{"id":521,"date":"1966-04-01T12:00:47","date_gmt":"1966-04-01T17:00:47","guid":{"rendered":"https:\/\/performingartslegacy.org\/miros\/?p=521"},"modified":"2018-02-21T22:19:46","modified_gmt":"2018-02-22T03:19:46","slug":"rocambole-contra-las-mujeres-arpias","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/","title":{"rendered":"Rocambole contra las mujeres arp\u00edas"},"content":{"rendered":"<p style=\"margin-bottom: 1.5em;font-size: 17px;line-height: 26.01px;font-family: Lato, sans-serif\">Gilda recalls: &#8220;&#8216;Rocambole contra las mujeres arp\u00edas,&#8217; in 1966, was my first feature film in Mexico. I played the villain, along with Cuban-Mexican Victor Junco, a popular, international and magnificent actor that l loved very much. The lead role of Rocambole was played by Mexican television and movie actor Julio Alem\u00e1n, who starred in the <em>first<\/em> telenovela ever produced in his country. This leading man, Julio Alem\u00e1n, appeared in more than 151 films and was elected, for a period, chairman of the Mexican actors&#8217; union, the Asociaci\u00f3n Nacional de Actores.&#8221;<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-521 gallery-columns-1 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-4-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-525\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-4-300x225.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-4-768x576.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-4-816x612.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-4-400x300.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-4.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-525'>\n\t\t\t\tStill from the film \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"234\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-1-300x234.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-524\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-1-300x234.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-1-768x598.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-1-816x636.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-1-400x312.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-1.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-524'>\n\t\t\t\tAdvertisement for Rocambole featuring Julio Aleman\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>&#8220;Our costar Maria Duval was a singer plus a TV, film and stage actress. Maria made her film debut in the musical &#8216;Melod\u00edas inolvidables&#8217; (1959), an experience she later described as &#8216;a great emotion&#8217; and her &#8216;favorite memory&#8217; of her entire career. She finished her film career in the 1970s with &#8216;Blue Demon.&#8217; Her last appearance was in the telenovela &#8216;Mar\u00eda Jos\u00e9&#8217; (1995). With Mexican-Spanish parents, Regina Torn\u00e9 made her first film in 1964, and so far has acted in more than 30 motion pictures. We worked together a couple of times. Her part in television with popular comedian Roberto Gomez Bola\u00f1os in &#8216;El Chavo del Ocho&#8217; and her role in the award-winning film &#8216;Como aqua para chocolate&#8217; enhanced her popularity.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-522\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-3-300x273.jpg\" alt=\"\" width=\"440\" height=\"401\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-3-300x273.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-3-768x698.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-3-816x742.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-3-400x364.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-3.jpg 960w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/p>\n\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-521 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/gilda-rocambole1-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Rocambole1-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-529\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Rocambole1-1-150x150.jpg 150w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Rocambole1-1-88x88.jpg 88w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Rocambole1-1-200x200.jpg 200w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Rocambole1-1-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-529'>\n\t\t\t\tAdvertisement in newspaper \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/gilda-rocambole-2-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-2-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-528\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-2-1-150x150.jpg 150w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-2-1-88x88.jpg 88w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-2-1-200x200.jpg 200w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-rocambole-2-1-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-528'>\n\t\t\t\tNewspaper clipping, featuring Gilda&#8217;s dramatic climax of the play \n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Gilda recalls: &#8220;&#8216;Rocambole contra las mujeres arp\u00edas,&#8217; in 1966, was my first feature film in Mexico. I played the villain, along with Cuban-Mexican Victor Junco, a popular, international and magnificent actor that l loved very much. The lead role of Rocambole was played by Mexican television and movie actor Julio Alem\u00e1n, who starred in the [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":530,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight"],"metadata":{"_thumbnail_id":["530"],"_edit_lock":["1519269454:54"],"_edit_last":["54"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_wp_old_slug":["la-vendedora-de-amor-2"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rocambole contra las mujeres arp\u00edas - Gilda Mir\u00f3s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rocambole contra las mujeres arp\u00edas - Gilda Mir\u00f3s\" \/>\n<meta property=\"og:description\" content=\"Gilda recalls: &#8220;&#8216;Rocambole contra las mujeres arp\u00edas,&#8217; in 1966, was my first feature film in Mexico. I played the villain, along with Cuban-Mexican Victor Junco, a popular, international and magnificent actor that l loved very much. The lead role of Rocambole was played by Mexican television and movie actor Julio Alem\u00e1n, who starred in the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/\" \/>\n<meta property=\"og:site_name\" content=\"Gilda Mir\u00f3s\" \/>\n<meta property=\"article:published_time\" content=\"1966-04-01T17:00:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-22T03:19:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/Still-foto-Gilda-Rocambole-Mex.gif\" \/>\n\t<meta property=\"og:image:width\" content=\"1239\" \/>\n\t<meta property=\"og:image:height\" content=\"1485\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/gif\" \/>\n<meta name=\"author\" content=\"Gilda Mir\u00f3s\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gilda