{"id":54,"date":"2017-09-06T19:23:17","date_gmt":"2017-09-06T23:23:17","guid":{"rendered":"https:\/\/performingartslegacy.org\/machado\/?page_id=54"},"modified":"2018-06-10T06:19:29","modified_gmt":"2018-06-10T10:19:29","slug":"oral-history","status":"publish","type":"page","link":"https:\/\/performingartslegacy.org\/machado\/oral-history\/","title":{"rendered":"Oral History"},"content":{"rendered":"\n<p style=\"text-align: center;\"><strong><u>Agosto Machado on NYC Theatre and the Arts in the Sixties: The Alternatives<\/u><\/strong><\/p>\n[aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM1.mp3&#8243; title=&#8221;Part 1&#8243;]\n\n[aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM2.mp3&#8243; title=&#8221;Part 2&#8243;]\n\n[aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM3.mp3&#8243; title=&#8221;Part 3&#8243;]\n<p><em>Machado \u2013 OH 1 \u2013 00:18 \u201cI am a pre-Stonewall Christopher Street queen\u2026\u201d \u2013 3:16 \u201c\u2026a whole movement came.\u201d<\/em><\/p>\n<p>Agosto introduces himself with a personal manifesto and a brief description of the origins of the downtown theater movement.<\/p>\n<p><em>Machado \u2013 OH 1 \u2013 27:54 \u201cI mentioned being a witness and participant\u2026\u201d \u2013 32:02 \u201c\u2026it\u2019s more structured.\u201d<\/em><\/p>\n<p>Agosto recounts his first encounters with the work of Joe Cino and Jack Smith.<\/p>\n<p><em>Machado \u2013 OH 3 \u2013 32:02 \u201cCulturally the stuff we experienced\u2026\u201d \u2013 35:15 \u201c\u2026even if there\u2019s only three.\u201d<\/em><\/p>\n<p>Agosto describes the differences in creative process in the different troupes he worked with and other more structured theatre groups.<\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Agosto Machado\u2019s Statement<\/strong><\/span><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-54-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/agosto-statement.mp3?_=1\" \/><a href=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/agosto-statement.mp3\">https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/agosto-statement.mp3<\/a><\/audio>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Amerika Cleopatra (1968)\u00a0 <\/strong><\/span><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n\n<p><strong>\u00a0<\/strong><\/p>\n\n<p><strong><br \/>\n<\/strong><\/p>\n\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-232\" src=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg\" sizes=\"auto, (max-width: 3265px) 100vw, 3265px\" srcset=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg 3265w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward-300x232.jpg 300w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward-768x595.jpg 768w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward-1024x793.jpg 1024w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward-973x753.jpg 973w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward-508x393.jpg 508w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward-1250x968.jpg 1250w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward-400x310.jpg 400w\" alt=\"\" width=\"3265\" height=\"2528\" \/><\/p>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"1178\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Amerika-Cleopatra_-Playhouse-of-the-Ridiculous-Harvey-Tarvel-Charles-Ludlam-etc..mp3'>Playhouse of the Ridiculous, Harvey Tarvel, Charles Ludlam, etc.<\/a><\/li><li><a href='https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Agosto-Amerika-Cleopatra_-The-Growing-Pains-Finding-Anthony.mp3'>The Growing Pains &amp; Finding Anthony<\/a><\/li><li><a href='https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/11\/Agosto-Amerika-Cleopatra_-Jackie-Curtis-the-Gown-by-Halston.mp3'>Jackie Curtis &amp; the Gown by Halston<\/a><\/li><li><a href='https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Agosto-Amerika-Cleopatra_-What-is-Downtown.mp3'>What is Downtown<\/a><\/li><li><a href='https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Agosto-Amerika-Cleopatra_-Jackie-Curtis-Amerika-Cleopatra-as-an-exception.mp3'>Jackie Curtis' Amerika Cleopatra as an exception<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Amerika-Cleopatra_-Playhouse-of-the-Ridiculous-Harvey-Tarvel-Charles-Ludlam-etc..mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Playhouse of the Ridiculous, Harvey Tarvel, Charles Ludlam, etc.\",\"caption\":\"\",\"description\":\"\\\"Amerika Cleopatra: Playhouse of the Ridiculous, Harvey Tarvel, Charles Ludlam, etc.\\\" from Agosto: Amerika Cleopatra. Released: 2017.\",\"meta\":{\"album\":\"Agosto: Amerika Cleopatra\",\"year\":\"2017\",\"length_formatted\":\"0:58\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Agosto-Amerika-Cleopatra_-The-Growing-Pains-Finding-Anthony.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"The Growing Pains &amp; Finding Anthony\",\"caption\":\"\",\"description\":\"\\\"Agosto Amerika Cleopatra: The Growing Pains &amp; Finding Anthony\\\" from Agosto: Amerika Cleopatra. Released: 2017.\",\"meta\":{\"album\":\"Agosto: Amerika Cleopatra\",\"year\":\"2017\",\"length_formatted\":\"5:36\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/11\/Agosto-Amerika-Cleopatra_-Jackie-Curtis-the-Gown-by-Halston.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Jackie Curtis &amp; the Gown by Halston\",\"caption\":\"\",\"description\":\"\\\"Agosto Amerika Cleopatra: Jackie Curtis &amp; the Gown by Halston\\\" from Agosto: Amerika Cleopatra. Released: 2017.\",\"meta\":{\"album\":\"Agosto: Amerika Cleopatra\",\"year\":\"2017\",\"length_formatted\":\"4:59\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Agosto-Amerika-Cleopatra_-What-is-Downtown.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"What is Downtown\",\"caption\":\"\",\"description\":\"\\\"Agosto Amerika Cleopatra: What is Downtown\\\" from Agosto: Amerika Cleopatra. Released: 2017.