{"id":257,"date":"2000-10-26T00:00:00","date_gmt":"2000-10-26T00:00:00","guid":{"rendered":"https:\/\/performingartslegacy.org\/deshields\/?p=257"},"modified":"2019-04-08T16:36:45","modified_gmt":"2019-04-08T20:36:45","slug":"the-full-monty","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/deshields\/the-full-monty\/","title":{"rendered":"THE FULL MONTY"},"content":{"rendered":"<p>\t<img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-486 alignnone\" src=\"https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2018\/01\/Full-Monty-marquee-NYC-683x1024.jpg\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" srcset=\"https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2018\/01\/Full-Monty-marquee-NYC-683x1024.jpg 683w, https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2018\/01\/Full-Monty-marquee-NYC-200x300.jpg 200w, https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2018\/01\/Full-Monty-marquee-NYC-768x1152.jpg 768w, https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2018\/01\/Full-Monty-marquee-NYC-816x1224.jpg 816w, https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2018\/01\/Full-Monty-marquee-NYC-400x600.jpg 400w, https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2018\/01\/Full-Monty-marquee-NYC.jpg 1067w\" alt=\"\" width=\"616\" height=\"924\"><\/p>\n<h3 id=\"ui-id-5\">THE OLD GLOBE, SAN DIEGO<\/h3>\n[aesop_gallery transition=&#8221;crossfade&#8221; galleryType=&#8221;sequence&#8221; id=&#8221;464&#8243;]\n<h6><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Old Globe for poster, Craig Schwartz for photos&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:3,&quot;3&quot;:{&quot;1&quot;:0,&quot;3&quot;:1},&quot;4&quot;:[null,2,16750848]}\">Old Globe for poster, Craig Schwartz for photos<\/span><\/h6>\n<h4 style=\"text-align: left;\"><strong><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;DROP&nbsp; . . .&nbsp; <a href=\"https:\/\/performingartslegacy.org\/deshields\/the-full-monty\/\">EVERYTHING!<\/a><\/em><\/strong><\/h4>\n[aesop_gallery pslayout=&#8221;111&#8243; transition=&#8221;crossfade&#8221; galleryType=&#8221;photoset&#8221; id=&#8221;524&#8243;]\n<h3>BROADWAY<\/h3>\n[aesop_gallery pslayout=&#8221;2421&#8243; transition=&#8221;crossfade&#8221; galleryType=&#8221;photoset&#8221; id=&#8221;478&#8243;]\n<h6 style=\"text-align: right;\">&nbsp;<span style=\"color: #ff0000;\">Playbill Images used by Permission. All rights reserved, Playbill Inc.<\/span><\/h6>\n<h3>&nbsp;<strong><em>THE SHOW<\/em><\/strong><\/h3>\n[aesop_gallery pslightbox=&#8221;on&#8221; pslayout=&#8221;1121212111&#8243; transition=&#8221;crossfade&#8221; galleryType=&#8221;photoset&#8221; id=&#8221;519&#8243;]\n<h6><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Kirk McKoy for Getty Images&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:3,&quot;3&quot;:{&quot;1&quot;:0,&quot;3&quot;:1},&quot;4&quot;:[null,2,16711935]}\">Craig Schwartz<\/span><\/h6>\n<h3><strong><em>TONY NOMINATION<\/em><\/strong><\/h3>\n[aesop_gallery pslightbox=&#8221;on&#8221; transition=&#8221;crossfade&#8221; galleryType=&#8221;grid&#8221; id=&#8221;518&#8243;]\n<h6><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Anita Shevett&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:2051,&quot;3&quot;:{&quot;1&quot;:0,&quot;3&quot;:1},&quot;4&quot;:[null,2,16711935],&quot;14&quot;:[null,2,0]}\">Photo by Anita and Steve Shevett<\/span><\/h6>\n<h3><strong><em>Andr\u00e9 and Brother George on their way to Radio City Music Hall for the Tony Award Ceremony.<\/em><\/strong><\/h3>\n[aesop_gallery transition=&#8221;crossfade&#8221; galleryType=&#8221;grid&#8221; id=&#8221;520&#8243;]\n<h6><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Merle Frimark&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:3,&quot;3&quot;:{&quot;1&quot;:0,&quot;3&quot;:1},&quot;4&quot;:[null,2,65535]}\">Photo by Merle Frimark<\/span><\/h6>\n<h5><a href=\"https:\/\/www.youtube.com\/watch?v=5TqQ3M_4YXs\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=5TqQ3M_4YXs'); return false;\">Click here to see their Tony Award performance.<\/a><\/h5>\n<h3 id=\"ui-id-6\">LONDON\u2019S WEST END<\/h3>\n[aesop_gallery pslightbox=&#8221;on&#8221; pslayout=&#8221;322&#8243; transition=&#8221;crossfade&#8221; galleryType=&#8221;photoset&#8221; id=&#8221;468&#8243;]\n<h6><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;London Production Company&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:3,&quot;3&quot;:{&quot;1&quot;:0,&quot;3&quot;:1},&quot;4&quot;:[null,2,65535]}\">Photos by London Production Company<\/span><\/h6>\n<h3 style=\"text-align: left;\">And here He is! The man who brought you Xander the Unconquerable (WARP) . . . the Negro from Oh, Ocho Rios (RACHAEL LILY ROSENBLOOM) . . . the man who taught you how to <em>Believe in Yourself<\/em> (THE WIZ) . . . the man who\u2019s got <em>Rocks in His Bed<\/em> (PLAY ON!) . . . the \u201c<a href=\"https:\/\/www.broadwayworld.com\/cabaret\/article\/Andre-De-Shields-Brings-I-PUT-A-SPELL-ON-YOU-to-Laurie-Beechman-105-12-20121011\" onclick=\"javascript:window.open('https:\/\/www.broadwayworld.com\/cabaret\/article\/Andre-De-Shields-Brings-I-PUT-A-SPELL-ON-YOU-to-Laurie-Beechman-105-12-20121011'); return false;\">most lethal pelvis since Elvis<\/a>\u201d (AIN\u2019T MISBEHAVIN\u2019) . . .<\/h3>\n<h3 style=\"text-align: center;\">Let\u2019s hear it for . . .