" title=\"#129 JOHN LEE BEATTY, Tony Award winning set designer\" src=\"https:\/\/www.podbean.com\/player-v2\/?i=ua237-6d606ca-dir&amp;square=1&amp;share=1&amp;download=1&amp;skin=f6f6f6&amp;btn-skin=8bbb4e&amp;size=150\" width=\"50%\" height=\"300\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\" data-name=\"pb-iframe-player\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"32: John Lee Beatty - Set Designer\" allowtransparency=\"true\" height=\"300\" width=\"100%\" style=\"border: none; min-width: min(100%, 430px);\" scrolling=\"no\" data-name=\"pb-iframe-player\" src=\"https:\/\/www.podbean.com\/player-v2\/?from=embed&#038;i=bq8p8-f3e74e-pb&#038;square=1&#038;share=1&#038;download=1&#038;skin=f6f6f6&#038;btn-skin=ff6d00&#038;size=300\" allowfullscreen=\"\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is an excerpt of me in an unvarnished interview. Go here for the full interview, posted in two parts on the Primary Stages\u2019 website. Broadway Set Designer John Lee Beatty demonstrates his Tony award-winning set for The Nance.<\/p>\n","protected":false},"author":273,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"metadata":{"_edit_last":["273"],"_wp_page_template":["page-full.php"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"_oembed_4b384d9333f9f2fd8fdb6b1330fc17fe":["<iframe title=\"Broadway Set Designer John Lee Beatty on His Tony Award-Nominated Set for &quot;The Nance&quot;\" width=\"616\" height=\"347\" src=\"https:\/\/www.youtube.com\/embed\/V-o4q-Y0-gE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>"],"_oembed_time_4b384d9333f9f2fd8fdb6b1330fc17fe":["1637015363"],"_oembed_b54ad6276ab022520c016cb5dbf3091b":["<iframe title=\"Broadway Set Designer John Lee Beatty on His Tony Award-Nominated Set for &quot;The Nance&quot;\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/V-o4q-Y0-gE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>"],"_oembed_time_b54ad6276ab022520c016cb5dbf3091b":["1637015384"],"_edit_lock":["1643028275:273"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"]},"acf":[],"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-json\/wp\/v2\/users\/273"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/beattyjohnlee\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}