{"id":162,"date":"2019-03-18T15:12:43","date_gmt":"2019-03-18T19:12:43","guid":{"rendered":"https:\/\/performingartslegacy.org\/kubota\/?p=162"},"modified":"2019-03-18T15:12:43","modified_gmt":"2019-03-18T19:12:43","slug":"the-letter-1980","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/","title":{"rendered":"The Letter (1980)"},"content":{"rendered":"<p>Theater: The Letter (1980)<\/p>\n<p>This was the job that got me my Equity card. I had done two shows with the Pan Asian Repertory Theater Company and the Artistic Director, Tisa Chang, recommended myself and two other young Asian actors to the Studio Arena Theater in Buffalo. It was my first experience working out of town and it was great. I\u2019m an early riser so I would get up around 6am and have an early breakfast. Then when my fellow actors finally rolled out of bed later I would join them for another round of breakfast. I liked to eat(in those days).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Theater: The Letter (1980) This was the job that got me my Equity card. I had done two shows with the Pan Asian Repertory Theater Company and the Artistic Director, Tisa Chang, recommended myself and two other young Asian actors to the Studio Arena Theater in Buffalo. It was my first experience working out of [&hellip;]<\/p>\n","protected":false},"author":113,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-162","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1552936238:113"],"_edit_last":["113"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Letter (1980) - Glenn Kubota<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Letter (1980) - Glenn Kubota\" \/>\n<meta property=\"og:description\" content=\"Theater: The Letter (1980) This was the job that got me my Equity card. I had done two shows with the Pan Asian Repertory Theater Company and the Artistic Director, Tisa Chang, recommended myself and two other young Asian actors to the Studio Arena Theater in Buffalo. It was my first experience working out of [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/\" \/>\n<meta property=\"og:site_name\" content=\"Glenn Kubota\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-18T19:12:43+00:00\" \/>\n<meta name=\"author\" content=\"Glenn Kubota\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Glenn Kubota\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/\"},\"author\":{\"name\":\"Glenn Kubota\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/#\\\/schema\\\/person\\\/ed0027430d2c3d341acced090933bc5e\"},\"headline\":\"The Letter (1980)\",\"datePublished\":\"2019-03-18T19:12:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/\"},\"wordCount\":105,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/\",\"name\":\"The Letter (1980) - Glenn Kubota\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/#website\"},\"datePublished\":\"2019-03-18T19:12:43+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/#\\\/schema\\\/person\\\/ed0027430d2c3d341acced090933bc5e\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/the-letter-1980\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Letter (1980)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/\",\"name\":\"Glenn Kubota\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/#\\\/schema\\\/person\\\/ed0027430d2c3d341acced090933bc5e\",\"name\":\"Glenn Kubota\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b6b540abdcacf0ff42a0ee9b964e842a087036bc530e7342d1424b53b936650?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b6b540abdcacf0ff42a0ee9b964e842a087036bc530e7342d1424b53b936650?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b6b540abdcacf0ff42a0ee9b964e842a087036bc530e7342d1424b53b936650?s=96&d=blank&r=g\",\"caption\":\"Glenn Kubota\"},\"description\":\"Glenn was born and raised in the Central Valley of California. He grew up working in the fields and agricultural related industries of the valley and attributes his work ethic to those experiences. He moved to New York in 1979 to work in the theatre and to find his natural voice. He has worked in theatre, film, TV, streaming and print advertising. He is a member of the Actors Equity Association and the Screen Actors Guild-American Federation of Television and Radio Artist unions. His most recent theatre credits include Aubergine by Julia Cho at Olney Theatre Center in Olney, MD and the Everyman Theatre in Baltimore. Recent film credits include Mapplethorpe and We Are Unsatisfied. Recent TV\\\/Streaming credits include FBI and DareDevil. Glenn\u2019s immersion into the performing arts was a journey of difficult and at times humiliating work in search of an inner truth about himself. He has been largely successful to that end and is now in search of a new inner truth.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/kubota\\\/author\\\/gtkubota\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Letter (1980) - Glenn Kubota","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/","og_locale":"en_US","og_type":"article","og_title":"The Letter (1980) - Glenn Kubota","og_description":"Theater: The Letter (1980) This was the job that got me my Equity card. I had done two shows with the Pan Asian Repertory Theater Company and the Artistic Director, Tisa Chang, recommended myself and two other young Asian actors to the Studio Arena Theater in Buffalo. It was my first experience working out of [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/","og_site_name":"Glenn Kubota","article_published_time":"2019-03-18T19:12:43+00:00","author":"Glenn Kubota","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Glenn Kubota","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/"},"author":{"name":"Glenn Kubota","@id":"https:\/\/performingartslegacy.org\/kubota\/#\/schema\/person\/ed0027430d2c3d341acced090933bc5e"},"headline":"The Letter (1980)","datePublished":"2019-03-18T19:12:43+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/"},"wordCount":105,"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/","url":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/","name":"The Letter (1980) - Glenn Kubota","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/kubota\/#website"},"datePublished":"2019-03-18T19:12:43+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/kubota\/#\/schema\/person\/ed0027430d2c3d341acced090933bc5e"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/kubota\/the-letter-1980\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/kubota\/"},{"@type":"ListItem","position":2,"name":"The Letter (1980)"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/kubota\/#website","url":"https:\/\/performingartslegacy.org\/kubota\/","name":"Glenn Kubota","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/kubota\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/kubota\/#\/schema\/person\/ed0027430d2c3d341acced090933bc5e","name":"Glenn Kubota","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b6b540abdcacf0ff42a0ee9b964e842a087036bc530e7342d1424b53b936650?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b6b540abdcacf0ff42a0ee9b964e842a087036bc530e7342d1424b53b936650?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b6b540abdcacf0ff42a0ee9b964e842a087036bc530e7342d1424b53b936650?s=96&d=blank&r=g","caption":"Glenn Kubota"},"description":"Glenn was born and raised in the Central Valley of California. He grew up working in the fields and agricultural related industries of the valley and attributes his work ethic to those experiences. He moved to New York in 1979 to work in the theatre and to find his natural voice. He has worked in theatre, film, TV, streaming and print advertising. He is a member of the Actors Equity Association and the Screen Actors Guild-American Federation of Television and Radio Artist unions. His most recent theatre credits include Aubergine by Julia Cho at Olney Theatre Center in Olney, MD and the Everyman Theatre in Baltimore. Recent film credits include Mapplethorpe and We Are Unsatisfied. Recent TV\/Streaming credits include FBI and DareDevil. Glenn\u2019s immersion into the performing arts was a journey of difficult and at times humiliating work in search of an inner truth about himself. He has been largely successful to that end and is now in search of a new inner truth.","url":"https:\/\/performingartslegacy.org\/kubota\/author\/gtkubota\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/posts\/162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/users\/113"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/comments?post=162"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/posts\/162\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/media?parent=162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/categories?post=162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/kubota\/wp-json\/wp\/v2\/tags?post=162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}