{"id":849,"date":"2019-04-29T00:00:00","date_gmt":"2019-04-29T04:00:00","guid":{"rendered":"https:\/\/performingartslegacy.org\/dalton\/?p=849"},"modified":"2020-05-18T09:34:53","modified_gmt":"2020-05-18T13:34:53","slug":"memoirs","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/dalton\/memoirs\/","title":{"rendered":"Writing"},"content":{"rendered":"\n

The act of writing is the act of discovering what you believe.<\/p>\n

David Hare<\/p><\/blockquote>\n\n

WHISTLE-BLOWER<\/strong><\/h3>\n

\u00a0<\/strong>by Jill Dalton<\/p>\n\n

<\/h4>\n

2015 Semi-finalist Eugene O\u2019Neill Playwrights Conference<\/h3>\n\n

WHISTLE-BLOWER<\/strong> based on Pvt. Bradley (Chelsea) Manning who was sentenced to thirty-five years in prison for exposing U.S. war crimes.<\/p>\n

An idealistic young kid with gender identity issues joins the U.S. Army to save his soul and defend his country, but instead uncovers and exposes corruption and war crimes at the highest levels of government.<\/p>\n

6 actors.\u00a0 4 of them play several parts.<\/p>\n

Staged reading of WHISTLE-BLOWER @ Polaris North in NYC.<\/strong><\/p>\n

\u201cYour play is a triumph \u2013 I\u2019m blown away.\u00a0 <\/span><\/b>This is a Pulitzer Prize winning Broadway show \u2013 save me a seat.\u201d \u00a0 \u00a0<\/b>Mary Teitelbaum<\/p><\/blockquote>\n

\"\"

Cast L to R: \u00a0Jim Nugent, Leslie Lynn Meeker, Sam Lubin, John Edgar Moser, Nathaniel Janis, Keith Herron, Lauren Williams, & Alix Elias<\/p><\/div>\n

i was so absorbed in the story line I completely forgot about the actors perfomances\u2026..THEY WERE GREAT. \u00a0 \u00a0Richard Gordon<\/p><\/blockquote>\n

\"\"

John Edgar Moser as Bradley\/Chelsea Manning<\/p><\/div>\n

\u201cCaptivating, all the way through.\u00a0 <\/span>Intelligent, well-written, funny . . .How to get people to come when they think it\u2019s \u2018just\u2019 a \u201cpolitical play,\u201d when it is so much more than that, very human, very full.\u00a0 <\/span>I am very impressed.\u00a0 <\/span>Are there plans to move it on?\u201d\u00a0 <\/span>Kam Metcalf<\/p><\/blockquote>\n

\"\"

WHISTLE-BLOWER script<\/p><\/div>\n

\"\"<\/p>\n

\"\"

WHISTLE-BLOWER invite<\/p><\/div>\n

\"\"

LtoR: James Nugent, Jill Dalton, & John Edgar Moser in a scene from WHISTLE-BLOWER.<\/p><\/div>\n

If you aren\u2019t writing your story, your story is always being written for you by others. \u00a0And if you aren\u2019t telling your story, your story is always being told to you by others.<\/p>\n

Wajahat Ali<\/p><\/blockquote>\n

. \u00a0 \u00a0. \u00a0 \u00a0.<\/strong><\/p>\n\n

COLLATERAL DAMAGE<\/strong><\/h3>\n

by Jill Dalton<\/p>\n

2014 Semi-finalist Eugene O\u2019Neill Playwrights Conference<\/strong><\/em><\/h2>\n

COLLATERAL DAMAGE<\/strong> explores the invisible costs of war.\u00a0 What happens when a warrior returns from war with all their physical and psychological wounds and inflicts them on his family?<\/p>\n

An idealistic southern Army brat, Laurie Cameron, defies her Colonel\/father, as she struggles to stop the Vietnam War, and learns first hand the untold cost of war on her family, but finds solace and redemption in, of all places, stand-up comedy.\u00a0 After many years she returns home on the eve of her father\u2019s funeral, where she must face her demons and her combative angry alcoholic brother in order to heal their relationship, forgive her father and herself, and make peace with the past.<\/p>\n

5 main characters.
\n1 supernumerary
\n1 with one short speech<\/p>\n

I did a reading of COLLATERAL DAMAGE with William Hurt reading the part of the Colonel. His presence and reading were wonderful. \u00a0I was blessed to have him there.<\/p>\n

The cast included:<\/p>\n

Amy Metroka (Laurie Cameron)
\nKeith Herron (Jack Cameron)
\nWilliam Hurt (Colonel Cameron)
\nMary Ann Hay (Judi Cameron)
\nJames Wirt (Johnny)
\nGrant Machan (Announcers\/MC\/National Guard\/Soldier)
\nAnne Pasquale (Stage Directions)<\/p>\n

