{"id":2,"date":"2023-10-11T17:00:04","date_gmt":"2023-10-11T21:00:04","guid":{"rendered":"https:\/\/performingartslegacy.org\/layers\/?page_id=2"},"modified":"2025-11-03T12:56:29","modified_gmt":"2025-11-03T17:56:29","slug":"about","status":"publish","type":"page","link":"https:\/\/performingartslegacy.org\/hornemarjorie\/","title":{"rendered":"About"},"content":{"rendered":"<p>I am one of the lucky ones. In 1979 I had an interview with one of the casting newspapers.&nbsp;&nbsp;In it, I said, \u201cWhen coming to New York I had two goals; to make a living in the theater and to see the whole wide world.\u201d I have made a living in the theater and have seen almost the whole wide world.&nbsp;&nbsp;&nbsp;It has been a wild ride as I have taken a few sideways paths, but I have always been able to come back to the theater.<\/p>\n<p style=\"text-align: left\">I came to NYC at eighteen to be a dancer\/actress.&nbsp; My first AEA contract in 1967 was a summer stock chorus contract (in those days it was a pink contract).&nbsp;&nbsp;I worked other stock companies- even got to dance in two shows with John Travolta and a few plays in New York City. But I realized I wasn\u2019t going to be able to make a living as an actor as I did not sing very well AND serious acting is very hard.<\/p>\n<div id=\"attachment_467\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-467\" class=\"wp-image-467 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3-300x210.jpg\" alt=\"\" width=\"300\" height=\"210\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3-300x210.jpg 300w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3-1024x717.jpg 1024w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3-768x538.jpg 768w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3-816x571.jpg 816w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3-1250x875.jpg 1250w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3-400x280.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/05\/Half-A-Sixpence-3.jpg 1464w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-467\" class=\"wp-caption-text\">Half a Sixpence &#8211; my first AEA contract 1967<\/p><\/div>\n<\/p>\n<div id=\"attachment_355\" style=\"width: 250px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-355\" class=\"wp-image-355 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-240x300.jpg 240w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-818x1024.jpg 818w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-768x961.jpg 768w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-1227x1536.jpg 1227w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-816x1022.jpg 816w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-1250x1565.jpg 1250w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2-400x501.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/himmissinglink2.jpg 1576w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><p id=\"caption-attachment-355\" class=\"wp-caption-text\">&#8220;him&#8221; &#8211; Circle Repertory Theatre 1975 \/\/ Photo by Ken Howard<\/p><\/div>\n<\/p>\n<p>In 1973,&nbsp; I was given a chance to stage manage, and \u201cVOILA\u201d, I found my place in the business. I became part of the Stage Manager community when I was offered the Assistant Stage Manager position for \u201cWhen You Comin\u2019 Back Red Ryder\u201d at Circle Repertory Theater. Then Marshall Mason asked if I wanted to learn the job by being the PSM on \u201cThe Prodigal\u201d that he was directing with an amazing cast: Salem Ludwig, Cathryn Damon, Judd Hirsh, Zane Lasky &amp; Ted LaPlat.&nbsp;&nbsp;My stage management career had started and blossomed in the Off-Broadway arena.<\/p>\n<div id=\"attachment_346\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-346\" loading=\"lazy\" class=\"wp-image-346 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-300x214.jpg 300w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-1024x729.jpg 1024w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-768x547.jpg 768w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-1536x1094.jpg 1536w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-816x581.jpg 816w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-1250x890.jpg 1250w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2-400x285.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/Total-Eclipse-2.jpg 1973w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-346\" class=\"wp-caption-text\">Stage Managing &#8211; Theater \/\/ Photo by Martha Swope<\/p><\/div>\n<\/p>\n<div id=\"attachment_489\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-489\" loading=\"lazy\" class=\"wp-image-489 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/07\/lincoln-Center-300x234.jpg\" alt=\"\" width=\"300\" height=\"234\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/07\/lincoln-Center-300x234.jpg 300w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/07\/lincoln-Center-400x312.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/07\/lincoln-Center.jpg 480w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-489\" class=\"wp-caption-text\">The calling booth at the Mitzi Newhouse Theater at Lincoln Center<\/p><\/div>\n<\/p>\n<p>After years of stage managing theater, I moved into the event and corporate arenas, working events such as The Clinton Global Initiative, IBM Golden Global Circle Awards, US Open opening and closing ceremonies, and the 9\/11 Memorial Ceremonies.&nbsp;&nbsp;In 2006, I was asked to join fellow Stage Manager Allan Hall on the Tony Awards. He retired two years later. I am still, along with my partner Howard Kolins, the Production Supervisor for the Tony Awards. But I always come back to the theater.&nbsp;&nbsp;In 2021, I stage managed \u201cBlue Valiant\u201d a play by Karen Malpede starring George Bartenieff and Kathleen Chalfant.<\/p>\n<div id=\"attachment_360\" style=\"width: 235px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-360\" loading=\"lazy\" class=\"wp-image-360 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/1stTonyAwards2006-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/1stTonyAwards2006-225x300.jpg 225w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/1stTonyAwards2006-400x533.