{"id":293,"date":"2018-04-04T00:00:00","date_gmt":"2018-04-04T00:00:00","guid":{"rendered":"https:\/\/performingartslegacy.org\/mccarthy\/?p=293"},"modified":"2019-04-22T16:11:45","modified_gmt":"2019-04-22T20:11:45","slug":"bah-humbug-scrooges-over-the-years","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/mccarthy\/bah-humbug-scrooges-over-the-years\/","title":{"rendered":"Bah HumBug!\u00a0 Scrooges Over the Years"},"content":{"rendered":"<p class=\"MsoNormal\">CHRISTMAS CAROL:&nbsp;<br \/>\n<span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"hPPHS\">Scrooges<\/span> Over the Years<\/p>\n<p class=\"MsoNormal\">Never having intended playing a trademark character in the<br \/>\ntradition of many famous actors, and even having primarily played old men since<br \/>\nI was 17 starting my on stage career, I never expected to repeatedly play<br \/>\nEbenezer Scrooge on stage <span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"nVHHy\">across<\/span> America and in Europe.<\/p>\n<p class=\"MsoNormal\">The first <a target=\"_blank\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/mapping-the-legacy\/entry\/71\/\" rel=\"noopener noreferrer\">Scrooge<\/a> came to me as a producer\/director holding summer<br \/>\nstock auditions for the Showboat in Clinton, Iowa at SETC in Tampa, Florida. As<br \/>\na producer, I hobnobbed with other producers and as a result was offered my<br \/>\nfirst Scrooge by Carolyn Rutherford and Nebraska Theatre Caravan for their East<br \/>\nCoast Tour that played multiple dates in Pittsburgh, <span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"WqWgf\">New Bedford<\/span>, New Haven,<br \/>\nand Baltimore and many, many more one night stands. I also received an offer<br \/>\nfor Derek Meadle in Simon Gray\u2019s Quartermaine\u2019s Terms at Arkansas Rep as a<br \/>\nresult of meeting Cliff Fanin Baker in Tampa.<\/p>\n<p class=\"MsoNormal\">Scrooge #2 came with Everett Hoagland III\u2019s International<br \/>\nProduction &amp; Performance, Brooklyn, NY. I had met Mr. Hoagland at the<br \/>\nValley Studio in Spring Green, WIS in 1974 during summer session that attracted<br \/>\nan international cast of teachers and students. For IP&amp;P, I played Scrooge<br \/>\nand also Scottish Santa (along with 20 other \u201cInternational\u201d Santas) for the ChexMix<br \/>\n50<sup>th<\/sup> Anniversary Celebration in Bryant Park.<\/p>\n<p class=\"MsoNormal\"><a target=\"_blank\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/mapping-the-legacy\/entry\/113\/\" rel=\"noopener noreferrer\">Scrooge #3<\/a> you ask? Result of an open call in NYC, Jere Lee<br \/>\nHodgin, Mill Mt. Theatre, Roanoke, VA cast me in his original musical<br \/>\nadaptation (<span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"lQmah\">Music<\/span> &amp; Lyrics by Milton Granger) of CHRISTMAS CAROL where I<br \/>\nactually flew along with Christmas Past (Shelley Zipadelli). The first musical<br \/>\nadaptation I did (others had incidental music and Christmas carols) with the<br \/>\ninstructions to \u201cnot sound like a screaming tenor\u201d on the screaming tenor<br \/>\nlines. \u201cTell me did they save, did they slave, did they sacrifice, and hew to<br \/>\nthe mark, make the clerk count each penny twice, and did they dim the lamp, brave<br \/>\nthe damp, keep the gruel thin, and walk everywhere, save the fare, keep their trousers trim<br \/>\nlike I did, like I fought and won, yet will none, hear my voice? No, their<br \/>\nnoses shine, see them raid the til, see them feed like swine, grunting out good<br \/>\nwill, Humbug!, Humbug! Humbug! Humbug! [A#] SPOKEN: Gentlemen you keep<br \/>\nChristmas in your own way, and, let me keep it in mine. SUNG: Then we can all<br \/>\nrejoice\u2026. We can all rejoice. SPOKEN: Good day gentlemen.&nbsp;<span style=\"font-family: inherit\">See reviews <a target=\"_blank\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/bah-humbug-scrooges-over-the-years\/\" rel=\"noopener noreferrer\">Scrooge #3<\/a>&nbsp;<\/span><span style=\"font-family: inherit\">on Grid.<\/span><\/p>\n<p class=\"MsoNormal\"><a target=\"_blank\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/mapping-the-legacy\/entry\/123\/\" rel=\"noopener noreferrer\">Scrooge #4<\/a> Seth Reines, who I had first worked with at<br \/>\nWilson St East <span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"voqZj\">Dinner<\/span> Playhouse, Madison, WIS in 1976, cast me as Scrooge in<br \/>\nLittle Theatre on the Square\u2019s first stab at a Christmas show having finally<br \/>\nput a proper furnace in the building. &nbsp;The&nbsp;script? Doris Baizley\u2019s Mark Taper Forum version of Christmas Carol with a cast&nbsp;of nine. Premise: A late 19<sup>th<\/sup> century touring company has their<br \/>\nScrooge and Tiny Tim go AWOL and the stage manager and prop boy must take over<br \/>\nthe roles so the show can go on. And, the Crachit children are played by sock<br \/>\npuppets. Performances were added as the ticket demand was heavy for this charming,<br \/>\nsmall scale production.