The next incarnation was a staged reading at Polaris North directed by Jack McCullough.<\/p>\n

The cast included:<\/p>\n

Jill Dalton (Laurie Cameron)
\nKeith Herron (Jack Cameron)
\nRichard Marshall (Colonel Cameron)
\nMary Ann Hay (Judi Cameron)
\nJames Wirt (Johnny)
\nGrant Machan (Announcers\/MC\/National Guard\/Soldier)
\nAnne Pasquale (Stage Directions)<\/p>\n

\"\"

LtoR: Keith Herron, Jill Dalton, Mary Ann Hay, Anne Pasquale, and Grant Machan.<\/p><\/div>\n

Collateral Damage is a WINNER \u2026 expecting it to hit Broadway.<\/span>\u00a0 Sunday show was fantastic \u2026 this play is brilliant! The acting was superb!\u201d \u00a0 \u00a0Susan McCauley<\/span><\/p><\/blockquote>\n

\"\"

Jill Dalton (Laurie) and James Wirt (Johnny)<\/p><\/div>\n

Such a good show \u2013 the acting \/the writing\/ the direction\/ Hats off to u Jill Dalton, and your ensemble! \u00a0Cindy Wilks<\/p><\/blockquote>\n

\"\"

LtoR: Keith Herron (Jack), Jill Dalton (Laurie), and David Licht (Colonel)<\/p><\/div>\n

Bravo to all of you! The multi-layered and agile writing, fluid direction, and laser-sharp performances all make for a powerful work that must be seen by more audiences. Precise and poignant without ever being preachy. I enjoyed all of you. Truly well done!\u00a0 \u00a0 <\/span>Kris Lew<\/p><\/blockquote>\n

\"\"

LtoR: Mary Ann Hay (Judi), Jill Dalton (Laurie), and Anne Pasquale (stage directions)<\/p><\/div>\n

It\u2019s a gem: truth and wit! \u00a0Mary Ann Sekely<\/p><\/blockquote>\n

\"\"

LtoR: James Wirt (Johnny) and David Licht (Colonel)<\/p><\/div>\n

\"\"

LtoR: Keith Herron (Jack), David Licht (Colonel), Jill Dalton (Laurie), and Mary Ann Hay (Judi)<\/p><\/div>\n

\"\"<\/p>\n

\"\"

Cast bios<\/p><\/div>\n

\"\"

LtoR: Jack McCullough (director) and Jill Dalton (playwright) during Q & A after reading.<\/p><\/div>\n

\"\"<\/p>\n

. \u00a0 \u00a0. \u00a0 \u00a0.<\/strong><\/p>\n\n

LIZZIE BORDEN LIVE!<\/strong><\/h3>\n

by Jill Dalton<\/p>\n

I\u2019m sitting across the dining room table from Gail Stahlhuth at her Christmas dinner when she asks me,\u00a0<\/span><\/p>\n

\u201cHow would you like to write a play about Lizzie Borden?\u201d<\/p>\n

This catches me a little off guard,\u00a0<\/span><\/p>\n

\u201cNo. \u00a0I mean\u2026I don\u2019t need a homicidal maniac running around in my head.\u201d \u00a0<\/span><\/p>\n

\u201cShe was acquitted, you know.\u201d \u00a0<\/span><\/p>\n

\u201cOh, I didn\u2019t know. \u00a0I thought they hung her like in the ballet?”<\/p>\n

\u201cNope. \u00a0Well, think about it.\u201d<\/p>\n

I go home and immediately forget about it.\u00a0 <\/span>A few days later, Gayle calls,\u00a0<\/span><\/p>\n

\u201cSo what do you think?\u201d \u00a0<\/span><\/p>\n

\u201cAbout what?\u201d \u00a0<\/span><\/p>\n

\u201cWriting a solo play about Lizzie Borden.\u201d \u00a0<\/span><\/p>\n

\u201cOh, you\u2019re serious.\u201d \u00a0<\/span><\/p>\n

\u201cYes, I\u2019m serious.\u00a0 <\/span>And I\u2019ll pay you, and you\u2019ll do the world premiere down here in Cape May and it\u2019ll be an Equity contract.\u201d \u00a0<\/span><\/p>\n

\u201cOh, okay, well, let me do a little research, and see how I feel about it.\u201d\u00a0 <\/span>And thus began my decade long rendezvous with the notorious Lizzie Borden.<\/p>\n

