{"id":150,"date":"1964-01-29T12:00:24","date_gmt":"1964-01-29T17:00:24","guid":{"rendered":"https:\/\/performingartslegacy.org\/miros\/?p=150"},"modified":"2018-02-21T22:13:12","modified_gmt":"2018-02-22T03:13:12","slug":"la-vendedora-de-amor","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/","title":{"rendered":"La vendedora de amor"},"content":{"rendered":"<p>Gilda\u2019s plays Sonia in her first starring role in the 1964 film \u2018La vendedora de amor.\u2019<\/p>\n<p>Carlos Alberto Bad\u00edas was a young Cuban heartthrob who did a lot of telenovela work. Gilda Mir\u00f3s had previously appeared in &#8220;Romance en Puerto Rico&#8221; (1961) and would work in a number of Mexican movies of the late 1960s and 70s, but &#8220;La vendedora de amor&#8221; was her first starring role; she later forged a lasting career as a radio and TV talk show host. The supporting cast included Cubans Antonia Rey and Otto Sirgo; Dominican Zulema Atala; and Mexican film veteran Antonio Badu, all of whom had long and notable careers.<\/p>\n<p>Gilda recalls: &#8220;The publicity photo still from the film, shows me with Carlos Alberto Bad\u00edas, who was a young Cuban handsome actor, who later moved to Spain, where he passed on at an early age. The supporting cast included Antonia Rey, a Cuban-born formidable actress who played my assistant in the film. She and her husband, director Andres Castro, were pioneers in the theater movement in their native pre-revolution Cuba. Good-hearted Antonia is better known for her cameos in various movies. She has also appeared in many TV shows such as &#8216;Who\u2019s The Boss? &#8216;&#8221;<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-150 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-2-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"250\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-2-1-300x250.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-648\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-2-1-300x250.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-2-1-768x641.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-2-1-816x681.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-2-1-400x334.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-2-1.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-648'>\n\t\t\t\tGilda and Carlos Alberto Badias\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>Gilda notes: &#8220;With the theme song and musical background by legendary Puerto Rican singer and musician Tito Rodriguez, l was able to play the lead role of a dancer.&#8221;<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-150 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-649\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1-150x150.jpg 150w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1-300x300.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1-88x88.jpg 88w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1-400x398.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1-200x200.jpg 200w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-1.jpg 595w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-649'>\n\t\t\t\tGilda and Tito Rodriguez\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-7-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-7-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-645\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-7-1-150x150.jpg 150w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-7-1-88x88.jpg 88w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-7-1-200x200.jpg 200w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-7-1-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-645'>\n\t\t\t\tGilda with Tito Rodriguez\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>Gilda notes that the film was shot in New York City in 1964 and directed by Puerto Rican Jer\u00f3nimo Mitchell Mel\u00e9ndez. She adds, &#8220;I must also thank the great choreographer from Havana, Cuba\u2019s Tropicana Club: star dancer Elena del Cueto, who in 1962 sought asylum in the United States, with her Cuban Ballet co-founder Alberto Alonso, and their two daughters. She rehearsed with me and directed me in the dance sequences. My wardrobe was designed by Pepito Diaz, also from Havana\u2019s Tropicana Club. Elena Del Cueto was lovely, kind and a talented ballerina who later divorced and founded &#8216;The Elena Del Cueto Dance Studios&#8217; in Florida. She eventually moved to North Carolina where she passed at the age of 87.&#8221;<\/p>\n<div class=\"aesop-component-mask mceNonEditable unselectable\"><\/div>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-150 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-8-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"253\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-8-1-300x253.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-646\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-8-1-300x253.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-8-1-768x648.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-8-1-816x689.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-8-1-400x338.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-Vendedora-8-1.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-646'>\n\t\t\t\tGilda with star dancer Elena del Cueto\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-LA-Vendedora-9-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"232\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-LA-Vendedora-9-1-232x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-651\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-LA-Vendedora-9-1-232x300.jpg 232w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-LA-Vendedora-9-1-400x518.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-LA-Vendedora-9-1.jpg 741w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-651'>\n\t\t\t\tAdvertisement for the film \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-1964-3-225x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-647\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-647'>\n\t\t\t\tCover of La Vendedora De Amor\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Click below to see video of Gilda dancing in La Vendedora De Amor:<\/p>\n<p><a href=\"https:\/\/youtu.be\/pXGUeWlpMzk\">Gilda Dancing Youtube<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gilda\u2019s plays Sonia in her first starring role in the 1964 film \u2018La vendedora de amor.\u2019 Carlos Alberto Bad\u00edas was a young Cuban heartthrob who did a lot of telenovela work. Gilda Mir\u00f3s had previously appeared in &#8220;Romance en Puerto Rico&#8221; (1961) and would work in a number of Mexican movies of the late 1960s [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":151,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[9,11,10,12],"class_list":["post-150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight","tag-film","tag-musical","tag-new-york","tag-video"],"metadata":{"_edit_lock":["1552595009:35"],"_edit_last":["54"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["151"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La vendedora de amor - Gilda Mir\u00f3s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La vendedora de amor - Gilda Mir\u00f3s\" \/>\n<meta property=\"og:description\" content=\"Gilda\u2019s plays Sonia in her first starring role in the 1964 film \u2018La vendedora de amor.