\",\"meta\":{\"album\":\"Agosto: Amerika Cleopatra\",\"year\":\"2017\",\"length_formatted\":\"3:12\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/09\/Agosto-Amerika-Cleopatra_-Jackie-Curtis-Amerika-Cleopatra-as-an-exception.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Jackie Curtis' Amerika Cleopatra as an exception\",\"caption\":\"\",\"description\":\"\\\"Agosto Amerika Cleopatra: Jackie Curtis' Amerika Cleopatra as an exception\\\" from Agosto: Amerika Cleopatra. Released: 2017.\",\"meta\":{\"album\":\"Agosto: Amerika Cleopatra\",\"year\":\"2017\",\"length_formatted\":\"1:53\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Candy Darling:<\/strong><\/span><\/p>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"1178\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Candy-Darling-the-Warhol-Superstar-and-the-illusion-of-glamor.mp3'>Candy Darling: the Warhol Superstar and the illusion of glamor<\/a><\/li><li><a href='https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Candy-Darling-where-she-is-from-and-their-shared-experience-in-NYC.mp3'>Candy Darling: where she is from and their shared experience in NYC<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":false,\"artists\":false,\"tracks\":[{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Candy-Darling-the-Warhol-Superstar-and-the-illusion-of-glamor.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Candy Darling: the Warhol Superstar and the illusion of glamor\",\"caption\":\"\",\"description\":\"\\\"Agosto - Candy Darling, the Warhol Superstar and the illusion of glamor\\\" from Agosto Candy Darling. Released: 2017.\",\"meta\":{\"album\":\"Agosto: Candy Darling\",\"year\":\"2017\",\"length_formatted\":\"7:23\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Candy-Darling-where-she-is-from-and-their-shared-experience-in-NYC.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Candy Darling: where she is from and their shared experience in NYC\",\"caption\":\"\",\"description\":\"\\\"Agosto - Candy Darling, where she is from and their shared experience in NYC\\\" from Agosto Candy Darling. Released: 2017.\",\"meta\":{\"album\":\"Agosto Candy Darling\",\"year\":\"2017\",\"length_formatted\":\"1:10\"},\"image\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/performingartslegacy.org\/machado\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Jack Smith:<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><strong>Chance encounter at a dumpster, working with him and Mario Montez, his lost footage and influence<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-54-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-Jack-Smith-Chance-Encounter-at-a-Dumpster-Working-with-him-and-Mario-Montez-His-Lost-Footage-and-Influence.mp3?_=2\" \/><a href=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-Jack-Smith-Chance-Encounter-at-a-Dumpster-Working-with-him-and-Mario-Montez-His-Lost-Footage-and-Influence.mp3\">https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-Jack-Smith-Chance-Encounter-at-a-Dumpster-Working-with-him-and-Mario-Montez-His-Lost-Footage-and-Influence.mp3<\/a><\/audio>\n<div id=\"attachment_135\" style=\"width: 3263px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-135\" class=\"size-full wp-image-135\" src=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446.jpg\" sizes=\"auto, (max-width: 3253px) 100vw, 3253px\" srcset=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446.jpg 3253w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446-300x233.jpg 300w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446-768x596.jpg 768w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446-1024x794.jpg 1024w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446-973x755.jpg 973w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446-508x394.jpg 508w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446-1250x969.jpg 1250w, https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/IMG_3446-400x310.jpg 400w\" alt=\"\" width=\"3253\" height=\"2523\" \/><p id=\"caption-attachment-135\" class=\"wp-caption-text\">Photo Series with Jack Smith, modeled with Mario Montez 1968<\/p><\/div>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>In Search of the Cobra Jewels (1973), with Harvey Fierstein, H.M. Koutoukas, etc\u00a0<\/strong><\/span>(content warning: attempted suicide)<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-54-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-In-search-of-cobra-jewels.mp3?_=3\" \/><a href=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-In-search-of-cobra-jewels.mp3\">https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-In-search-of-cobra-jewels.mp3<\/a><\/audio>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>The Cockettes<\/strong><\/span><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-54-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-Cockettes-The-NYC-Reunion-at-Lincoln-Center-looking-back-at-old-photographs.mp3?