{"id":50,"date":"2017-09-05T20:17:23","date_gmt":"2017-09-06T00:17:23","guid":{"rendered":"https:\/\/performingartslegacy.org\/burrows\/?page_id=50"},"modified":"2017-12-16T11:54:17","modified_gmt":"2017-12-16T16:54:17","slug":"oral-history","status":"publish","type":"page","link":"https:\/\/performingartslegacy.org\/burrows\/oral-history\/","title":{"rendered":"Oral History"},"content":{"rendered":"

\t\t\t\t\t \t\t\t\t\t\t[aesop_audio hidden=”off” loop=”off” viewend=”off” viewstart=”off” src=”https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/VB1.mp3″ title=”Part 1″]\n

Vinie recounts auditioning for her first Broadway show (of 7). Working with prominent African American actors of the time and the roles available to them on Broadway in 1950.<\/span><\/p>\n[aesop_audio hidden=”off” loop=”off” viewend=”off” viewstart=”off” src=”https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/VB2.mp3″ title=”Part 2″]\n

Burrows \u2013 OH 2 \u2013 21:54 \u201cYou have the voice\u2026\u201d \u2013 23:33 \u201c\u2026and the voice.\u201d<\/p>\n

Burrows \u2013 OH 2 \u2013 24:55 \u201cAnd then again\u2026\u201d \u2013 26:57 \u201c\u20266 or 7 years older.\u201d<\/p>\n

Vinie on technique, the voice and body, and knowing and living the character.<\/p>\n[aesop_audio hidden=”off” loop=”off” viewend=”off” viewstart=”off” src=”https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/VB3.mp3″ title=”Part 3″]\n

Burrows \u2013 OH 3 \u2013 1:51 \u201cWe were on tour in Massachusetts\u2026\u201d \u2013 5:05 \u201c\u2026when we were brought here.\u201d<\/p>\n

Vinie\u2019s reaction to learning of JFK\u2019s assassination.<\/p>\n

For additional oral history sessions with Vinie<\/strong><\/em> Burrows on:<\/strong><\/em><\/p>\n

\u2013 acting technique<\/a><\/p>\n

\u2013 one woman shows<\/a><\/p>\n

\u2013 working with the UN<\/a><\/p>\n

\u2013 radio show \u201cMore Than Half the World\u201d<\/a><\/p>\n

\u2013 working with Lear DeBessonet & the Public Theatre<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

[aesop_audio hidden=”off” loop=”off” viewend=”off” viewstart=”off” src=”https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/VB1.mp3″ title=”Part 1″] Vinie recounts auditioning for her first Broadway show (of 7). Working with prominent African American actors of the time and the roles available to them on Broadway in 1950. [aesop_audio hidden=”off” loop=”off” viewend=”off” viewstart=”off” src=”https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/VB2.mp3″ title=”Part 2″] Burrows \u2013 OH 2 \u2013 21:54 \u201cYou have the voice\u2026\u201d […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-50","page","type-page","status-publish","hentry"],"metadata":{"_edit_lock":["1513443252:29"],"_edit_last":["29"],"_wp_page_template":["default"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"\nOral History - Vinie Burrows<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/burrows\/oral-history\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oral History - Vinie Burrows\" \/>\n<meta property=\"og:description\" content=\"[aesop_audio hidden=”off” loop=”off” viewend=”off” viewstart=”off” src=”https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/VB1.mp3″ title=”Part 1″] Vinie recounts auditioning for her first Broadway show (of 7). 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