{"id":1199,"date":"1973-04-01T00:29:22","date_gmt":"1973-04-01T00:29:22","guid":{"rendered":"https:\/\/performingartslegacy.org\/kimrandall\/?p=1199"},"modified":"2022-02-07T08:43:53","modified_gmt":"2022-02-07T13:43:53","slug":"baba-goya-1973","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kimrandall\/baba-goya-1973\/","title":{"rendered":"&#8220;The Criminal&#8221; \u2013 1973"},"content":{"rendered":"<p>\t\t\t\t\t\t[aesop_gallery pslightbox=&#8221;on&#8221; transition=&#8221;crossfade&#8221; caption=&#8221;Photos by Martha Holmes&#8221; galleryType=&#8221;grid&#8221; id=&#8221;908&#8243;]\n<h2>Review Excerpts<\/h2>\n<\/p>\n<p>\u201cTESICH VISITS FAMILY IN QUEENS\u2026.And then there was Randy Kim, playing a handcuffed criminal with what can only justly be termed a frantic aplomb\u2026\u201d<br \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<b>\u2013Clive Barnes, NEW YORK TIMES  (5\/22\/1973)<\/b><span style=\"font-family: inherit;\"><b>&nbsp;<\/b><\/span><\/p>\n<p>\u201c\u2019BABA GOYA\u2019 FUNNY, FLIMSY FARCE\u2026.The cast of nine is expert\u2026.And I must reserve a special word of praise for Randy Kim\u2019s utterly delightful camera thief.\u201d<br \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <b>&nbsp;\u2013Douglas Watt, NEW YORK DAILY NEWS  (5\/22\/1973)<\/b><\/p>\n<p>\u201c\u2026Also strong was the performance of that American Place stalwart Randy Kim, triumphant leading man of last year\u2019s \u2018The Chickencoop Chinaman,\u2019 as the captive Japanese.\u201d<br \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <b>&nbsp; &nbsp;\u2013Edith Oliver, NEW YORKER MAGAZINE  (6\/9\/1973)<\/b><\/p>\n<p>\u201cLAUGHTER, RELEVENT AND IRRELEVENT\u2026.In \u2018Baba Goya\u2019 Tesich transfers us from the world of the Absurdists to the much lesser one of Kaufman and Hart\u2026.The production is only fair\u2026.Among the performers, only John Randolph and James Greene satisfy fully, and Randy Kim does in part.\u201d<br \/><span style=\"font-family: inherit;\">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <b>&nbsp; &nbsp;\u2013John Simon, NEW YORK MAGAZINE  (6\/11\/1973)<\/b><\/span><\/p>\n<p>\u201cUnder Edwin Sherin\u2019s meticulous direction, the uniformly well-cast players include John Randolph, most engaging as the father of the moment, and Randy Kim, who plays \u2018nonplussed\u2019 with unlimited variations\u2014all of them funny.\u201d<br \/>&nbsp; <b>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; \u2013Marilyn Stasio, CUE MAGAZINE  (6\/9\/1973)<\/b><\/p>\n<p>\u201cThe Chinese who isn\u2019t Chinese is played by Randy Kim with a pencil-thin mustache, a glowing smile, and a haircut that looks as though a melon had been opened up, dyed black and dropped on him.\u201d<br \/>&nbsp; &nbsp; &nbsp; <b>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;\u2013Walter Kerr, SUNDAY NEW YORK TIMES  (5\/27\/1973)<\/b> <\/p>\n<p><b><\/b><\/p>\n<h3><b>Cherry Lane Reviews<\/b><\/h3>\n<\/p>\n<p>\u201c\u2026the actors are if anything better than they were before\u2026outstanding performances are provided by John Randolph\u2026Lou Gilbert\u2026and, perhaps best of all, Randy Kim as a beleaguered criminal forced to spend most of the play handcuffed to a radiator.  It is that kind\u2014zany, joyful and assertive.\u201d<br \/><span style=\"font-family: inherit;\">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <b>&nbsp; &nbsp;\u2013Clive Barnes, NEW YORK TIMES  (10\/4\/1973)<\/b><\/span><\/p>\n<p>\n\u201cThe acting is generally good\u2026Randy Kim (the thief) is superbly innocuous\u2026.\u201d<br \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<b> &nbsp;\u2013Edmund Newton, NEW YORK POST  (10\/4\/1973)<\/b><\/p>\n<p>\n\u201c\u2019BABA GOYA\u2019 IN WITH NEW NAME\u2026.But the funniest moments are contributed by Randy Kim as the manacled Japanese and R.A. Dow as his captor.\u201d   \t\t\t\t\t\tDouglas Watt, NEW YORK DAILY  NEWS  (10\/4\/1973)<br \/>\n\u201cMOM\u2019S MADNESS IS SEARINGLY FUNNY\u2026Randy Kim is excellent, repeating his role of the Japanese-American, who spends much of his time in the play chained to a radiator.\u201d<br \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<b> &nbsp; &nbsp; &nbsp;\u2013William A. Raidy, NEWHOUSE NEWSPAPERS  (10\/4\/1973)<\/b><\/p>\n<p>\n\u201cEight of the nine players were with the show previously and have settled into their roles with added sureness.  Olympia Dukakis continues to reign as a frail Mother Courage.  Of the others John Randolph, Richard Dow and Randy Kim merit particular admiration for distinctive achievement.  \u201cNourish the Beast\u2019 is a dandy gloom-chaser.\u201d<br \/><span style=\"font-family: inherit;\">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<b>\u2013William Glover, ASSOCIATED PRESS<\/b><\/span><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[aesop_gallery pslightbox=&#8221;on&#8221; transition=&#8221;crossfade&#8221; caption=&#8221;Photos by Martha Holmes&#8221; galleryType=&#8221;grid&#8221; id=&#8221;908&#8243;] Review Excerpts \u201cTESICH VISITS FAMILY IN QUEENS\u2026.And then there was Randy Kim, playing a handcuffed criminal with what can only justly be termed a frantic aplomb\u2026\u201d&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;\u2013Clive Barnes, NEW YORK TIMES (5\/22\/1973)&nbsp; \u201c\u2019BABA GOYA\u2019 FUNNY, FLIMSY FARCE\u2026.The cast of nine [&hellip;]<\/p>\n","protected":false},"author":268,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1199","post","type-post","status-publish","format-standard","hentry","category-performances"],"metadata":{"_wp_old_date":["2021-12-03"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;The Criminal&quot; 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