{"id":529,"date":"2020-11-06T15:44:47","date_gmt":"2020-11-06T20:44:47","guid":{"rendered":"https:\/\/performingartslegacy.org\/emmonsbeverly\/?p=529"},"modified":"2021-01-19T11:45:22","modified_gmt":"2021-01-19T16:45:22","slug":"viola-farber-said-to-me","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/","title":{"rendered":"Viola Farber said to me\u2026."},"content":{"rendered":"\n<p>I met Viola when she was still dancing with Merce. She then broke away and developed her own company. I did the lighting for most of her pieces.<br \/>\nThere was a new piece. It was 45 minutes long and had a title of Opus. There was very little information in the title or the fairly abstract dance to help me with lighting clues. I asked Viola what ideas she might have about the lighting. \u201cOh, I don\u2019t know anything about lighting,\u201d she said. Then I asked her if she could perform the work anywhere in the world where would that be? She knew exactly and enthusiastically. \u201cOn a warm, windy, wintery day at the Grand Canyon.\u201d There was the lighting concept.<\/p>\n<p>Viola also said to me\u2026\u2026<\/p>\n<p>She had made a solo for herself. She was wearing a long dark red dress. The music was the piano studies of Czerny being played but by someone practicing, stopping, repeating, speeding up, slowing down. I asked Viola about the light. She said it should be the way the light looks coming in the windows of the living room at 4 o\u2019clock in a February Sunday afternoon right before you have to turn on the lights.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I met Viola when she was still dancing with Merce. She then broke away and developed her own company. I did the lighting for most of her pieces. There was a new piece. It was 45 minutes long and had a title of Opus. There was very little information in the title or the fairly [&hellip;]<\/p>\n","protected":false},"author":223,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-529","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1611074585:38"],"_edit_last":["38"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Viola Farber said to me\u2026. - Beverly Emmons<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Viola Farber said to me\u2026. - Beverly Emmons\" \/>\n<meta property=\"og:description\" content=\"I met Viola when she was still dancing with Merce. She then broke away and developed her own company. I did the lighting for most of her pieces. There was a new piece. It was 45 minutes long and had a title of Opus. There was very little information in the title or the fairly [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/\" \/>\n<meta property=\"og:site_name\" content=\"Beverly Emmons\" \/>\n<meta property=\"article:published_time\" content=\"2020-11-06T20:44:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-19T16:45:22+00:00\" \/>\n<meta name=\"author\" content=\"Beverly Emmons\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Beverly Emmons\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/\"},\"author\":{\"name\":\"Beverly Emmons\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/#\\\/schema\\\/person\\\/66ad348c289c60e54d26668e593038cb\"},\"headline\":\"Viola Farber said to me\u2026.\",\"datePublished\":\"2020-11-06T20:44:47+00:00\",\"dateModified\":\"2021-01-19T16:45:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/\"},\"wordCount\":207,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/\",\"name\":\"Viola Farber said to me\u2026. - Beverly Emmons\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/#website\"},\"datePublished\":\"2020-11-06T20:44:47+00:00\",\"dateModified\":\"2021-01-19T16:45:22+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/#\\\/schema\\\/person\\\/66ad348c289c60e54d26668e593038cb\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/viola-farber-said-to-me\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Viola Farber said to me\u2026.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/\",\"name\":\"Beverly Emmons\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/#\\\/schema\\\/person\\\/66ad348c289c60e54d26668e593038cb\",\"name\":\"Beverly Emmons\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4af510a35f1316d742eea47ad67db02e525d50490ab7943ac39169fabc19d229?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4af510a35f1316d742eea47ad67db02e525d50490ab7943ac39169fabc19d229?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4af510a35f1316d742eea47ad67db02e525d50490ab7943ac39169fabc19d229?s=96&d=blank&r=g\",\"caption\":\"Beverly Emmons\"},\"description\":\"Beverly Emmons (Lighting Designer) has designed for Broadway, Off-B\u2019way and Regional Theater, Dance and Opera both in the USA and abroad. Her Broadway credits include Annie Get Your Gun, Jekyll &amp; Hyde, The Heiress, Chronicle of a Death Foretold, Stephen Sondheim\u2019s Passion, Abe Lincoln in Illinois, High Rollers, Stepping Out, The Elephant Man, A Day in Hollywood A Night in the Ukraine, The Dresser, Piaf and Doonesbury. Her lighting of Amadeus won a Tony award., Off B\u2019way she lit Vagina Monologues and has designed many productions with Joseph Chaikin and Meredith Monk. For Robert Wilson, she has designed lighting for productions spanning 13 years; most notably in America, Einstein on the Beach and the Civil Wars Pt V. Ms Emmons\u2019 designs for dance have included works for Lucinda Child, Trisha Brown, Martha Graham and Merce Cunningham. She has been awarded seven Tony nominations, the 1976 Lumen award, 1984 and 1986 Bessies, and a 1980 Obie for Distinguished Lighting, and several Maharam\\\/American Theater Wing Design Awards. Additionally, she has created and curated TheLightingArchive.org and LightingDB.nypl.org; two websites that make historical lighting documents accessible to students and scholars on the Internet.