{"id":174,"date":"2020-12-11T18:32:55","date_gmt":"2020-12-11T18:32:55","guid":{"rendered":"https:\/\/performingartslegacy.org\/kochbill\/?p=174"},"modified":"2020-12-11T13:32:55","modified_gmt":"2020-12-11T18:32:55","slug":"remember-it-takes-at-least-five-people-to-do-a-one-man-show","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kochbill\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\/","title":{"rendered":"\u201cRemember \u2013 It Takes At Least Five People To Do A One-Man Show!\u201d"},"content":{"rendered":"<div id=\"attachment_314\" style=\"width: 303px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-314\" class=\"size-medium wp-image-314\" src=\"https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/12\/Ralph_Haugen_larger-293x300.jpeg\" alt=\"\" width=\"293\" height=\"300\" srcset=\"https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/12\/Ralph_Haugen_larger-293x300.jpeg 293w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/12\/Ralph_Haugen_larger-768x788.jpeg 768w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/12\/Ralph_Haugen_larger-816x837.jpeg 816w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/12\/Ralph_Haugen_larger-400x410.jpeg 400w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/12\/Ralph_Haugen_larger.jpeg 900w\" sizes=\"auto, (max-width: 293px) 100vw, 293px\" \/><p id=\"caption-attachment-314\" class=\"wp-caption-text\">St. Olaf College yearbook &#8220;Viking&#8221; 1956<\/p><\/div>\n<p>This was one of my college Theatre mentor\u2019s favorite sayings. <strong>Ralph Haugen<\/strong>, an incredible teacher and human being, about whom <strong>Uta Hagen<\/strong> said to me years later (never having met Ralph): <em>\u201cYou must have had a really good Theatre teacher in college.\u201d \u201cWhy?\u201d<\/em> <em>\u201cBecause you came to me with all the seeds\u2014all I have to do is water them.\u201d<\/em> Part of the excellent, hard-work, and fun training with my two primary mentors in Theatre Arts was their emphasis on ensemble work \u2014 not only among the cast, but among cast, crew, staff, audience!<\/p>\n<p>Ralph, to every new group of Theatre students at St. Olaf College: <em>\u201cYour degree will read \u201cSpeech Major\u201d but we will know it means \u201cTheatre Major\u201d \u2014 and if you want your Theatre Degree, you\u2019re going to have to do every single job in Theatre at least once before you graduate.\u201d<\/em> And being a four-year college of 700 students in the late 1950s, we all did every job more than once!<\/p>\n<p>So I got basic experience as an actor, stage manager, set designer (and set builder, and tech director), costume designer (and costume construction, and wardrobe master), stage director, playwright, composer, lyricist, and added for my senior year \u2014 dancer and co-choreographer!<\/p>\n<p>Because of his ensemble approach, four of us in the \u201cTheatre Department\u201d asked if we could do a program of religious dance. Ralph responded <em>\u201cThat\u2019s a great idea, but I would get fired if I approved such an event.\u201d<\/em> (1950s Lutheran College \u2014 no dancing except folk) <i>\u201cHowever, I\u2019ll be at a convention in a few weeks, and \u2026 \u201d<\/i> he turned to me, <em>\u201cBill, as Maintenance Person for the Theater, you have keys and I trust anything you might do in the Theater in my absence.\u201d<\/em> We put on the unsuccessfully-secret show in our small theater to an \u201cinvited\u201d SRO audience. Today, at St. Olaf, you can get a B.A. Degree in Theatre <i><b>or<\/b><\/i> a B.A. Degree in Dance!<\/p>\n<p><em>A few favorite memories:<\/em><\/p>\n<ul>\n<li>1955, Kaj Munk\u2019s ORDET (THE WORD), a beautiful Danish play! Question after a run-thru: <i>\u201cIt\u2019s so moving near the end when the wife comes back to life. Why does the playwright immediately have two laugh lines from the Atheist Doctor and the self-righteous Clergyman?\u201d<\/i> Ralph\u2019s answer: <i>\u201cBecause a good playwright knows audience members, especially men, have trouble expressing vulnerable emotions, so he lets them release their emotional tension in a publicly acceptable fashion \u2014 justifiable laughter!