LIZZIE BORDEN LIVE!\u00a0<\/strong>was commissioned in 2006 by Gayle Stahlhuth and had its world premiere at\u00a0the East Lynne Theatre Company\u00a0in Cape May, NJ in August 2007. \u00a0The play had a successful five-week run with accolades from critics and audiences alike. \u00a0The play then went on to tour NYC, RI, MA, and AZ.<\/p>\n

Ms. Dalton received THE JACOBY AWARD<\/strong> for her performance of Lizzie.<\/p>\n

\"\"

c. 2007<\/p><\/div>\n

\"\"<\/p>\n

DRAMATIC QUESTION: \u00a0Will a wealthy New England spinster find happiness after being accused, tried, and acquitted of the brutal hatchet murders of her father and stepmother?<\/strong><\/p>\n

\"\"<\/p>\n

Dalton \u00a0runs the gamut of emotions in this play from a supposedly mild Christian woman to that of a ruthless murderer.<\/p>\n

Jacob Schaad, Jr. , CAPE MAY GAZETTE<\/p><\/blockquote>\n

\"\"

THE CAPE MAY GAZETTE, Aug. 9, 2007<\/p><\/div>\n

See separate LIZZIE BORDEN LIVE! highlight.<\/p>\n

Prior to Lizzie, there was . . .<\/p>\n\n\n

MY LIFE IN THE TRENCHES<\/strong><\/h3>\n

An autobiographical solo play by Jill Dalton<\/strong><\/p>\n

I played 23 characters.<\/p>\n

A thirty-year siege through her southern roots, a fractured war-torn family, addictions, marriage, recovery, death, divorce, New York City, and acting with many detours along the way before she\u2019s finally able to let go of her past and excavate her authentic self.<\/p>\n

\"\"<\/p>\n

In 2003 the TRINITY REPERTORY COMPANY under the direction of Oskar Eustis said,<\/p>\n

It\u2019s an engaging piece full of humor and theatrical sensibility. \u00a0The story moves quickly and effectively through its biological timeline, while maintaining, the audience-actor relationship necessary to keep the material active.<\/p>\n

Literary Department, Trinity Repertory Company<\/p><\/blockquote>\n

I developed and performed the show from 2000 \u2013 2006. \u00a0The piece was directed by my friend, Jack McCullough, a 1982 graduate of the Trinity Repertory Conservatory in Providence, RI where he studied acting and directing and was a recipient of the Peter Kaplan Acting Fellowship for Trinity Rep\u2019s \u201984-85 season. \u00a0Jack helped to guide this ship and I am forever grateful to him for this. \u00a0He believed in me, which made me believe in myself.<\/p>\n

This play changed my life in huge ways. \u00a0Because I played both my parents and actually wore my father\u2019s uniform I was able to literally experience life through their eyes. \u00a0And through \u00a0this experience, I was able to heal my childhood wounds. \u00a0I believe this play came into being to heal me and subsequently, the play healed others. \u00a0I had many people express this to me including a Vietnam vet who said, \u201cI didn\u2019t realize I was suffering from PTSD until I saw your show.\u201d<\/p>\n

Writing and performing this piece was terrifying and exhilarating.<\/p>\n

(See separate highlight for\u00a0MY LIFE IN THE TRENCHES<\/strong>)<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"

In front of The Kitchen Theatre Company in Ithaca, NY c. 2006<\/p><\/div>\n

Before TRENCHES I did stand up comedy, which started me writing jokes and those jokes lead me to write and performing short solo pieces, which lead to me putting some of those pieces together in a full-length solo piece called, CALLING ON GOD,<\/strong> which I performed at Surf Reality. \u00a0I just kept following my muse. \u00a0Wherever she lead me I went.<\/p>\n

\n

The \u201ccreative life\u201d is not an easy choice, but for me it was the only choice.<\/strong><\/em><\/p>\n

Jill Dalton<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

The act of writing is the act of discovering what you believe. David Hare WHISTLE-BLOWER \u00a0by Jill Dalton 2015 Semi-finalist Eugene O\u2019Neill Playwrights Conference WHISTLE-BLOWER based on Pvt. Bradley (Chelsea) Manning who was sentenced to thirty-five years in prison for exposing U.S. war crimes. An idealistic young kid with gender identity issues joins the U.S. […]<\/p>\n","protected":false},"author":112,"featured_media":810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight"],"metadata":{"_edit_lock":["1589808897:112"],"_edit_last":["112"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["810"],"_wp_old_date":["2019-03-31"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"\nWriting - Jill Dalton<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/dalton\/memoirs\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Writing - Jill Dalton\" \/>\n<meta property=\"og:description\" content=\"The act of writing is the act of discovering what you believe. 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