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/emmonsbeverly\\\/author\\\/emmonsbeverly\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Viola Farber said to me\u2026. - Beverly Emmons","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/","og_locale":"en_US","og_type":"article","og_title":"Viola Farber said to me\u2026. - Beverly Emmons","og_description":"I met Viola when she was still dancing with Merce. She then broke away and developed her own company. I did the lighting for most of her pieces. There was a new piece. It was 45 minutes long and had a title of Opus. There was very little information in the title or the fairly [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/","og_site_name":"Beverly Emmons","article_published_time":"2020-11-06T20:44:47+00:00","article_modified_time":"2021-01-19T16:45:22+00:00","author":"Beverly Emmons","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Beverly Emmons","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/"},"author":{"name":"Beverly Emmons","@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/#\/schema\/person\/66ad348c289c60e54d26668e593038cb"},"headline":"Viola Farber said to me\u2026.","datePublished":"2020-11-06T20:44:47+00:00","dateModified":"2021-01-19T16:45:22+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/"},"wordCount":207,"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/","url":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/","name":"Viola Farber said to me\u2026. - Beverly Emmons","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/#website"},"datePublished":"2020-11-06T20:44:47+00:00","dateModified":"2021-01-19T16:45:22+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/#\/schema\/person\/66ad348c289c60e54d26668e593038cb"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/viola-farber-said-to-me\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/emmonsbeverly\/"},{"@type":"ListItem","position":2,"name":"Viola Farber said to me\u2026."}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/#website","url":"https:\/\/performingartslegacy.org\/emmonsbeverly\/","name":"Beverly Emmons","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/emmonsbeverly\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/emmonsbeverly\/#\/schema\/person\/66ad348c289c60e54d26668e593038cb","name":"Beverly Emmons","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/4af510a35f1316d742eea47ad67db02e525d50490ab7943ac39169fabc19d229?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/4af510a35f1316d742eea47ad67db02e525d50490ab7943ac39169fabc19d229?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/4af510a35f1316d742eea47ad67db02e525d50490ab7943ac39169fabc19d229?s=96&d=blank&r=g","caption":"Beverly Emmons"},"description":"Beverly Emmons (Lighting Designer) has designed for Broadway, Off-B\u2019way and Regional Theater, Dance and Opera both in the USA and abroad. Her Broadway credits include Annie Get Your Gun, Jekyll &amp; Hyde, The Heiress, Chronicle of a Death Foretold, Stephen Sondheim\u2019s Passion, Abe Lincoln in Illinois, High Rollers, Stepping Out, The Elephant Man, A Day in Hollywood A Night in the Ukraine, The Dresser, Piaf and Doonesbury. Her lighting of Amadeus won a Tony award., Off B\u2019way she lit Vagina Monologues and has designed many productions with Joseph Chaikin and Meredith Monk. For Robert Wilson, she has designed lighting for productions spanning 13 years; most notably in America, Einstein on the Beach and the Civil Wars Pt V. Ms Emmons\u2019 designs for dance have included works for Lucinda Child, Trisha Brown, Martha Graham and Merce Cunningham. She has been awarded seven Tony nominations, the 1976 Lumen award, 1984 and 1986 Bessies, and a 1980 Obie for Distinguished Lighting, and several Maharam\/American Theater Wing Design Awards. Additionally, she has created and curated TheLightingArchive.org and LightingDB.nypl.org; two websites that make historical lighting documents accessible to students and scholars on the Internet.","url":"https:\/\/performingartslegacy.org\/emmonsbeverly\/author\/emmonsbeverly\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/posts\/529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/comments?post=529"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/posts\/529\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/media?parent=529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/categories?post=529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/emmonsbeverly\/wp-json\/wp\/v2\/tags?post=529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}