{"id":800,"date":"2019-04-24T00:00:00","date_gmt":"2019-04-24T00:00:00","guid":{"rendered":"https:\/\/performingartslegacy.org\/dalton\/?p=800"},"modified":"2021-04-27T11:17:58","modified_gmt":"2021-04-27T15:17:58","slug":"film-tv","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/dalton\/film-tv\/","title":{"rendered":"Film\/TV (1984-"},"content":{"rendered":"

80% of success is showing up.<\/p>\n

Woody Allen<\/p><\/blockquote>\n

1987.<\/h2>\n

Wall Street<\/h2>\n

I\u2019m Ready For My Closeup<\/b>\u00a0<\/span><\/h2>\n

One morning before we break for lunch on the set of Wall Street <\/i>one of the ADs announces, \u201cOliver Stone\u2019s looking to upgrade a few actors.\u00a0 <\/span>If you\u2019re interested you can audition.\u201d\u00a0 <\/span>I follow a line of hopefuls and one by one we line up to meet and read for Mr. Stone.\u00a0 <\/span>Waiting on line I realize barely a year ago I was sitting in a dark theater on the Upper West Side of Manhattan watching the film, Platoon,<\/i> about a young infantryman serving in Vietnam. \u00a0<\/span><\/p>\n

I wasn\u2019t sure I even wanted to see Platoon<\/i>.\u00a0 <\/span>I mean I hate those stupid gung-ho rah-rah war movies.\u00a0 <\/span>But I was overcome by emotion watching this idealistic young kid, played by Charlie Sheen, who leaves his university studies to serve his country by doing combat duty in Vietnam come to terms with the immorality and injustice of war.\u00a0 W<\/span>ith tears streaming down my face, all I can think of is my dad and how when he came back from Vietnam I hated him. I blamed him for that war and I felt a huge sense of loss and sadness because it\u2019s been fifteen years since we\u2019ve spoken and\u2014suddenly, I\u2019m jolted back to reality. \u00a0 <\/span><\/p>\n

It\u2019s my turn.\u00a0 <\/span>I step inside the nondescript office, with its white walls, and there sits Oliver Stone at his desk with his back to me.\u00a0 <\/span>From what I\u2019ve been able to surmise Stone is a no-bullshit kind of guy who doesn\u2019t make small talk.\u00a0 <\/span>Growing up with a colonel father I\u2019m familiar with this MO, but it\u2019s still intimidating.\u00a0 <\/span>Oliver, like my dad, is physically a big guy with an imposing presence.\u00a0 <\/span>And when I look at Oliver Stone I see the idealistic young man who, like his protagonist in Platoon, dropped out of Yale and volunteered for two combat tours of Vietnam.\u00a0 <\/span>I see a man full of passion with a deep love of his country.\u00a0 <\/span>I see my father and suddenly my eyes well up.\u00a0 <\/span>I feel my heart pounding, as we exchange hellos.\u00a0 <\/span>He motions for me to sit and hands me a sheet of paper.\u00a0 <\/span><\/p>\n

\u201cJust pick a section and read it,\u201d he says.\u00a0 <\/span>I glance down, blink a couple of times to clear any residual tears, read three lines and he says, \u201cThank you,\u201d and that\u2019s that\u2014end of audition.<\/p>\n

Later that afternoon, I\u2019m informed I\u2019m one of three actors he\u2019s selected to be upgraded.\u00a0 <\/span>I\u2019m beyond excited.\u00a0 <\/span>It\u2019s taken me six years to earn my SAG card and this nine-day job doing background on Wall Street\u00a0<\/i>is not only my first job as a SAG actor but will also be my first speaking part in a movie.\u00a0<\/span><\/p>\n

However, when signing out at the end of the day the PA informs me, \u00a0 <\/span><\/p>\n

\u201cOkay, you\u2019re wrapped till Friday.\u201d \u00a0<\/span><\/p>\n

I feel my heart sink.\u00a0 <\/span>\u201cWait.\u00a0 <\/span>What?\u201d \u00a0<\/span><\/p>\n

\u201cYep, come back on Friday\u2014they\u2019ll shoot your part.\u201d \u00a0<\/span><\/p>\n

\u201cUh\u2014I\u2019m not sure I understand.\u201d<\/p>\n

\u201cYeah, because you\u2019ve now a principal actor which means if you continue to work they\u2019ll have to pay you the principal rate each day.\u201d \u00a0<\/span><\/p>\n