<\/h3>\n<h2 style=\"text-align: center;\"><a href=\"https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2000\/10\/07-Big-Black-Man.mp3\"> THE<\/a><\/h2>\n<h2 style=\"text-align: center;\"><a href=\"https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2000\/10\/07-Big-Black-Man.mp3\">BIG<\/a><\/h2>\n<h2 style=\"text-align: center;\"><a href=\"https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2000\/10\/07-Big-Black-Man.mp3\">BLACK<\/a><\/h2>\n<h2 style=\"text-align: center;\"><a href=\"https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2000\/10\/07-Big-Black-Man.mp3\">MAN!!<\/a><\/h2>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.youtube.com\/watch?v=tHpLXGMwwXQ\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=tHpLXGMwwXQ'); return false;\">Click here to hear Andr\u00e9 perform his showstopper from <em>The Full Monty<\/em> original cast album.<\/a><\/p>\n<h1 style=\"text-align: center;\"><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>THE OLD GLOBE, SAN DIEGO [aesop_gallery transition=&#8221;crossfade&#8221; galleryType=&#8221;sequence&#8221; id=&#8221;464&#8243;] Old Globe for poster, Craig Schwartz for photos &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; [&hellip;]<\/p>\n","protected":false},"author":31,"featured_media":486,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-career-highlight"],"metadata":{"_customize_changeset_uuid":["b2fa1b4d-a6b2-4d1c-b40d-f4fd32f7ab35"],"_edit_lock":["1554756236:38"],"_edit_last":["38"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["486"],"enclosure":["https:\/\/performingartslegacy.org\/deshields\/wp-content\/uploads\/sites\/33\/2000\/10\/07-Big-Black-Man.mp3\r\n9100636\r\naudio\/mpeg\r\n"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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Mr. De Shields is an esteemed alumnus of the University of Wisconsin-Madison (UWM), where in 1970 he earned a BA in English. In May of 2004 the UWM bestowed upon him an honorary Doctor of Fine Arts, followed by a second honorary Doctor of Fine Arts from SUNY-Buffalo State in September of that same year. Mr. De Shields completed his graduate work at New York University's Gallatin School of Individualized Study, where in 1991 he received his MA in African American Studies. His numerous accolades also include the 2007 Village Voice OBIE Award for Sustained Excellence of Performance, the 2009 National Black Theatre Festival's Living Legend Award, a 2012 Fox Foundation Fellowship in Distinguished Achievement, Florida Atlantic University's 2014 Making Waves Award, the Theatre School at DePaul University 2015 Award for Excellence in the Arts, the Riant Theatre's 2016 Pioneer of the Arts Award, three Chicago Joseph Jefferson Awards and nine AUDELCO Awards. A multiple Tony Award nominee, Mr. De Shields is best known for his show stopping performances in six legendary Broadway productions: Impressionism (costarring with Jeremy Irons and Joan Allen-2009); the world premiere of Mark Medoff's Prymate (Drama Desk nomination-2004); The Full Monty, for which he received Tony, Drama Desk and Astaire Award nominations, in addition to both the Outer Critics Circle and Drama League Award-2001; Play On! (Tony nomination-1997); Ain't Misbehavin' (Drama Desk nomination-1978) and The Wiz (title role-1975). In 1982, he won an Emmy for Outstanding Individual Performance for the NBC TV Special based on Ain't Misbehavin'. 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Mr. De Shields is an esteemed alumnus of the University of Wisconsin-Madison (UWM), where in 1970 he earned a BA in English. In May of 2004 the UWM bestowed upon him an honorary Doctor of Fine Arts, followed by a second honorary Doctor of Fine Arts from SUNY-Buffalo State in September of that same year. Mr. De Shields completed his graduate work at New York University's Gallatin School of Individualized Study, where in 1991 he received his MA in African American Studies. His numerous accolades also include the 2007 Village Voice OBIE Award for Sustained Excellence of Performance, the 2009 National Black Theatre Festival's Living Legend Award, a 2012 Fox Foundation Fellowship in Distinguished Achievement, Florida Atlantic University's 2014 Making Waves Award, the Theatre School at DePaul University 2015 Award for Excellence in the Arts, the Riant Theatre's 2016 Pioneer of the Arts Award, three Chicago Joseph Jefferson Awards and nine AUDELCO Awards. A multiple Tony Award nominee, Mr. De Shields is best known for his show stopping performances in six legendary Broadway productions: Impressionism (costarring with Jeremy Irons and Joan Allen-2009); the world premiere of Mark Medoff's Prymate (Drama Desk nomination-2004); The Full Monty, for which he received Tony, Drama Desk and Astaire Award nominations, in addition to both the Outer Critics Circle and Drama League Award-2001; Play On! (Tony nomination-1997); Ain't Misbehavin' (Drama Desk nomination-1978) and The Wiz (title role-1975). In 1982, he won an Emmy for Outstanding Individual Performance for the NBC TV Special based on Ain't Misbehavin'. Mr. De Shields is the ninth of eleven children born and reared in Baltimore, Maryland.","url":"https:\/\/performingartslegacy.org\/deshields\/author\/deshields\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/posts\/257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/comments?post=257"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/posts\/257\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/media\/486"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/media?parent=257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/categories?post=257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/deshields\/wp-json\/wp\/v2\/tags?post=257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}