{"id":276,"date":"2020-11-23T16:14:42","date_gmt":"2020-11-23T21:14:42","guid":{"rendered":"https:\/\/performingartslegacy.org\/kochbill\/?p=276"},"modified":"2021-01-02T18:16:25","modified_gmt":"2021-01-02T23:16:25","slug":"playing-god","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kochbill\/playing-god\/","title":{"rendered":"Playing God"},"content":{"rendered":"<div id=\"attachment_275\" style=\"width: 483px\" class=\"wp-caption alignleft\"><img decoding=\"async\" aria-describedby=\"caption-attachment-275\" loading=\"lazy\" class=\" wp-image-275\" src=\"https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-230x300.jpg\" sizes=\"auto, (max-width: 473px) 100vw, 473px\" srcset=\"https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-230x300.jpg 230w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-786x1024.jpg 786w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-768x1000.jpg 768w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-1179x1536.jpg 1179w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-1572x2048.jpg 1572w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-816x1063.jpg 816w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-1250x1628.jpg 1250w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-400x521.jpg 400w, https:\/\/performingartslegacy.org\/kochbill\/wp-content\/uploads\/sites\/215\/2020\/11\/Playing-God-CCI_000013-scaled.jpg 1965w\" alt=\"\" width=\"473\" height=\"617\" \/><p id=\"caption-attachment-275\" class=\"wp-caption-text\">Thank you letter re &#8220;EVERYMAN&#8221;<\/p><\/div>\n<p>EVERYMAN is a British Medieval Mystery play; it\u2019s not a who-dunnit, but these plays were about spiritual mysteries (always with comic relief characters).&nbsp; EVERYMAN is probably the most famous, and still-powerful, play of this type, aptly portraying aspects of the human condition on Earth.<\/p>\n<p>This production was performed by professionals in the beautiful sanctuary of Immanuel Lutheran Church in Manhattan.&nbsp; It was an exciting challenge to be cast in the role of \u201cGod.\u201d<\/p>\n<p>Stage left on the chancel was a 15-foot-high platform where \u201cGod\u201d resided.&nbsp; As always, I love the evolving rehearsal process as well as the performances. This was a fun, hard-working cast and director and our efforts were well-received.<\/p>\n<p>Rehearsing at home one day, I suddenly realized <em>\u201cI\u2019m God. When we\u2019re onstage, I am God. Whatever I say goes. The other characters have to do whatever I command.\u201d<\/em>&nbsp;I remember a devilish grin coming on as I thought <em>\u201cIn a performance, I could say (from my tower)<\/em> <em>\u2018Death! I\u2019ve changed my mind! I don\u2019t want you to go and bring back Everyman\u2014let him live for a while!\u2019\u201d<\/em><\/p>\n<p>I called another actor friend to tell him this amazing discovery! After I explained my newfound possibility, he said calmly, \u201c<em>Bill.&nbsp; In this production, \u2018God\u2019 is a supporting character.&nbsp; You\u2019re not the lead character, \u2018Everyman\u2019 is.\u201d&nbsp;<\/em> So my \u201cGod\u201d had humbleberry pie for supper.<\/p>\n<p>Also, this experience helped me realize, and still can remind me, that I, as a human being, am \u201cone of the players,\u201d not the Playwright or Director of this Great World Theater.&nbsp; My role in Life, as it is in Theatre, is to do my part as honestly and faithfully and with humor as I can\u2014which includes asking for and accepting help when I need it, and being of service to others. Thus in Theatre I may get to play \u201cGod,\u201d which will be fun and sharing as long as I don\u2019t \u201cplay God!\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EVERYMAN is a British Medieval Mystery play; it\u2019s not a who-dunnit, but these plays were about spiritual mysteries (always with comic relief characters).&nbsp; EVERYMAN is probably the most famous, and still-powerful, play of this type, aptly portraying aspects of the human condition on Earth. This production was performed by professionals in the beautiful sanctuary of [&hellip;]<\/p>\n","protected":false},"author":227,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-276","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["227"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Playing God - Bill Koch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/kochbill\/playing-god\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Playing God - Bill Koch\" \/>\n<meta property=\"og:description\" content=\"EVERYMAN is a British Medieval Mystery play; it\u2019s not a who-dunnit, but these plays were about spiritual mysteries (always with comic relief characters).