\u201cOh, okay.\u201d<\/p>\n

The PA reading my confusion clarifies, \u201cThe principal rate\u2019s a lot higher.\u00a0 <\/span>Plus the additional money ups the amount your residuals would be.\u201d<\/p>\n

\u201cGot it,\u201d I say.\u00a0 <\/span>And honestly, I don\u2019t care.\u00a0 <\/span>Not only is this my first principal job on a film, but it\u2019s an Oliver Stone movie. \u00a0<\/span><\/p>\n

On Friday I return and spend the day doing my regular routine as a trader on the floor making crosses, miming business, and having faux conversations on the phone. \u00a0 <\/span>At the end of the day all the extras are wrapped and gone.\u00a0 <\/span>I\u2019m just waiting around to shoot my part when I\u2019m approached by one of the AD\u2019s, who informs me,\u00a0<\/span><\/p>\n

\u201cOh, uh\u2013we\u2019re not going to use you after all.\u201d \u00a0<\/span><\/p>\n

\u201cI\u2019m sorry?\u201d \u00a0<\/span><\/p>\n

\u201cYeah, we won\u2019t be needing you.\u201d \u00a0<\/span><\/p>\n

I feel panic, but then something like steel and grit rises up in me.\u00a0 <\/span>I taste something metallic in my mouth, stand up straight, look him in the eye, and say, \u201cWell, Oliver Stone hired me, so he\u2019s going to have to fire me.\u201d \u00a0<\/span><\/p>\n

And with that, I turn and I march myself over to Oliver\u2019s office and wait outside.\u00a0 <\/span>Finally, the door opens, and out walks someone.\u00a0 <\/span>I take a deep breath and step inside.\u00a0 <\/span>Oliver looks at me curiously and asks,\u00a0<\/span><\/p>\n

\u201cWhat are you doing here?\u201d\u00a0<\/span><\/p>\n

\u201cI just wanted to make sure I\u2019m still doing my part today.\u201d \u00a0<\/span><\/p>\n

\u201cOf course you are.\u201d \u00a0<\/span><\/p>\n

\u201cThank you,\u201d I say and turn around and leave. \u00a0<\/span><\/p>\n

Once outside his office, I look for the AD who tried to shoo me away, but he\u2019s nowhere to be found.\u00a0 <\/span>Later, I discovered through the actor grapevine, that AD tried to get rid of me because he wanted his girlfriend to do the part.\u00a0<\/span><\/p>\n

Suddenly, someone motions for me to sit at one of the trading desks.\u00a0 <\/span>There\u2019s a lot of commotion around me as the lighting and sound are being set up.\u00a0 <\/span>One woman powders my face while another brushes my hair.\u00a0 <\/span>Someone else hands me a five-pound dumbbell and I begin doing bicep curls with my right hand.\u00a0 <\/span>Oliver says, \u201cYou\u2019re on the phone, making a trade.\u201d\u00a0 <\/span>I pick up the receiver.<\/p>\n

Needing to keep my nerves in check I practice this Yoga exercise I know to center myself.\u00a0 <\/span>Inhale.\u00a0 <\/span>1-2-3.\u00a0 <\/span>Hold. 1-2-3. \u00a0 <\/span>Exhale 1-2-3.\u00a0 <\/span>Repeat.\u00a0 <\/span>While focusing on my breath I silently say my lines.\u00a0 <\/span>\u201cThis is really special.\u00a0 <\/span>Anacott Steel.\u00a0 <\/span>Paint the tape.\u201d\u00a0 <\/span>I did my homework so I know \u2018paint the tape\u2019 is an antiquated phrase meaning buy all the stock you can.\u00a0 <\/span>Tape refers to the ticker tape where the trades appear.\u00a0 <\/span>Back in the day, they actually used ticker tape.\u00a0 <\/span>Today everything\u2019s computerized, of course. \u00a0<\/span><\/p>\n

Once they\u2019re ready to go the script supervisor leans in and whispers in my ear, \u201cThis is a conspiracy.\u201d\u00a0 <\/span>The light bulb in my mind turns on and everything drops away.\u00a0 <\/span>It\u2019s just me\u2014a trader at my desk on the phone.\u00a0 <\/span>In the far recesses of my mind I hear Oliver say, \u201cAction,\u201d and I say my lines as I pump iron.\u00a0 <\/span>When I finish Oliver shakes my hand, \u201cNice job.\u201d \u00a0<\/span><\/p>\n

