{"id":400,"date":"2020-11-13T13:12:42","date_gmt":"2020-11-13T18:12:42","guid":{"rendered":"https:\/\/performingartslegacy.org\/kochbill\/?p=400"},"modified":"2021-01-03T11:24:50","modified_gmt":"2021-01-03T16:24:50","slug":"the-theater-that-failed","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kochbill\/the-theater-that-failed\/","title":{"rendered":"The Theater That Failed"},"content":{"rendered":"<p>It was 1970! My Theatre career was flourishing in various directions! A producer I had worked for as a choreographer on several shows, hired me as one of two directors to split a 10-show Summer Stock season.&nbsp; This was a brand-new, beautiful bowl-in-a-tent theater in a quiet town in Pennsylvania that seemed ready for a summer theater! The publicity was first-rate!<\/p>\n<p>Because I really wanted to work on \u201cFUNNY GIRL\u201d and \u201cSTOP THE WORLD,\u201d I chose the second half of the season. So I came out to start my half with five, working, stage director\u2019s scripts and choreography for all five shows.<\/p>\n<p>The other Director\/Choreographer was someone I knew and respected, so I was not surprised that the first four shows were reportedly excellent; I saw the fifth production \u201cOKLAHOMA\u201d which was energetic, fun and moving. I also learned the houses for the first five shows were appreciative but meager.<\/p>\n<p>We rehearsed \u201cFUNNY GIRL\u201d with the very talented cast I had helped pick, all of us enjoying the experience. After Dress Rehearsal, the Producer called us all together and with great grief said we couldn\u2019t open \u201cFUNNY GIRL\u201d the following night, and that the rest of the season was cancelled because the theater had gone bankrupt, due to the lack of attendance. For reasons of privacy of other talented people I mention no names.<\/p>\n<p>I include this entry especially for newcomers: it is important to know that Theatre is a tightrope act; sometimes we all do our creative best\u2014in stock or on Broadway\u2014and the production doesn\u2019t make it, often not even knowing exactly why. But Theatre\u2014and our careers\u2014go on. To paraphrase Mae West, \u201c<i>Shows are like streetcars\u2014there\u2019ll be another one along any minute!\u201d<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was 1970! My Theatre career was flourishing in various directions! A producer I had worked for as a choreographer on several shows, hired me as one of two directors to split a 10-show Summer Stock season.&nbsp; This was a brand-new, beautiful bowl-in-a-tent theater in a quiet town in Pennsylvania that seemed ready for a [&hellip;]<\/p>\n","protected":false},"author":227,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-400","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["227"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"_wp_old_date":["2020-12-13"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Theater That Failed - Bill Koch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/kochbill\/the-theater-that-failed\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Theater That Failed - Bill Koch\" \/>\n<meta property=\"og:description\" content=\"It was 1970! My Theatre career was flourishing in various directions! A producer I had worked for as a choreographer on several shows, hired me as one of two directors to split a 10-show Summer Stock season.&nbsp; This was a brand-new, beautiful bowl-in-a-tent theater in a quiet town in Pennsylvania that seemed ready for a [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/kochbill\/the-theater-that-failed\/\" \/>\n<meta property=\"og:site_name\" content=\"Bill Koch\" \/>\n<meta property=\"article:published_time\" content=\"2020-11-13T18:12:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-03T16:24:50+00:00\" \/>\n<meta name=\"author\" content=\"Bill Koch\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Bill Koch\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/\"},\"author\":{\"name\":\"Bill Koch\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/#\\\/schema\\\/person\\\/fcac2be0a256ed2810277ceffec1e835\"},\"headline\":\"The Theater That Failed\",\"datePublished\":\"2020-11-13T18:12:42+00:00\",\"dateModified\":\"2021-01-03T16:24:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/\"},\"wordCount\":297,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/\",\"name\":\"The Theater That Failed - Bill Koch\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/#website\"},\"datePublished\":\"2020-11-13T18:12:42+00:00\",\"dateModified\":\"2021-01-03T16:24:50+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/#\\\/schema\\\/person\\\/fcac2be0a256ed2810277ceffec1e835\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/the-theater-that-failed\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Theater That Failed\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/\",\"name\":\"Bill Koch\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/#\\\/schema\\\/person\\\/fcac2be0a256ed2810277ceffec1e835\",\"name\":\"Bill Koch\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c4ed57bfe60c7bd6482915cc87b9e28b5a30ec32ee2c89fcd445487d8cdfe22?