{"id":1257,"date":"1971-11-01T22:49:56","date_gmt":"1971-11-01T22:49:56","guid":{"rendered":"https:\/\/performingartslegacy.org\/kimrandall\/?p=1257"},"modified":"2022-02-07T08:29:45","modified_gmt":"2022-02-07T13:29:45","slug":"in-the-jungle-of-cities-1970","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kimrandall\/in-the-jungle-of-cities-1970\/","title":{"rendered":"\u201cC. Shlink\u201d \u2013 1971"},"content":{"rendered":"<\/p>\n<h2>Review Excerpt<\/h2>\n<\/p>\n<p>\u201cSIFTING NUGGETS OF NEUROTICA\u2026.Randy Kim gives a memorable performance as Shlink, oriental in the formality of his gestures, and western in the immediacy of his feeling.  He extended my understanding of Brecht\u2019s oriental characters, who often seem to be Hungarians.  Often his sense of measure seemed to hold scenes down to a pace which let us really absorb them.\u201d<br \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <b>&nbsp;\u2013Martin Washburn, VILLAGE VOICE  (11\/25\/1971)<\/b> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review Excerpt \u201cSIFTING NUGGETS OF NEUROTICA\u2026.Randy Kim gives a memorable performance as Shlink, oriental in the formality of his gestures, and western in the immediacy of his feeling. He extended my understanding of Brecht\u2019s oriental characters, who often seem to be Hungarians. Often his sense of measure seemed to hold scenes down to a pace [&hellip;]<\/p>\n","protected":false},"author":268,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1257","post","type-post","status-publish","format-standard","hentry","category-performances"],"metadata":{"_wp_old_date":["2021-12-05"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cC. 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