{"id":1053,"date":"2019-11-03T19:05:28","date_gmt":"2019-11-03T19:05:28","guid":{"rendered":"https:\/\/performingartslegacy.org\/mccarthy\/?p=1053"},"modified":"2021-07-27T14:43:00","modified_gmt":"2021-07-27T18:43:00","slug":"madame-xs-allerton","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/mccarthy\/madame-xs-allerton\/","title":{"rendered":"Madame X\u2019s Allerton"},"content":{"rendered":"[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2019\/11\/Allerton-Chicago-Tribume-Artwork-1906.jpg” panorama=”off”]\n[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2020\/04\/madame-x-trio-ptmc-oct-2019-edit-1.jpg” panorama=”off”]\n
\"\"

Madame X’s Allerton FringeNYC BYOV Oct 2019<\/p><\/div>\n[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2019\/11\/MadXal-Banner-4219.jpg” panorama=”off”]\n

\u201d It caused quite a sniff when my stuff, reeking with indiscretion, appeared\u201d<\/span><\/em><\/strong><\/p>\n

The Chicago Tribune\u2019s Madame X<\/strong><\/span>, society doyenne Caroline Kirkland<\/span><\/strong>
\n(1865-1930) declared Robert Allerton<\/strong><\/span> (1873 \u2013 1964) Chicago\u2019s most
\neligible bachelor in 1906.\u00a0 His personal relationship\u00a0with Caroline
\nKirkland, both in high society and everyday life, and his intimate
\nrelationship with John Wyatt Gregg Allerton<\/span><\/strong> (1899-1986), his longtime
\ncompanion, adopted-as-an- adult son, are best imagined by inventing what
\ntheir correspondence might\u00a0have been. Bridging two\u00a0centuries, what words might have passed between these three brightly shining stars that shaped the course of art, landscape architecture, the future of celebrity journalism and LGBTQ issues that were only imagined in the early 20th century. An epistolary intrigue of historical truth and fiction
\nfor two men and one woman.<\/p>\n

MX\u2019sA<\/strong><\/span> had its first flirtation with the public on November 28, 2018 at the Vermont Studio Center\u2019s RedMill DiningRoom presentation series with a reading of excerpts from its opening letters and feature stories. Mary Clark played Madame X\/Caroline Kirkland and ptmc played Robert Allerton. Another reading at VSC, of opera box scene & closing took place on Dec. 21.\u00a0 Complete readings of finished script took place at Waukesha Civic Theatre [WIS] with Sharon Sohner as Madame X, Tom Briggs as John Gregg, and ptmc as Robert Allerton on Dec. 26, and Dec 30 at EastPoint Commons, Milwaukee with Donna Lobacz as Madame X, Don Lobacz as John Gregg & ptmc as Robert Allerton, and Mae Haskins, Steppenwolf, as adjudicator.<\/p>\n

Now retitled REEKING of INDISCRETION: Madame X\u2019s Allerton<\/strong><\/span> was completed
\nat\u00a0VSC \u00a0in December 2018 & also features\u00a0John Gregg, drafted at 18
\nthen\u00a0returning\u00a0from World War I to\u00a0enroll\u00a0as a student of architecture
\nat the University of Illinois.\u00a0The orphan John G. is paired with the
\nchildless Robert at a fraternity Father-Son luncheon in 1922, and a
\nlifetime\u00a0relationship begins. Madame X who claimed to be \u201creeking with<\/span><\/strong>
\nindiscretion\u201d<\/span><\/strong> for her society column in the Chicago Tribune, becomes part of
\na\u00a0\u201ctriangulate\u201d with her running commentary\u00a0on Robert Allerton\u2019s life
\nand his\u00a0relationship with\u00a0John G.<\/p>\n

The FringeNYC BYOV October 2019 run at CHAIN Studio Theatre in Midtown Manhattan provided these images on YouTube\u2026<\/p>\n

https:\/\/www.youtube.com\/watch?v=SOPC6CHH7vQ&feature=share&fbclid=IwAR1fS4A1epAKT2PuIsiqZbkWCDAS4WadqeifpZMoXlcJcH6KtYUe8uwfz0w<\/a><\/p>\n

ZOOM on Facebook Live on May 24, 2020 provided these images on Vimeo\u2026<\/p>\n

https:\/\/vimeo.com\/423372769?ref=fb-share&1&fbclid=IwAR0ciHYfdaW8o1K_klXrD50lfezGFHVdoOLbGhm7KYoHtTVimuGQ_qWkhOI<\/a><\/span><\/p>\n[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2020\/05\/zoom-MadX-sans-all-2020-05-25-36.png” panorama=”off”]\n

Companion piece to VARIED LIVES<\/strong><\/span>
\nhttps:\/\/variedlives.weebly.com\/<\/a><\/p>\n[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2019\/11\/MadameX-bizcrd-79.8KB.jpg” panorama=”off”]\n","protected":false},"excerpt":{"rendered":"

[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2019\/11\/Allerton-Chicago-Tribume-Artwork-1906.jpg” panorama=”off”] [aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2020\/04\/madame-x-trio-ptmc-oct-2019-edit-1.jpg” panorama=”off”] [aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” captionsrc=”custom” align=”center” imgwidth=”800px” img=”https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2019\/11\/MadXal-Banner-4219.jpg” panorama=”off”] \u201d It caused quite a sniff when my stuff, reeking with indiscretion, appeared\u201d The Chicago Tribune\u2019s Madame X, society doyenne Caroline Kirkland (1865-1930) declared Robert Allerton (1873 \u2013 […]<\/p>\n","protected":false},"author":49,"featured_media":1069,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[234],"tags":[],"class_list":["post-1053","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reeking-of-indiscretion-madame-xs-allerton"],"metadata":{"_edit_last":["67"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["1069"],"_edit_lock":["1627411245:67"],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"]},"acf":[],"yoast_head":"\nMadame X\u2019s Allerton - 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