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/1stTonyAwards2006.jpg 480w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><p id=\"caption-attachment-360\" class=\"wp-caption-text\">Stage Managing &#8211; Tonys<\/p><\/div>\n<\/p>\n<div class=\"center-pic\" align=\"center\">\n<div id=\"attachment_513\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-513\" loading=\"lazy\" class=\"wp-image-513 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" aria-describedby=\"caption-attachment-513\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-300x169.jpg 300w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-1024x576.jpg 1024w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-768x432.jpg 768w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-1536x864.jpg 1536w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-2048x1152.jpg 2048w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-816x459.jpg 816w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-1250x703.jpg 1250w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/CGI-on-stage-400x225.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-513\" class=\"wp-caption-text\">Stage managing at the Clinton Global Initiative<\/p><\/div>\n<\/p>\n<\/div>\n<p>I did take a couple of detours. One of the side paths that I took was into the political arena; first in 1992, on staff for Geraldine Ferraro\u2019s Senate Campaign.<\/p>\n<div id=\"attachment_365\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-365\" loading=\"lazy\" class=\"wp-image-365 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-300x206.jpg\" alt=\"\" width=\"300\" height=\"206\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-300x206.jpg 300w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-1024x703.jpg 1024w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-768x527.jpg 768w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-1536x1054.jpg 1536w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-816x560.jpg 816w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-1250x858.jpg 1250w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181-400x275.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/img181.jpg 1703w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-365\" class=\"wp-caption-text\">Politics<\/p><\/div>\n<\/p>\n<p>I went on to many state and city campaigns:&nbsp; Geraldine Ferraro\u2019s 1998 Senate Campaign and directing the 2000 NY State Democratic Convention (where Hillary Clinton\u2019s name was put into nomination for the Senate).<\/p>\n<p>One of my other side paths was becoming an archaeologist. I started going on digs in 1979 and in 1986 I became a full-time college student.&nbsp; I got my BA degree in archaeology in 1990 from Hunter College and went right back to stage managing.<\/p>\n<div id=\"attachment_386\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-386\" loading=\"lazy\" class=\"wp-image-386 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/MH-NV-1979-300x288.jpg\" alt=\"\" width=\"300\" height=\"288\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/MH-NV-1979-300x288.jpg 300w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/MH-NV-1979-768x736.jpg 768w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/MH-NV-1979-816x782.jpg 816w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/MH-NV-1979-400x384.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/MH-NV-1979.jpg 1020w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-386\" class=\"wp-caption-text\">Archaeology<\/p><\/div>\n<\/p>\n<p style=\"text-align: left\">In 1994 I was elected to the Actors Equity Association Council and spent 25+ years as an elected official for the union that represents Actors and Stage Managers.&nbsp;&nbsp;Being part of the union and helping to make policy for bettering the lives of the members was a very fulfilling part of my career.&nbsp;&nbsp;I am also a founding member of The Stage Managers\u2019 Association, and the Stage Managers\u2019 Association Foundation and serve on the Steering Committee for The Broadway Green Alliance. And in 2025 I have been awarded the Stage Managers&#8217; Association Del Hughes Lifetime Achievement Award.<\/p>\n<div id=\"attachment_363\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-363\" loading=\"lazy\" class=\"wp-image-363\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/02\/20191105_165621-225x300.jpg\" alt=\"\" width=\"300\" height=\"400\"><p id=\"caption-attachment-363\" class=\"wp-caption-text\">50 years as a member of Actors Equity Association<\/p><\/div>\n<\/p>\n<div id=\"attachment_511\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-511\" loading=\"lazy\" class=\"wp-image-511 size-medium\" src=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-300x300.jpg 300w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-1024x1024.jpg 1024w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-150x150.jpg 150w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-768x768.jpg 768w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-88x88.jpg 88w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-816x816.jpg 816w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-400x400.jpg 400w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847-200x200.jpg 200w, https:\/\/performingartslegacy.org\/hornemarjorie\/wp-content\/uploads\/sites\/316\/2024\/08\/FB_IMG_1498525814847.jpg 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-511\" class=\"wp-caption-text\">Union Activism: AEA Pride Parade<\/p><\/div>\n<\/p>\n<p>I am not sure why I had such confidence in myself, but I was never afraid that I would never work again. I loved stage managing and I loved the theater, and I always found the next job or the next project.<\/p>\n<p>When I am asked to speak to theater classes, I tell them to always follow their passion, but it doesn\u2019t have to be just one thing.&nbsp; Life doesn\u2019t have to go in a straight line. You don\u2019t have to be afraid of venturing out on a different path \u2013 you can come back (or not).<\/p>\n<h4><\/h4>\n<\/p>\n<h4><\/h4>\n<\/p>\n<h4><\/h4><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am one of the lucky ones. In 1979 I had an interview with one of the casting newspapers.&nbsp;&nbsp;In it, I said, \u201cWhen coming to New York I had two goals; to make a living in the theater and to see the whole wide world.\u201d I have made a living in the theater and have [&hellip;]<\/p>\n","protected":false},"author":346,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"page-about.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"metadata":{"_wp_page_template":["page-about.php"],"_edit_last":["1"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"wp_featherlight_disable":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>About - Marjorie Horne<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/hornemarjorie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About - Marjorie Horne\" \/>\n<meta property=\"og:description\" content=\"I am one of the lucky ones. 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