One take and that\u2019s that.\u00a0 <\/span>I\u2019m signed out and leave with a copy of my principal contract.\u00a0 <\/span>It reads Screen Actors Guild, Daily Contract for Theatrical Motion Pictures, June 19, 1987, Jill Dalton, Wall Street, Trader #9, $379.00.<\/p>\n

A couple of weeks later I attend the wrap party.\u00a0 <\/span>The place is packed.\u00a0 <\/span>Looking around I spot Oliver talking to a couple of people.\u00a0 <\/span>After a glass of Chardonnay to get my courage up, I approach Oliver and jokingly ask, \u201cSo are you going to keep me in the movie?\u201d \u00a0<\/span><\/p>\n

He smiles and in his no-bullshit way says, \u201cI like what you did.\u00a0 <\/span>Very conspiratorial.\u201d \u00a0<\/span><\/p>\n

Wall Street <\/i>opens in December 1987 to stellar reviews.\u00a0 <\/span>It\u2019s a huge hit and \u00a0<\/span>once again I find myself sitting in a sold-out dark theater on the Upper West Side of Manhattan, but this time I\u2019m squirming in my seat.\u00a0 <\/span>What if\u00a0 <\/span>I suck?\u00a0 <\/span>What if I look horrible?\u00a0 <\/span>Forget that, what if I don\u2019t even make it into the film? \u00a0<\/span><\/i><\/p>\n

Wrapping my arms around my ribcage to steady my breathing, I watch the film.\u00a0 <\/span>And sure enough about mid-way through there I am in the lower left-hand corner of the screen in the montage sequence about Anacott Steel.\u00a0 <\/span>I\u2019m so taken aback by seeing my face amplified and looming above me on the big screen I don\u2019t hear one word I said.\u00a0 <\/span>But I\u2019m so grateful not only did I not end up on the cutting room floor, but to this day I still get residuals from that movie.\u00a0 <\/span>Thank you Oliver Stone.<\/p>\n

\"\"

Wall Street c. 1987<\/p><\/div>\n

I joined AFTRA in 1984 and worked on the SOAPS for a good ten. years. \u00a0In 1978 when I moved to New York City I began doing Off-Off Broadway and also did Stand-up Comedy from 1991\u20131995.<\/p>\n

1998.<\/strong><\/h2>\n

54<\/h2>\n

An\u00a0American drama written and directed by Mark Christopher, about Studio 54, the world-famous New York City discotheque. It stars Ryan Phillippe, Salma Hayek, Neve Campbell, and Mike Myers as Steve Rubell, the club\u2019s co-founder.<\/p>\n

I worked as an extra for two nights on the film \u201c54.\u201d \u00a0They had us outside in our little disco outfits as wannabes trying to get into Studio 54. \u00a0It was freezing outside with horrible winds, but they set up heaters for us. \u00a0However, after our first take the heaters blew the fuses and we ended up working outside in the freezing cold, windy night for 15 hours. \u00a0When I looked at the temperature on the clock down the block it read 21 degrees. \u00a0I was sick for a month. \u00a0I wrote to SAG to complain and got no response. \u00a0The saving grace of this job was I got a call from the casting director, Lori Eastside, and she booked me on a looping job for the film. \u00a0 This was my first looping gig. \u00a0It was fun and looping is paid at the principal actor rate with residuals. \u00a0Nice work if you can get it.<\/p>\n

1999.<\/strong><\/h2>\n

Saturday Night Live (SNL)<\/strong><\/h2>\n

<\/h2>\n

For several years I worked as a regular background player on SNL. \u00a0Then one day I was asked to play Mrs. Cuba Gooding, Jr. to Tracy Morgan\u2019s Cuba. It was for the \u201cOscars Pre-Show.\u201d \u00a0Drew Barrymore was hosting the show that week. \u00a0Ana Gasteyre played Joan Rivers and she was interviewing Cuba (Tracy) on the red carpet when suddenly she went a little crazy and bit me on the neck like a vampire. \u00a0They cut and put blood on me and since it was the \u201ccold open\u201d Ana Gasteyre flew up in the air and into the camera said, \u201cLive from New York, it\u2019s Saturday Night!\u201d<\/p>\n

\"\"

L to R: Ana Gasteyre, Tracy Morgan, and Jill Dalton<\/p><\/div>\n

2002.<\/strong><\/h2>\n

Law & Order<\/strong><\/h2>\n

This is my first principal role on Law & Order. \u00a0I played Roberta Miller. \u00a0My daughter died from e-coli poisoning from tainted meat due to unsanitary conditions at a meat processing plant. \u00a0I did the scene with Sam Waterson and Elizabeth R\u00f6hm. \u00a0The episode was directed by Constantine Makris.<\/p>\n

