{"id":314,"date":"2017-12-15T21:44:04","date_gmt":"2017-12-16T02:44:04","guid":{"rendered":"https:\/\/performingartslegacy.org\/burrows\/?p=314"},"modified":"2017-12-15T21:44:04","modified_gmt":"2017-12-16T02:44:04","slug":"working-with-lear-debessonet-the-public-theatre-oral-history","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/burrows\/working-with-lear-debessonet-the-public-theatre-oral-history\/","title":{"rendered":"Working with Lear DeBessonet &amp; The Public Theatre (Oral History)"},"content":{"rendered":"<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"1178\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/09\/Vinie-on-working-with-Lear-on-Midsummer-vs-Good-Person-of-Szechwan.mp3'>Two collaborations with Lear DeBessonet: A Midsummer Night's Dream and Good Person of Szechwan<\/a><\/li><li><a href='https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/09\/Vinie-on-working-wiht-Lear-on-Good-Person-of-Szechwan.mp3'>Working with Lear DeBessonet on Good Person of Szechwan<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/09\/Vinie-on-working-with-Lear-on-Midsummer-vs-Good-Person-of-Szechwan.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Two collaborations with Lear DeBessonet: A Midsummer Night's Dream and Good Person of Szechwan\",\"caption\":\"\",\"description\":\"\\\"Vinie on working with Lear on Midsummer vs Good Person of Szechwan\\\" from Vinie on Lear. Released: 2017.\",\"meta\":{\"album\":\"Vinie on Lear\",\"year\":\"2017\",\"length_formatted\":\"2:12\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/burrows\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/burrows\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/09\/Vinie-on-working-wiht-Lear-on-Good-Person-of-Szechwan.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Working with Lear DeBessonet on Good Person of Szechwan\",\"caption\":\"\",\"description\":\"\\\"Vinie on working wiht Lear on Good Person of Szechwan\\\" from Vinie on Lear. Released: 2017.\",\"meta\":{\"album\":\"Vinie on Lear\",\"year\":\"2017\",\"length_formatted\":\"1:25\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/burrows\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/burrows\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<div id=\"attachment_315\" style=\"width: 482px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-315\" class=\" wp-image-315\" src=\"https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan-1024x683.jpg\" alt=\"\" width=\"472\" height=\"315\" srcset=\"https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan-1024x683.jpg 1024w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan-300x200.jpg 300w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan-768x512.jpg 768w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan-816x544.jpg 816w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan-1250x833.jpg 1250w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan-400x267.jpg 400w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/Vinie-Burrows-Good-Person-of-Szechwan.jpg 1600w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><p id=\"caption-attachment-315\" class=\"wp-caption-text\">Vinie Burrows in The Foundry Theatre&#8217;s production of Good Person of Szechwan, with a translation by John Willett and directed by Lear deBessonet, running at The Public Theater.<br \/>Photo credit: Carol Rosegg.<\/p><\/div>\n<div id=\"attachment_290\" style=\"width: 401px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-290\" class=\" wp-image-290\" src=\"https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/tn-500_mndc04.jpg\" alt=\"\" width=\"391\" height=\"260\" srcset=\"https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/tn-500_mndc04.jpg 600w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/tn-500_mndc04-300x200.jpg 300w, https:\/\/performingartslegacy.org\/burrows\/wp-content\/uploads\/sites\/31\/2017\/12\/tn-500_mndc04-400x267.jpg 400w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><p id=\"caption-attachment-290\" class=\"wp-caption-text\">Vinie as First Fairy in &#8220;A Midsummer Night&#8217;s Dream&#8221; at the Delacorte Theater (2017)<br \/>Photo by Jennifer Broski<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":29,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[49],"tags":[],"class_list":["post-314","post","type-post","status-publish","format-standard","hentry","category-oral-history"],"metadata":{"_edit_lock":["1513392245:29"],"_edit_last":["29"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Working with Lear DeBessonet &amp; 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