<\/p>\n<p class=\"MsoNormal\"><a target=\"_blank\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/mapping-the-legacy\/entry\/145\/\" rel=\"noopener noreferrer\">&nbsp;Scrooge #5<\/a><span style=\"font-family: inherit\"> American Drama Group, Munich, Germany sought a&nbsp;<\/span><span style=\"font-family: inherit\">replacement for their Scrooge of many years, and, cast me. Rehearsing in NYC&nbsp;<\/span><span style=\"font-family: inherit\">and starting in Munich for a November \u2013 December, five country <span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"UESLb\">tour<\/span>, we played Christmas&nbsp;<\/span><span style=\"font-family: inherit\">Carol in English with a cast of eight for audiences in Norway, Sweden, Denmark,&nbsp;<\/span><span style=\"font-family: inherit\">Germany and Switzerland. &nbsp;Oslo, Berlin [4&nbsp;<\/span><span style=\"font-family: inherit\">days] and Leipzig were my favorite stops with much Gluhwein and many continental&nbsp;<\/span><span style=\"font-family: inherit\">breakfasts consumed along the way.<\/span><\/p>\n<p class=\"MsoNormal\"><a target=\"_blank\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/mapping-the-legacy\/entry\/165\/\" rel=\"noopener noreferrer\">Scrooge #6<\/a> Little Theatre on the Square again, but with the<br \/>\nSheldon Harnick \/ Michel LeGrand musical large cast version this time with many<br \/>\nchildren and townspeople in the cast. Shawn Pryby directed. A great deal of \u201cWindmills<br \/>\nof Your Mind\u201d inflected music in the score, and a turntable set, and light up<br \/>\ngravestones highlighted the show.<\/p>\n<p class=\"MsoNormal\"><a target=\"_blank\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/mapping-the-legacy\/entry\/175\/\" rel=\"noopener noreferrer\">Scrooge #7<\/a> Smith Street Stage, Brooklyn, NY A radio play<br \/>\ndone in radio studio style with live audience and sound effects. Jonathan<br \/>\nHopkins and Beth Ann Hopkins produce and direct in the Carroll Park Fieldhouse.<\/p>\n<p class=\"MsoNormal\"><a href=\"https:\/\/vimeo.com\/195552517\">Scrooge #8<\/a> <span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"KwhBF\">Scrooge<\/span> and Marley\u2019s Christmas, special video<br \/>\nproject, a hipster contemporary version of the counting house scene, filmed in<br \/>\nresale shop in Queens. Johnny Pruit, my Tiny Tim from the 2007 LTOTS Christmas<br \/>\nCarol, wrote the adaptation and directed and played Bob Crachit.<\/p>\n<p class=\"MsoNormal\"><a href=\"https:\/\/vimeo.com\/195552517\">https:\/\/vimeo.com\/195552517<\/a>&nbsp; &nbsp; <\/p>\n<p><a target=\"_blank\" href=\"https:\/\/vimeo.com\/195552517\" rel=\"noopener noreferrer\">Scrooge &amp; Marley\u2019s Christmas Carol in 2016\/PM Films<\/a><span class=\"intexthighlight\" style=\"line-height: 28.9px\" id=\"pXUtb\"><\/span><\/p>\n<p class=\"MsoNormal\">Scrooge #9 ???<\/p>\n<\/p>\n<p>        [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; align=&#8221;center&#8221; imgwidth=&#8221;800px&#8221; img=&#8221;https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2019\/04\/ptmc-MillMt-Scrooge-1996-1.jpg&#8221; panorama=&#8221;off&#8221;]\n<p>                        [aesop_image force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; align=&#8221;center&#8221; imgwidth=&#8221;800px&#8221; img=&#8221;https:\/\/performingartslegacy.org\/mccarthy\/wp-content\/uploads\/sites\/51\/2018\/01\/Scrooge2016a.jpg&#8221; panorama=&#8221;off&#8221;]\n","protected":false},"excerpt":{"rendered":"<p>CHRISTMAS CAROL:&nbsp; Scrooges Over the Years Never having intended playing a trademark character in the tradition of many famous actors, and even having primarily played old men since I was 17 starting my on stage career, I never expected to repeatedly play Ebenezer Scrooge on stage across America and in Europe. The first Scrooge came [&hellip;]<\/p>\n","protected":false},"author":49,"featured_media":127,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[121],"tags":[122,11],"class_list":["post-293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scrooges","tag-christmascarol","tag-scrooge"],"metadata":{"_edit_lock":["1555963939:49"],"_thumbnail_id":["127"],"_wp_old_date":["2018-04-02"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bah HumBug!\u00a0 Scrooges Over the Years - Patrick McCarthy<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/mccarthy\/bah-humbug-scrooges-over-the-years\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bah HumBug!\u00a0 Scrooges Over the Years - Patrick McCarthy\" \/>\n<meta property=\"og:description\" content=\"CHRISTMAS CAROL:&nbsp; Scrooges Over the Years Never having intended playing a trademark character in the tradition of many famous actors, and even having primarily played old men since I was 17 starting my on stage career, I never expected to repeatedly play Ebenezer Scrooge on stage across America and in Europe. 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