{"id":904,"date":"1972-04-01T20:46:24","date_gmt":"1972-04-01T20:46:24","guid":{"rendered":"https:\/\/performingartslegacy.org\/kimrandall\/?p=904"},"modified":"2022-02-07T08:34:29","modified_gmt":"2022-02-07T13:34:29","slug":"the-servant-of-two-masters-1972","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/","title":{"rendered":"&#8220;Pantalone&#8221; \u2013 1972"},"content":{"rendered":"<p>\t\t\t\t\t\t[aesop_gallery pslightbox=&#8221;on&#8221; transition=&#8221;crossfade&#8221; caption=&#8221;Photos by Gene Coleman&#8221; galleryType=&#8221;grid&#8221; id=&#8221;879&#8243;]\n<h2>Review Excerpt<\/h2>\n<\/p>\n<p>\u201cCARLO GOLDONI COMEDY HANDLED FRESHLY\u2026.Under the gracefully suave direction of Clinton J. Atkinson\u2026the players clip through their paces winningly\u2014in one case, brilliantly\u2026.Best and funniest of all is Randy Kim, as a goateed old papa.  Behind the disguise is an extraordinary young actor, already a master mime.  Watch his precise, dainty footwork.  This is the spirit of the play.  This is Goldoni.  And it\u2019s gold.\u201d<br \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<b> &nbsp; &nbsp; &nbsp;\u2013Howard Thompson, NEW YORK TIMES  (4\/11\/1972)<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[aesop_gallery pslightbox=&#8221;on&#8221; transition=&#8221;crossfade&#8221; caption=&#8221;Photos by Gene Coleman&#8221; galleryType=&#8221;grid&#8221; id=&#8221;879&#8243;] Review Excerpt \u201cCARLO GOLDONI COMEDY HANDLED FRESHLY\u2026.Under the gracefully suave direction of Clinton J. Atkinson\u2026the players clip through their paces winningly\u2014in one case, brilliantly\u2026.Best and funniest of all is Randy Kim, as a goateed old papa. Behind the disguise is an extraordinary young actor, already a [&hellip;]<\/p>\n","protected":false},"author":268,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-904","post","type-post","status-publish","format-standard","hentry","category-performances"],"metadata":{"_wp_old_date":["2021-11-28"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Pantalone&quot; \u2013 1972 - Randall Duk Kim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Pantalone&quot; \u2013 1972 - Randall Duk Kim\" \/>\n<meta property=\"og:description\" content=\"[aesop_gallery pslightbox=&#8221;on&#8221; transition=&#8221;crossfade&#8221; caption=&#8221;Photos by Gene Coleman&#8221; galleryType=&#8221;grid&#8221; id=&#8221;879&#8243;] Review Excerpt \u201cCARLO GOLDONI COMEDY HANDLED FRESHLY\u2026.Under the gracefully suave direction of Clinton J. Atkinson\u2026the players clip through their paces winningly\u2014in one case, brilliantly\u2026.Best and funniest of all is Randy Kim, as a goateed old papa. Behind the disguise is an extraordinary young actor, already a [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/\" \/>\n<meta property=\"og:site_name\" content=\"Randall Duk Kim\" \/>\n<meta property=\"article:published_time\" content=\"1972-04-01T20:46:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-02-07T13:34:29+00:00\" \/>\n<meta name=\"author\" content=\"Randall Duk Kim\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Randall Duk Kim\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/\"},\"author\":{\"name\":\"Randall Duk Kim\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/#\\\/schema\\\/person\\\/aaec48a73258b199f5ae77eac9a94c3c\"},\"headline\":\"&#8220;Pantalone&#8221; \u2013 1972\",\"datePublished\":\"1972-04-01T20:46:24+00:00\",\"dateModified\":\"2022-02-07T13:34:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/\"},\"wordCount\":99,\"articleSection\":[\"Performances\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/\",\"name\":\"\\\"Pantalone\\\" \u2013 1972 - Randall Duk Kim\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/#website\"},\"datePublished\":\"1972-04-01T20:46:24+00:00\",\"dateModified\":\"2022-02-07T13:34:29+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/#\\\/schema\\\/person\\\/aaec48a73258b199f5ae77eac9a94c3c\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/the-servant-of-two-masters-1972\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"&#8220;Pantalone&#8221; \u2013 1972\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/\",\"name\":\"Randall Duk Kim\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/#\\\/schema\\\/person\\\/aaec48a73258b199f5ae77eac9a94c3c\",\"name\":\"Randall Duk Kim\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1f75b41fd5bca167c2092852f6d8b36da89000d7c942526641d933de43624965?