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c4ed57bfe60c7bd6482915cc87b9e28b5a30ec32ee2c89fcd445487d8cdfe22?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c4ed57bfe60c7bd6482915cc87b9e28b5a30ec32ee2c89fcd445487d8cdfe22?s=96&d=blank&r=g\",\"caption\":\"Bill Koch\"},\"description\":\"BILL KOCH (akaWILLIAM KOCH), AEA,SAG\\\/AFTRA (former AGVA) &gt;&gt;&gt;Actor, Dancer, Singer, Puppeteer, Mime, Storyteller, Understudy, Stage Manager: &gt;OVERVIEW-50+ years: Bill has performed 103 characters, many repeated, in plays and musicals in more than 40 New York theaters, tours and international productions, including several residencies, two ballet companies, and numerous puppet venues, also more than 20 commercials\\\/industrials\\\/ and 11 stand-in, background film jobs. Favorite roles: Will Parker &amp; Kagekiyo, The Blind Samurai. &gt;&gt;&gt;Stage Director, Choreographer, Soundtracker, Theatre Teacher &amp; Workshop Leader: &gt;OVERVIEW-50+ years: 220 Productions of 161 Scripts\\\/Librettos\\\/Scenarios\\\/Scores. Including 10 company residencies, 12 guest artist positions (including 12 years as Faculty Guest Director at the American Academy of Dramatic Arts). Favorite directed drama: \u201cJohnny Belinda\u201d. &gt;Richard Rodgers &amp; Oscar Hammerstein's \\\"ALLEGRO\\\"-(Stage Director\\\/Choreographer): (First\u2014and only\u2014fully staged New York Revival\u2014at Equity Library Theatre\u20141979) \\\"Dear Mr. Koch, I enjoyed your work in 'Allegro' so much that I hope we can get together on some future effort. Meanwhile, let me congratulate you and thank you. Yours sincerely, Richard Rodgers\\\" aka WILLIAM HENRY KOCH, JR. &gt;&gt;&gt;Poet, Playwright, Composer, Lyricist &gt;OVERVIEW-50+ years: 13 full length plays (6 produced); 28 one-act plays (20 produced); 1 short produced screenplay; 8 produced adaptations; countless number of songs in and out of collections, many performed. Favorite poetry collection: \u201cSonnets From The Tower of London\u201d. Unpublished Autobiography in Poetry\u201438 Volumes: 1956 to Present. Listed in Who\u2019s Who in America: 2019.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kochbill\\\/author\\\/kochbill\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Theater That Failed - Bill Koch","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/kochbill\/the-theater-that-failed\/","og_locale":"en_US","og_type":"article","og_title":"The Theater That Failed - Bill Koch","og_description":"It was 1970! My Theatre career was flourishing in various directions! 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Favorite roles: Will Parker &amp; Kagekiyo, The Blind Samurai. &gt;&gt;&gt;Stage Director, Choreographer, Soundtracker, Theatre Teacher &amp; Workshop Leader: &gt;OVERVIEW-50+ years: 220 Productions of 161 Scripts\/Librettos\/Scenarios\/Scores. Including 10 company residencies, 12 guest artist positions (including 12 years as Faculty Guest Director at the American Academy of Dramatic Arts). Favorite directed drama: \u201cJohnny Belinda\u201d. &gt;Richard Rodgers &amp; Oscar Hammerstein's \"ALLEGRO\"-(Stage Director\/Choreographer): (First\u2014and only\u2014fully staged New York Revival\u2014at Equity Library Theatre\u20141979) \"Dear Mr. Koch, I enjoyed your work in 'Allegro' so much that I hope we can get together on some future effort. Meanwhile, let me congratulate you and thank you. Yours sincerely, Richard Rodgers\" aka WILLIAM HENRY KOCH, JR. &gt;&gt;&gt;Poet, Playwright, Composer, Lyricist &gt;OVERVIEW-50+ years: 13 full length plays (6 produced); 28 one-act plays (20 produced); 1 short produced screenplay; 8 produced adaptations; countless number of songs in and out of collections, many performed. Favorite poetry collection: \u201cSonnets From The Tower of London\u201d. Unpublished Autobiography in Poetry\u201438 Volumes: 1956 to Present. Listed in Who\u2019s Who in America: 2019.","url":"https:\/\/performingartslegacy.org\/kochbill\/author\/kochbill\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts\/400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/users\/227"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/comments?post=400"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/posts\/400\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/media?parent=400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/categories?post=400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kochbill\/wp-json\/wp\/v2\/tags?post=400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}