\"\"

Roberta Miller on “Law and Order” c. 2001<\/p><\/div>\n

2003<\/strong>.<\/span><\/h2>\n

Law & Order<\/strong><\/h2>\n

I played Megan Goddard on the Season Premiere of Law & Order. \u00a0This time my daughter had been murdered by a serial killer. \u00a0My scene on the witness stand was 3 1\/2 pages\u2013the longest scene in the entire episode. \u00a0The episode was also directed by Constantine Makris.<\/p>\n

\"\"

Megan Goddard on “Law and Order” c. 2003<\/p><\/div>\n\n

2003.<\/strong><\/h2>\n

Law & Order: Criminal Intent<\/strong><\/h2>\n

I\u2019d been working as a regular background player in the Squad Room since the beginning and it felt good to get a part. \u00a0I was cast as\u00a0the Police Aide in a scene with Vincent D\u2019Onofrio and Jamie Sheridan, but it was cut out of the episode because the show was running long. \u00a0The episode was directed by Steve Schill who had to leave due to other commitments so by the time I did my scene Frank Prinzi was directing.<\/p>\n

Wardrobe put this adorable sign on my dressing room door.<\/p>\n

\"\"<\/p>\n

And I received a lovely letter from Fred Berner, Co-Executive Producer.<\/p>\n

\"\"<\/p>\n

2005. \u00a0<\/strong><\/h2>\n

AMERICAN MEDICAL ASSOCIATION <\/strong><\/h2>\n

National commercial<\/strong><\/p>\n

I played a new mother who had just given birth. \u00a0Don’t ask. \u00a0Don’t tell.<\/p>\n

\"\"

Jill Dalton as new mom c. 2005.<\/p><\/div>\n

2006. \u00a0<\/strong><\/h2>\n

VERIZON <\/strong><\/h2>\n

\u2013 National Commercial.<\/strong><\/b><\/p>\n

I was part of the Network. \u00a0\u201cCan you hear me now?\u201d<\/b><\/p>\n

\u00a0<\/strong><\/h2>\n

2008. \u00a0<\/strong><\/h2>\n

Rachael Getting Married<\/h2>\n

directed by Jonathan Demme, starring Anne Hathaway.<\/p>\n

I play a recovering alcoholic in an AA Meeting. \u00a0My part didn\u2019t make it into the final cut of the film but can be seen in the \u201cAdditional Scenes\u201d section on the DVD.<\/p>\n

\"\"

“Rachael Getting Married” c. 2008<\/p><\/div>\n

2009.\u00a0<\/strong><\/h2>\n

Veronika Decides to Die<\/h2>\n

directed by Emily Young, starring Sarah Michelle Gellar.<\/p>\n

I was hired to be featured background in a boardroom scene. \u00a0The director, Emily Young, asked us to improvise in the scene and a few of us, myself included, were upgraded to principal actors.<\/p>\n

2011. \u00a0<\/strong><\/h2>\n

Too Big To Fail<\/strong><\/h2>\n

directed by Curtis Hanson, starred William Hurt as Hank Paulson.<\/p>\n

I play John Mack\u2019s Assistant. \u00a0John Mack was played by Tony Shalhoub. \u00a0That\u2019s me on the left. \u00a0Tony cussed me out in the scene. \u00a0I rolled my eyes and it got. laugh. \u00a0I think it was the only laugh in the film.<\/p>\n

\"\"

Jill Dalton (left) in “Too Big to Fail.” c. 2011<\/p><\/div>\n

2018.<\/h2>\n

The Looming Tower<\/h2>\n

starring Jeff Daniels.<\/p>\n

I did four episodes as Richard Clark\u2019s secretary (Beverly) in the White House. \u00a0I only appear in three episodes.<\/p>\n

\"\"

Jill Dalton in “The Looming Tower” c. 2018<\/p><\/div>\n

2018.<\/h2>\n

Braid<\/span><\/h2>\n

a psychological thriller, written and directed by Mitzi Peirone, starring Madeline Brewer.<\/p>\n

I play Madeline Brewer as her older self. \u00a0\u201cBraid\u201d premiered at the 2018 Tribeca Film Festival and has gone on to open in theaters across the country to stellar reviews.<\/p>\n