\u201d<\/i><\/li>\n<li>\u00a0Every summer, Ralph and his wonderful wife Marilyn, would apprentice with a professional Regional Theatre company, and then share what they learned with us the following year. In 1958, end of my Junior Year, Ralph and Marilyn happily announced they\u2019d been accepted to apprentice with a summer theater practicing the new \u201cmethod acting\u201d (though looking back, Ralph taught the same healthy natural styles I later found with Miss Hagen). Next fall when we eagerly came back, Ralph announced: <i>\u201cWe moved on to another company after the first show \u2014 it was OTHELLO, and opening night, after Othello \u201ckilled\u201d Desdemona, he was so grief-stricken he collapsed sobbing on her body and they had to bring down the curtain \u2014 so we will not be learning this type of \u201cmethod acting!\u201d<\/i><\/li>\n<li>Following my misdirection of a Shaw one-act play in Directing Class (1956): <i>\u201cMr. Koch! If you want to write a religious play, write one! If you want to direct Shaw, find out what Shaw wanted to say!<\/i>\u201d So I did. Many years later, when I was in Professional Theatre, a phone call: <i>\u201cHi Bill, it\u2019s Ralph! Marilyn and I are coming to New York City for a vacation and wondered if you might be doing a show we could catch?\u201d<\/i> So Ralph &amp; Marilyn attended the premiere performance of CANTATA FOR GOOD FRIDAY (BK composer &amp; librettist) performed by The Village Light Opera Group. When they congratulated me after the performance, I said <i>\u201cProfessor Haugen, remember that Shaw critique you gave me many years ago \u2014 I took it to heart!\u201d<\/i><\/li>\n<li>One of Ralph\u2019s promising students was not allowed to graduate because he was one credit short. Years later, in his profession as a writer, his agent advised him to officially complete his graduation, so he called Ralph and said<i> \u201cCould you give me a project to earn one credit?\u201d<\/i> Ralph\u2019s answer (I\u2019m sure smiling): <i>\u201cWhy don\u2019t you write a paper on how it feels to win an Academy Award Oscar for Best screenplay.\u201d<\/i> The student was Barry Morrow; his film was <em>\u201cRain Man.\u201d<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>This was one of my college Theatre mentor\u2019s favorite sayings. Ralph Haugen, an incredible teacher and human being, about whom Uta Hagen said to me years later (never having met Ralph): \u201cYou must have had a really good Theatre teacher in college.\u201d \u201cWhy?\u201d \u201cBecause you came to me with all the seeds\u2014all I have to [&hellip;]<\/p>\n","protected":false},"author":227,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-174","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["227"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"_edit_lock":["1607378292:227"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"_wp_old_date":["2020-10-30"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cRemember \u2013 It Takes At Least Five People To Do A One-Man Show!\u201d - Bill Koch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/kochbill\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cRemember \u2013 It Takes At Least Five People To Do A One-Man Show!\u201d - Bill Koch\" \/>\n<meta property=\"og:description\" content=\"This was one of my college Theatre mentor\u2019s favorite sayings. Ralph Haugen, an incredible teacher and human being, about whom Uta Hagen said to me years later (never having met Ralph): \u201cYou must have had a really good Theatre teacher in college.\u201d \u201cWhy?\u201d \u201cBecause you came to me with all the seeds\u2014all I have to [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/kochbill\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\/\" \/>\n<meta property=\"og:site_name\" content=\"Bill Koch\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-11T18:32:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/12\/Ralph_Haugen_larger.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"923\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Bill Koch\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Bill Koch\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\\\/\"},\"author\":{\"name\":\"Bill Koch\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/#\\\/schema\\\/person\\\/fcac2be0a256ed2810277ceffec1e835\"},\"headline\":\"\u201cRemember \u2013 It Takes At Least Five People To Do A One-Man Show!