{"id":1283,"date":"1976-08-01T21:06:50","date_gmt":"1976-08-01T21:06:50","guid":{"rendered":"https:\/\/performingartslegacy.org\/kimrandall\/?p=1283"},"modified":"2022-02-07T08:59:56","modified_gmt":"2022-02-07T13:59:56","slug":"wildflowers-1976","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kimrandall\/wildflowers-1976\/","title":{"rendered":"&#8220;Walt Whitman&#8221; \u2013 1976"},"content":{"rendered":"<\/p>\n<h2>Review Excerpt<\/h2>\n<\/p>\n<p>\u201c\u2019WILDE MEETS WHITMAN\u2019\u2026.the second of poet Richard Howard\u2019s \u2018Two-Part Inventions\u2019 to be staged by my colleague Michael Feingold\u2026.    The conversants in \u2018Wildflowers,\u2019 an ancient paralyzed Walt Whitman and a young devotee named Oscar Wilde, can exchange only philosophy, not intriguing intimate facts about each other, and doing so must conform to or at least recall our popular images of them.       \t\t\t\t\t   \u2026Randall Duk Kim far exceeded the requirements of his role.  How could such a young man become so old, so wise, so gentle, so feeble, his eyes glimmering with the bemused, affectionate interest of the old whose souls have not predeceased them?  He was as good an old man as Morris Carnovsky.  He should do\u2014indeed, he has almost done\u2014Lear.\u201d<br \/>&nbsp; &nbsp; &nbsp;<b> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;\u2013Carll Tucker, VILLAGE VOICE  (8\/23\/1976)<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review Excerpt \u201c\u2019WILDE MEETS WHITMAN\u2019\u2026.the second of poet Richard Howard\u2019s \u2018Two-Part Inventions\u2019 to be staged by my colleague Michael Feingold\u2026. The conversants in \u2018Wildflowers,\u2019 an ancient paralyzed Walt Whitman and a young devotee named Oscar Wilde, can exchange only philosophy, not intriguing intimate facts about each other, and doing so must conform to or at [&hellip;]<\/p>\n","protected":false},"author":268,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1283","post","type-post","status-publish","format-standard","hentry","category-performances"],"metadata":{"_wp_old_date":["2021-12-08"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Walt Whitman&quot; \u2013 1976 - Randall Duk Kim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/kimrandall\/wildflowers-1976\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Walt Whitman&quot; \u2013 1976 - Randall Duk Kim\" \/>\n<meta property=\"og:description\" content=\"Review Excerpt \u201c\u2019WILDE MEETS WHITMAN\u2019\u2026.the second of poet Richard Howard\u2019s \u2018Two-Part Inventions\u2019 to be staged by my colleague Michael Feingold\u2026. 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