&nbsp; EVERYMAN is probably the most famous, and still-powerful, play of this type, aptly portraying aspects of the human condition on Earth. 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Favorite roles: Will Parker &amp; Kagekiyo, The Blind Samurai. &gt;&gt;&gt;Stage Director, Choreographer, Soundtracker, Theatre Teacher &amp; Workshop Leader: &gt;OVERVIEW-50+ years: 220 Productions of 161 Scripts\\\/Librettos\\\/Scenarios\\\/Scores. Including 10 company residencies, 12 guest artist positions (including 12 years as Faculty Guest Director at the American Academy of Dramatic Arts). Favorite directed drama: \u201cJohnny Belinda\u201d. &gt;Richard Rodgers &amp; Oscar Hammerstein's \\\"ALLEGRO\\\"-(Stage Director\\\/Choreographer): (First\u2014and only\u2014fully staged New York Revival\u2014at Equity Library Theatre\u20141979) \\\"Dear Mr. Koch, I enjoyed your work in 'Allegro' so much that I hope we can get together on some future effort. Meanwhile, let me congratulate you and thank you. Yours sincerely, Richard Rodgers\\\" aka WILLIAM HENRY KOCH, JR. &gt;&gt;&gt;Poet, Playwright, Composer, Lyricist &gt;OVERVIEW-50+ years: 13 full length plays (6 produced); 28 one-act plays (20 produced); 1 short produced screenplay; 8 produced adaptations; countless number of songs in and out of collections, many performed. Favorite poetry collection: \u201cSonnets From The Tower of London\u201d. Unpublished Autobiography in Poetry\u201438 Volumes: 1956 to Present. Listed in Who\u2019s Who in America: 2019.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/author\\\/kochbill\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Playing God - Bill Koch","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/kochbill\/playing-god\/","og_locale":"en_US","og_type":"article","og_title":"Playing God - Bill Koch","og_description":"EVERYMAN is a British Medieval Mystery play; it\u2019s not a who-dunnit, but these plays were about spiritual mysteries (always with comic relief characters).&nbsp; EVERYMAN is probably the most famous, and still-powerful, play of this type, aptly portraying aspects of the human condition on Earth. 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Favorite roles: Will Parker &amp; Kagekiyo, The Blind Samurai. &gt;&gt;&gt;Stage Director, Choreographer, Soundtracker, Theatre Teacher &amp; Workshop Leader: &gt;OVERVIEW-50+ years: 220 Productions of 161 Scripts\/Librettos\/Scenarios\/Scores. Including 10 company residencies, 12 guest artist positions (including 12 years as Faculty Guest Director at the American Academy of Dramatic Arts). Favorite directed drama: \u201cJohnny Belinda\u201d. &gt;Richard Rodgers &amp; Oscar Hammerstein's \"ALLEGRO\"-(Stage Director\/Choreographer): (First\u2014and only\u2014fully staged New York Revival\u2014at Equity Library Theatre\u20141979) \"Dear Mr. Koch, I enjoyed your work in 'Allegro' so much that I hope we can get together on some future effort. Meanwhile, let me congratulate you and thank you. Yours sincerely, Richard Rodgers\" aka WILLIAM HENRY KOCH, JR. &gt;&gt;&gt;Poet, Playwright, Composer, Lyricist &gt;OVERVIEW-50+ years: 13 full length plays (6 produced); 28 one-act plays (20 produced); 1 short produced screenplay; 8 produced adaptations; countless number of songs in and out of collections, many performed. Favorite poetry collection: \u201cSonnets From The Tower of London\u201d. Unpublished Autobiography in Poetry\u201438 Volumes: 1956 to Present. Listed in Who\u2019s Who in America: 2019.","url":"https:\/\/performingartslegacy.org\/kochbill\/author\/kochbill\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts\/276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/users\/227"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/comments?post=276"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts\/276\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/media?parent=276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/categories?post=276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/tags?post=276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}