\u2019 Carlos Alberto Bad\u00edas was a young Cuban heartthrob who did a lot of telenovela work. Gilda Mir\u00f3s had previously appeared in &#8220;Romance en Puerto Rico&#8221; (1961) and would work in a number of Mexican movies of the late 1960s [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/\" \/>\n<meta property=\"og:site_name\" content=\"Gilda Mir\u00f3s\" \/>\n<meta property=\"article:published_time\" content=\"1964-01-29T17:00:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-22T03:13:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1257\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Gilda Mir\u00f3s\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gilda Mir\u00f3s\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor\\\/\"},\"author\":{\"name\":\"Gilda Mir\u00f3s\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#\\\/schema\\\/person\\\/921d8bb7b712b842edeaa5d9e9880026\"},\"headline\":\"La vendedora de amor\",\"datePublished\":\"1964-01-29T17:00:24+00:00\",\"dateModified\":\"2018-02-22T03:13:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor\\\/\"},\"wordCount\":398,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/10\\\/GILDA-La-Vendedora-.jpg\",\"keywords\":[\"film\",\"musical\",\"new york\",\"video\"],\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor\\\/\",\"name\":\"La vendedora de amor - 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Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\\\/Hunter\\\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\\\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\\\/Hispanics in NYC Prisons; \\\"March of Dimes\\\"\\\/\\\"The Eye Bank of NYC.\u201d Dubbed \\\"Mother Angelica Live\\\" EWTN. Mir\u00f3s has 12 books \\\"Celia Cruz &amp; Sonora Matancera\\\" (2003 Ebook\\\/Soft\\\/Audio 2017); \\\"A Portrait of Puerto Rico\\\" (2005); \\\"Hortense and Her Happy Ducklings\\\" Bilingual children's (2006); \\\"Memorias De Los Espiritus y MI Madre\\\" (2009); \\\"Spirit Messages To My Mother\\\" (2010); \\\"Mystical Wings; \\\"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\\\/Soft\\\/Audio 2016. \\\"Poetisas de Hispanoamericana\\\" (2016 Audio). Presently Produces \\\"Latin Icons Past &amp; Present\\\" for All Access Cable TV, NYC.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/author\\\/miros\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La vendedora de amor - Gilda Mir\u00f3s","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/","og_locale":"en_US","og_type":"article","og_title":"La vendedora de amor - Gilda Mir\u00f3s","og_description":"Gilda\u2019s plays Sonia in her first starring role in the 1964 film \u2018La vendedora de amor.\u2019 Carlos Alberto Bad\u00edas was a young Cuban heartthrob who did a lot of telenovela work. Gilda Mir\u00f3s had previously appeared in &#8220;Romance en Puerto Rico&#8221; (1961) and would work in a number of Mexican movies of the late 1960s [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/","og_site_name":"Gilda Mir\u00f3s","article_published_time":"1964-01-29T17:00:24+00:00","article_modified_time":"2018-02-22T03:13:12+00:00","og_image":[{"width":1600,"height":1257,"url":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-.jpg","type":"image\/jpeg"}],"author":"Gilda Mir\u00f3s","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Gilda Mir\u00f3s","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/"},"author":{"name":"Gilda Mir\u00f3s","@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026"},"headline":"La vendedora de amor","datePublished":"1964-01-29T17:00:24+00:00","dateModified":"2018-02-22T03:13:12+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/"},"wordCount":398,"image":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-.jpg","keywords":["film","musical","new york","video"],"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/","url":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/","name":"La vendedora de amor - Gilda Mir\u00f3s","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/miros\/#website"},"primaryImageOfPage":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/#primaryimage"},"image":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-.jpg","datePublished":"1964-01-29T17:00:24+00:00","dateModified":"2018-02-22T03:13:12+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/#primaryimage","url":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-.jpg","contentUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/10\/GILDA-La-Vendedora-.jpg","width":1600,"height":1257},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/miros\/"},{"@type":"ListItem","position":2,"name":"La vendedora de amor"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/miros\/#website","url":"https:\/\/performingartslegacy.org\/miros\/","name":"Gilda Mir\u00f3s","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/miros\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026","name":"Gilda Mir\u00f3s","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","caption":"Gilda Mir\u00f3s"},"description":"The Smithsonian\u2019s National Museum of American History is working to document and tell the story of Spanish-language broadcasting in the U.S. with an emphasis on television, as part of a new initiative, \u201cEscuchame: the History of Spanish Language Broadcasting in the U.S.\u201d Materials from the career of New York-based broadcaster, theater and screen actress and author Gilda Mir\u00f3s were recently added to the national collections. Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\/Hunter\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\/Hispanics in NYC Prisons; \"March of Dimes\"\/\"The Eye Bank of NYC.\u201d Dubbed \"Mother Angelica Live\" EWTN. Mir\u00f3s has 12 books \"Celia Cruz &amp; Sonora Matancera\" (2003 Ebook\/Soft\/Audio 2017); \"A Portrait of Puerto Rico\" (2005); \"Hortense and Her Happy Ducklings\" Bilingual children's (2006); \"Memorias De Los Espiritus y MI Madre\" (2009); \"Spirit Messages To My Mother\" (2010); \"Mystical Wings; \"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\/Soft\/Audio 2016. \"Poetisas de Hispanoamericana\" (2016 Audio). Presently Produces \"Latin Icons Past &amp; Present\" for All Access Cable TV, NYC.","url":"https:\/\/performingartslegacy.org\/miros\/author\/miros\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/150\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media\/151"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media?parent=150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/categories?post=150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/tags?post=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}