{"id":1373,"date":"2021-12-30T11:49:40","date_gmt":"2021-12-30T16:49:40","guid":{"rendered":"https:\/\/performingartslegacy.org\/billingtonken\/?page_id=1373"},"modified":"2022-01-14T15:28:18","modified_gmt":"2022-01-14T20:28:18","slug":"kens-photos","status":"publish","type":"page","link":"https:\/\/performingartslegacy.org\/billingtonken\/kens-photos\/","title":{"rendered":"PHOTOS"},"content":{"rendered":"

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Al Hirschfeld- 1979<\/p><\/div>\n<\/p>\n

In 1978 I thought it would be nice to have a Al Hirschfeld sketch. He was in the NY Times every Sunday and was an icon. The Margo Fiden Gallery in the East Village, where I had framing done represented Al Hirschfeld, I asked Margo if I could commission him to sketch me at the theatre. He agreed and it was decided that he would come to the New York State Theater at Lincoln Center while I was in technical rehearsal for the New York City Opera production of Naughty Marietta. He asked for a head shot and then showed up at the theatre while I was lighting, I noticed him wandering around looking at me and sketching. In the picture you will see me with long hair with a headset in one hand and a pencil in the right hand. On the table in front of me is the headset master station and a cup of coffee. On the music stand is a copy of the script. After Al left, a week later the gallery called and the sketch was ready. Nina\u2019s name appears 3 times.<\/p>\n","protected":false},"excerpt":{"rendered":"

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