{"id":272,"date":"2020-12-09T19:04:45","date_gmt":"2020-12-09T19:04:45","guid":{"rendered":"https:\/\/performingartslegacy.org\/esteysuellen\/?p=272"},"modified":"2022-05-27T15:08:50","modified_gmt":"2022-05-27T19:08:50","slug":"richard-rodgers-accompanied-me","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/esteysuellen\/richard-rodgers-accompanied-me\/","title":{"rendered":"Richard Rodgers Accompanied Me"},"content":{"rendered":"<p>In earlier days, when Richard Rodgers was still alive and still writing new musicals with other collaborators, the Rodgers &amp; Hammerstein office required final casting approval for anyone in a leading role appearing in any major productions of their work. I had auditioned for and had been cast as Laurey in \u201cOklahoma!\u201d being produced by Dallas Summer Musicals. Before the contracts could be signed, I had be approved by Mr. Rodgers. He needed to hear me sing.<\/p>\n<p>\n\tTheir office scheduled a meeting with him. <\/p>\n<p>I remember, vividly, walking up to the entrance of their building at 598 Madison Avenue. I stood for a long moment, looking up at that address. I was directed to take the elevator to the 4th Floor. Arriving at that floor, I entered a spacious main office area. Tilda Stonburn, their receptionist, graciously welcomed me. She stood, walked toward and opened the door to Mr. Rodgers\u2019 office.<\/p>\n<p>\n\tHe was standing in the middle the room and greeted me cordially.<\/p>\n<p>\n\tThe room had windows the entire length of the street side,&nbsp; a seating area and coffee table to my right, and foremost \u2026&nbsp;<br \/>\n&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; a grand piano by the bank of windows.&nbsp;<\/p>\n<p>\n\tHe invited me to sit, and after \u201cchatting\u201d for a moment or two, he stood, walked to the piano and invited me to join him there. I did and centered myself in the crook of the grand piano, facing him.&nbsp; He began to play, \u201cOut of My Dreams\u201d \u2026.&nbsp; (This her most challenging song !!)<\/p>\n<p>I began to sing.<br \/>&nbsp;\u2026 At this point, memory fades.<\/p>\n<p>\n\tI know he played and I sang through the rest of Laurey\u2019s repertoire: \u201cMany a New Day\u201d and \u201cPeople Will Say We\u2019re in Love\u201d.<\/p>\n<p>\tAs he rose from the piano, he must have said something \u2026 <br \/>As I prepared to leave his office,&nbsp; I must have said something to him. I have no memory of those closing moments.<\/p>\n<p>\n\tHowever, I do have this photograph of him, and in his hand writing, he autographed the photo me. <br \/>\u201cFor Suellen, Fondly, Richard Rodgers.\u201d<\/p>\n<p>\n\tThank you, Mr. Rodgers.<\/p>\n<p>\tOh, yes. I was approved to play Laurey in \u201cOklahoma!\u201d starring John Davidson, for Tom Hughes\u2019s Dallas Summer Musicals.<br class=\"Apple-interchange-newline\"><\/p>\n<p>        [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;100%&#8221; img=&#8221;https:\/\/performingartslegacy.org\/esteysuellen\/wp-content\/uploads\/sites\/212\/2020\/12\/1_Autographed-photo-to-Suellen-from-Richard-Rodgers-Dec-4-2020-12-47-PM.jpg&#8221; panorama=&#8221;off&#8221;]\n","protected":false},"excerpt":{"rendered":"<p>In earlier days, when Richard Rodgers was still alive and still writing new musicals with other collaborators, the Rodgers &amp; Hammerstein office required final casting approval for anyone in a leading role appearing in any major productions of their work. I had auditioned for and had been cast as Laurey in \u201cOklahoma!\u201d being produced by [&hellip;]<\/p>\n","protected":false},"author":224,"featured_media":696,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight"],"metadata":{"_thumbnail_id":["696"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Richard Rodgers Accompanied Me - SuEllen Estey<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/esteysuellen\/richard-rodgers-accompanied-me\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Richard Rodgers Accompanied Me - SuEllen Estey\" \/>\n<meta property=\"og:description\" content=\"In earlier days, when Richard Rodgers was still alive and still writing new musicals with other collaborators, the Rodgers &amp; Hammerstein office required final casting approval for anyone in a leading role appearing in any major productions of their work. 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And, the documentary film: \u201cThe Bathrooms are coming\u201d. www.SuEllenEstey.com.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/esteysuellen\\\/author\\\/esteysuellen\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Richard Rodgers Accompanied Me - SuEllen Estey","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/esteysuellen\/richard-rodgers-accompanied-me\/","og_locale":"en_US","og_type":"article","og_title":"Richard Rodgers Accompanied Me - SuEllen Estey","og_description":"In earlier days, when Richard Rodgers was still alive and still writing new musicals with other collaborators, the Rodgers &amp; Hammerstein office required final casting approval for anyone in a leading role appearing in any major productions of their work. 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