_=4\" \/><a href=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-Cockettes-The-NYC-Reunion-at-Lincoln-Center-looking-back-at-old-photographs.mp3\">https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/12\/Agosto-Machado-Cockettes-The-NYC-Reunion-at-Lincoln-Center-looking-back-at-old-photographs.mp3<\/a><\/audio>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n<div class=\"wp-playlist-tracks\">\n<div class=\"wp-playlist-item\">\n<div class=\"wp-playlist-item-length\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Agosto Machado on NYC Theatre and the Arts in the Sixties: The Alternatives [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM1.mp3&#8243; title=&#8221;Part 1&#8243;] [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM2.mp3&#8243; title=&#8221;Part 2&#8243;] [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM3.mp3&#8243; title=&#8221;Part 3&#8243;] Machado \u2013 OH 1 \u2013 00:18 \u201cI am a pre-Stonewall Christopher Street queen\u2026\u201d \u2013 3:16 \u201c\u2026a whole movement [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-54","page","type-page","status-publish","hentry"],"metadata":{"_edit_lock":["1776517040:1"],"_edit_last":["1"],"_wp_page_template":["default"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_tml_action":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Oral History - Agosto Machado<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/machado\/oral-history\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oral History - Agosto Machado\" \/>\n<meta property=\"og:description\" content=\"Agosto Machado on NYC Theatre and the Arts in the Sixties: The Alternatives [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM1.mp3&#8243; title=&#8221;Part 1&#8243;] [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM2.mp3&#8243; title=&#8221;Part 2&#8243;] [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM3.mp3&#8243; title=&#8221;Part 3&#8243;] Machado \u2013 OH 1 \u2013 00:18 \u201cI am a pre-Stonewall Christopher Street queen\u2026\u201d \u2013 3:16 \u201c\u2026a whole movement [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/machado\/oral-history\/\" \/>\n<meta property=\"og:site_name\" content=\"Agosto Machado\" \/>\n<meta property=\"article:modified_time\" content=\"2018-06-10T10:19:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1239\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/\",\"name\":\"Oral History - Agosto Machado\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/wp-content\\\/uploads\\\/sites\\\/35\\\/2017\\\/10\\\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg\",\"datePublished\":\"2017-09-06T23:23:17+00:00\",\"dateModified\":\"2018-06-10T10:19:29+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/#primaryimage\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/wp-content\\\/uploads\\\/sites\\\/35\\\/2017\\\/10\\\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg\",\"contentUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/wp-content\\\/uploads\\\/sites\\\/35\\\/2017\\\/10\\\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg\",\"width\":1600,\"height\":1239},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/oral-history\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Oral History\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/\",\"name\":\"Agosto Machado\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/machado\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Oral History - Agosto Machado","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/machado\/oral-history\/","og_locale":"en_US","og_type":"article","og_title":"Oral History - Agosto Machado","og_description":"Agosto Machado on NYC Theatre and the Arts in the Sixties: The Alternatives [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM1.mp3&#8243; title=&#8221;Part 1&#8243;] [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM2.mp3&#8243; title=&#8221;Part 2&#8243;] [aesop_audio hidden=&#8221;off&#8221; loop=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; src=&#8221;https:\/\/performingartslegacy.org\/wp-content\/oral-histories\/AM3.mp3&#8243; title=&#8221;Part 3&#8243;] Machado \u2013 OH 1 \u2013 00:18 \u201cI am a pre-Stonewall Christopher Street queen\u2026\u201d \u2013 3:16 \u201c\u2026a whole movement [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/machado\/oral-history\/","og_site_name":"Agosto Machado","article_modified_time":"2018-06-10T10:19:29+00:00","og_image":[{"width":1600,"height":1239,"url":"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/machado\/oral-history\/","url":"https:\/\/performingartslegacy.org\/machado\/oral-history\/","name":"Oral History - Agosto Machado","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/machado\/#website"},"primaryImageOfPage":{"@id":"https:\/\/performingartslegacy.org\/machado\/oral-history\/#primaryimage"},"image":{"@id":"https:\/\/performingartslegacy.org\/machado\/oral-history\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg","datePublished":"2017-09-06T23:23:17+00:00","dateModified":"2018-06-10T10:19:29+00:00","breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/machado\/oral-history\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/machado\/oral-history\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/performingartslegacy.org\/machado\/oral-history\/#primaryimage","url":"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg","contentUrl":"https:\/\/performingartslegacy.org\/machado\/wp-content\/uploads\/sites\/35\/2017\/10\/amerika-cleopatra-w-jackie-curtis-photo-by-conrad-ward.jpg","width":1600,"height":1239},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/machado\/oral-history\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/machado\/"},{"@type":"ListItem","position":2,"name":"Oral History"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/machado\/#website","url":"https:\/\/performingartslegacy.org\/machado\/","name":"Agosto Machado","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/machado\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/machado\/wp-json\/wp\/v2\/pages\/54","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/machado\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/performingartslegacy.org\/machado\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/machado\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/machado\/wp-json\/wp\/v2\/comments?post=54"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/machado\/wp-json\/wp\/v2\/pages\/54\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/machado\/wp-json\/wp\/v2\/media?parent=54"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}