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1f75b41fd5bca167c2092852f6d8b36da89000d7c942526641d933de43624965?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1f75b41fd5bca167c2092852f6d8b36da89000d7c942526641d933de43624965?s=96&d=blank&r=g\",\"caption\":\"Randall Duk Kim\"},\"sameAs\":[\"https:\\\/\\\/kimrandall\"],\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kimrandall\\\/author\\\/kimrandall\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\"Pantalone\" \u2013 1972 - Randall Duk Kim","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/","og_locale":"en_US","og_type":"article","og_title":"\"Pantalone\" \u2013 1972 - Randall Duk Kim","og_description":"[aesop_gallery pslightbox=&#8221;on&#8221; transition=&#8221;crossfade&#8221; caption=&#8221;Photos by Gene Coleman&#8221; galleryType=&#8221;grid&#8221; id=&#8221;879&#8243;] Review Excerpt \u201cCARLO GOLDONI COMEDY HANDLED FRESHLY\u2026.Under the gracefully suave direction of Clinton J. Atkinson\u2026the players clip through their paces winningly\u2014in one case, brilliantly\u2026.Best and funniest of all is Randy Kim, as a goateed old papa. Behind the disguise is an extraordinary young actor, already a [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/","og_site_name":"Randall Duk Kim","article_published_time":"1972-04-01T20:46:24+00:00","article_modified_time":"2022-02-07T13:34:29+00:00","author":"Randall Duk Kim","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Randall Duk Kim"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/"},"author":{"name":"Randall Duk Kim","@id":"https:\/\/performingartslegacy.org\/kimrandall\/#\/schema\/person\/aaec48a73258b199f5ae77eac9a94c3c"},"headline":"&#8220;Pantalone&#8221; \u2013 1972","datePublished":"1972-04-01T20:46:24+00:00","dateModified":"2022-02-07T13:34:29+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/"},"wordCount":99,"articleSection":["Performances"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/","url":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/","name":"\"Pantalone\" \u2013 1972 - Randall Duk Kim","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/kimrandall\/#website"},"datePublished":"1972-04-01T20:46:24+00:00","dateModified":"2022-02-07T13:34:29+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/kimrandall\/#\/schema\/person\/aaec48a73258b199f5ae77eac9a94c3c"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/kimrandall\/the-servant-of-two-masters-1972\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/kimrandall\/"},{"@type":"ListItem","position":2,"name":"&#8220;Pantalone&#8221; \u2013 1972"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/kimrandall\/#website","url":"https:\/\/performingartslegacy.org\/kimrandall\/","name":"Randall Duk Kim","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/kimrandall\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/kimrandall\/#\/schema\/person\/aaec48a73258b199f5ae77eac9a94c3c","name":"Randall Duk Kim","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/1f75b41fd5bca167c2092852f6d8b36da89000d7c942526641d933de43624965?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1f75b41fd5bca167c2092852f6d8b36da89000d7c942526641d933de43624965?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1f75b41fd5bca167c2092852f6d8b36da89000d7c942526641d933de43624965?s=96&d=blank&r=g","caption":"Randall Duk Kim"},"sameAs":["https:\/\/kimrandall"],"url":"https:\/\/performingartslegacy.org\/kimrandall\/author\/kimrandall\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/posts\/904","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/users\/268"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/comments?post=904"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/posts\/904\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/media?parent=904"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/categories?post=904"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kimrandall\/wp-json\/wp\/v2\/tags?post=904"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}