\"\"

Jill Dalton in “Braid” c. 2018<\/p><\/div>\n

2018. \u00a0<\/strong><\/h2>\n

The Last Love Letter<\/h2>\n

directed by Ian Kammer.<\/p>\n

This is actually a commercial, but I\u2019ve included it because it was shot like a film. \u00a0I play Anna Banana a grieving wife whose husband has just died from diabetes. \u00a0I cried a lot that day. \u00a0I\u2019m the only one in the commercial and it was just renewed.<\/p>\n

\"\"<\/p>\n

2019. \u00a0<\/strong><\/h2>\n

Tigertail (Netflix)<\/strong><\/h2>\n

written, directed, acted, and produced by Allan Yang who won the Emmy for his Netflix series, \u201cMaster of None.\u201d<\/p>\n

I play Gretchen Gover\u2019s girlfriend. \u00a0Grover is played by the amazing\u00a0Tzi Ma.<\/p>\n

\"\"

Tzi Ma and Jill Dalton on “Tigertail” c. 2019<\/p><\/div>\n

2019. \u00a0<\/strong><\/h2>\n

Succession – HBO Series<\/h2>\n

I play a diner. \u00a0The amazing part of this job is I was on location for three days in Lake Placid, NY. \u00a0I also got to meet the amazingly brilliant Brian Cox, Danny Houston, and Holly Hunter who was coming in as I was leaving.<\/p>\n

\"\"

On location in Lake Placid, NY for HBOs, Succession. c. 2019<\/p><\/div>\n\n

Things Heard & Seen (Netflix-2020)<\/h2>\n

Things Heard and Seen is an upcoming American horror thriller film, written and directed by Shari Springer Berman and Robert Pulcini, based upon the novel All Things Cease to Appear by Elizabeth Brundage. It stars Amanda Seyfried, James Norton, Natalia Dyer, Rhea Seehorn, Alex Neustaedter, Karen Allen, Michael O’Keefe, Ana Sophia Heger, and F. Murray Abraham. \u00a0The production is due out fall 2020.<\/p>\n

\"\"

Brian Corrigan (Mr. Pratt), Jill Dalton (Mrs. Pratt), and Ana Sophia Heger (Franny Claire)<\/p><\/div>\n

FBI on CBS<\/h2>\n

Season 03. Episode 10. “Checks and Balances”<\/strong><\/p>\n

\"\"<\/p>\n

I played Betsy Kirkland and Michael O’Leary played my husband, Howard Kirkland. Howard is a security guard for the FBI and decides to moonlight to help pay off his wife’s recent hospital bills. Betsy drops Howard off at the Check Cashing place when Howard will be working but once inside he encounters a robbery in process and is shot and killed. \u00a0Betsy is called to the scene and discovers her husband is dead.<\/p>\n

Stay tuned . . . \u00a0more to come . . .<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

80% of success is showing up. Woody Allen 1987. Wall Street I\u2019m Ready For My Closeup\u00a0 One morning before we break for lunch on the set of Wall Street one of the ADs announces, \u201cOliver Stone\u2019s looking to upgrade a few actors.\u00a0 If you\u2019re interested you can audition.\u201d\u00a0 I follow a line of hopefuls and […]<\/p>\n","protected":false},"author":112,"featured_media":375,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[142],"tags":[],"class_list":["post-800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-tv"],"metadata":{"_edit_lock":["1619536681:112"],"_thumbnail_id":["375"],"_edit_last":["112"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_wp_old_date":["2019-03-25"],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"]},"acf":[],"yoast_head":"\nFilm\/TV (1984- Jill Dalton<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/dalton\/film-tv\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film\/TV (1984- Jill Dalton\" \/>\n<meta property=\"og:description\" content=\"80% of success is showing up. Woody Allen 1987. Wall Street I\u2019m Ready For My Closeup\u00a0 One morning before we break for lunch on the set of Wall Street one of the ADs announces, \u201cOliver Stone\u2019s looking to upgrade a few actors.\u00a0 If you\u2019re interested you can audition.\u201d\u00a0 I follow a line of hopefuls and […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/dalton\/film-tv\/\" \/>\n<meta property=\"og:site_name\" content=\"Jill Dalton\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-24T00:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-04-27T15:17:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/dalton\/wp-content\/uploads\/sites\/109\/2019\/03\/Bodies-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"568\" \/>\n\t<meta property=\"og:image:height\" content=\"454\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Jill Dalton\" 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