\u201d\",\"datePublished\":\"2020-12-11T18:32:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\\\/\"},\"wordCount\":774,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/wp-content\\\/uploads\\\/sites\\\/215\\\/2020\\\/12\\\/Ralph_Haugen_larger-293x300.jpeg\",\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\\\/\",\"name\":\"\u201cRemember \u2013 It Takes At Least Five People To Do A One-Man Show!\u201d - 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Favorite roles: Will Parker &amp; Kagekiyo, The Blind Samurai. &gt;&gt;&gt;Stage Director, Choreographer, Soundtracker, Theatre Teacher &amp; Workshop Leader: &gt;OVERVIEW-50+ years: 220 Productions of 161 Scripts\\\/Librettos\\\/Scenarios\\\/Scores. Including 10 company residencies, 12 guest artist positions (including 12 years as Faculty Guest Director at the American Academy of Dramatic Arts). Favorite directed drama: \u201cJohnny Belinda\u201d. &gt;Richard Rodgers &amp; Oscar Hammerstein's \\\"ALLEGRO\\\"-(Stage Director\\\/Choreographer): (First\u2014and only\u2014fully staged New York Revival\u2014at Equity Library Theatre\u20141979) \\\"Dear Mr. Koch, I enjoyed your work in 'Allegro' so much that I hope we can get together on some future effort. Meanwhile, let me congratulate you and thank you. Yours sincerely, Richard Rodgers\\\" aka WILLIAM HENRY KOCH, JR. &gt;&gt;&gt;Poet, Playwright, Composer, Lyricist &gt;OVERVIEW-50+ years: 13 full length plays (6 produced); 28 one-act plays (20 produced); 1 short produced screenplay; 8 produced adaptations; countless number of songs in and out of collections, many performed. Favorite poetry collection: \u201cSonnets From The Tower of London\u201d. Unpublished Autobiography in Poetry\u201438 Volumes: 1956 to Present. Listed in Who\u2019s Who in America: 2019.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/author\\\/kochbill\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\u201cRemember \u2013 It Takes At Least Five People To Do A One-Man Show!\u201d - Bill Koch","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/kochbill\/remember-it-takes-at-least-five-people-to-do-a-one-man-show\/","og_locale":"en_US","og_type":"article","og_title":"\u201cRemember \u2013 It Takes At Least Five People To Do A One-Man Show!\u201d - Bill Koch","og_description":"This was one of my college Theatre mentor\u2019s favorite sayings. 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Favorite roles: Will Parker &amp; Kagekiyo, The Blind Samurai. &gt;&gt;&gt;Stage Director, Choreographer, Soundtracker, Theatre Teacher &amp; Workshop Leader: &gt;OVERVIEW-50+ years: 220 Productions of 161 Scripts\/Librettos\/Scenarios\/Scores. Including 10 company residencies, 12 guest artist positions (including 12 years as Faculty Guest Director at the American Academy of Dramatic Arts). Favorite directed drama: \u201cJohnny Belinda\u201d. &gt;Richard Rodgers &amp; Oscar Hammerstein's \"ALLEGRO\"-(Stage Director\/Choreographer): (First\u2014and only\u2014fully staged New York Revival\u2014at Equity Library Theatre\u20141979) \"Dear Mr. Koch, I enjoyed your work in 'Allegro' so much that I hope we can get together on some future effort. Meanwhile, let me congratulate you and thank you. Yours sincerely, Richard Rodgers\" aka WILLIAM HENRY KOCH, JR. &gt;&gt;&gt;Poet, Playwright, Composer, Lyricist &gt;OVERVIEW-50+ years: 13 full length plays (6 produced); 28 one-act plays (20 produced); 1 short produced screenplay; 8 produced adaptations; countless number of songs in and out of collections, many performed. Favorite poetry collection: \u201cSonnets From The Tower of London\u201d. Unpublished Autobiography in Poetry\u201438 Volumes: 1956 to Present. Listed in Who\u2019s Who in America: 2019.","url":"https:\/\/performingartslegacy.org\/kochbill\/author\/kochbill\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts\/174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/users\/227"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/comments?post=174"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts\/174\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/media?parent=174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/categories?post=174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/tags?post=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}