Mir\u00f3s\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/\"},\"author\":{\"name\":\"Gilda Mir\u00f3s\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#\\\/schema\\\/person\\\/921d8bb7b712b842edeaa5d9e9880026\"},\"headline\":\"Rocambole contra las mujeres arp\u00edas\",\"datePublished\":\"1966-04-01T17:00:47+00:00\",\"dateModified\":\"2018-02-22T03:19:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/\"},\"wordCount\":232,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/12\\\/Still-foto-Gilda-Rocambole-Mex.gif\",\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/\",\"name\":\"Rocambole contra las mujeres arp\u00edas - Gilda Mir\u00f3s\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/12\\\/Still-foto-Gilda-Rocambole-Mex.gif\",\"datePublished\":\"1966-04-01T17:00:47+00:00\",\"dateModified\":\"2018-02-22T03:19:46+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#\\\/schema\\\/person\\\/921d8bb7b712b842edeaa5d9e9880026\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/#primaryimage\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/12\\\/Still-foto-Gilda-Rocambole-Mex.gif\",\"contentUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/12\\\/Still-foto-Gilda-Rocambole-Mex.gif\",\"width\":1239,\"height\":1485,\"caption\":\"Glamour shot of Gilda\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/rocambole-contra-las-mujeres-arpias\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Rocambole contra las mujeres arp\u00edas\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/\",\"name\":\"Gilda Mir\u00f3s\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#\\\/schema\\\/person\\\/921d8bb7b712b842edeaa5d9e9880026\",\"name\":\"Gilda Mir\u00f3s\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g\",\"caption\":\"Gilda Mir\u00f3s\"},\"description\":\"The Smithsonian\u2019s National Museum of American History is working to document and tell the story of Spanish-language broadcasting in the U.S. with an emphasis on television, as part of a new initiative, \u201cEscuchame: the History of Spanish Language Broadcasting in the U.S.\u201d Materials from the career of New York-based broadcaster, theater and screen actress and author Gilda Mir\u00f3s were recently added to the national collections. Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\\\/Hunter\\\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\\\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\\\/Hispanics in NYC Prisons; \\\"March of Dimes\\\"\\\/\\\"The Eye Bank of NYC.\u201d Dubbed \\\"Mother Angelica Live\\\" EWTN. Mir\u00f3s has 12 books \\\"Celia Cruz &amp; Sonora Matancera\\\" (2003 Ebook\\\/Soft\\\/Audio 2017); \\\"A Portrait of Puerto Rico\\\" (2005); \\\"Hortense and Her Happy Ducklings\\\" Bilingual children's (2006); \\\"Memorias De Los Espiritus y MI Madre\\\" (2009); \\\"Spirit Messages To My Mother\\\" (2010); \\\"Mystical Wings; \\\"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\\\/Soft\\\/Audio 2016. \\\"Poetisas de Hispanoamericana\\\" (2016 Audio). Presently Produces \\\"Latin Icons Past &amp; Present\\\" for All Access Cable TV, NYC.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/author\\\/miros\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Rocambole contra las mujeres arp\u00edas - Gilda Mir\u00f3s","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/","og_locale":"en_US","og_type":"article","og_title":"Rocambole contra las mujeres arp\u00edas - Gilda Mir\u00f3s","og_description":"Gilda recalls: &#8220;&#8216;Rocambole contra las mujeres arp\u00edas,&#8217; in 1966, was my first feature film in Mexico. I played the villain, along with Cuban-Mexican Victor Junco, a popular, international and magnificent actor that l loved very much. The lead role of Rocambole was played by Mexican television and movie actor Julio Alem\u00e1n, who starred in the [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/","og_site_name":"Gilda Mir\u00f3s","article_published_time":"1966-04-01T17:00:47+00:00","article_modified_time":"2018-02-22T03:19:46+00:00","og_image":[{"width":1239,"height":1485,"url":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/Still-foto-Gilda-Rocambole-Mex.gif","type":"image\/gif"}],"author":"Gilda Mir\u00f3s","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Gilda Mir\u00f3s","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/"},"author":{"name":"Gilda Mir\u00f3s","@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026"},"headline":"Rocambole contra las mujeres arp\u00edas","datePublished":"1966-04-01T17:00:47+00:00","dateModified":"2018-02-22T03:19:46+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/"},"wordCount":232,"image":{"@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/Still-foto-Gilda-Rocambole-Mex.gif","articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/","url":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/","name":"Rocambole contra las mujeres arp\u00edas - Gilda Mir\u00f3s","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/miros\/#website"},"primaryImageOfPage":{"@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/#primaryimage"},"image":{"@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/Still-foto-Gilda-Rocambole-Mex.gif","datePublished":"1966-04-01T17:00:47+00:00","dateModified":"2018-02-22T03:19:46+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/#primaryimage","url":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/Still-foto-Gilda-Rocambole-Mex.gif","contentUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/Still-foto-Gilda-Rocambole-Mex.gif","width":1239,"height":1485,"caption":"Glamour shot of Gilda"},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/miros\/rocambole-contra-las-mujeres-arpias\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/miros\/"},{"@type":"ListItem","position":2,"name":"Rocambole contra las mujeres arp\u00edas"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/miros\/#website","url":"https:\/\/performingartslegacy.org\/miros\/","name":"Gilda Mir\u00f3s","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/miros\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026","name":"Gilda Mir\u00f3s","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","caption":"Gilda Mir\u00f3s"},"description":"The Smithsonian\u2019s National Museum of American History is working to document and tell the story of Spanish-language broadcasting in the U.S. with an emphasis on television, as part of a new initiative, \u201cEscuchame: the History of Spanish Language Broadcasting in the U.S.\u201d Materials from the career of New York-based broadcaster, theater and screen actress and author Gilda Mir\u00f3s were recently added to the national collections. Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\/Hunter\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\/Hispanics in NYC Prisons; \"March of Dimes\"\/\"The Eye Bank of NYC.\u201d Dubbed \"Mother Angelica Live\" EWTN. Mir\u00f3s has 12 books \"Celia Cruz &amp; Sonora Matancera\" (2003 Ebook\/Soft\/Audio 2017); \"A Portrait of Puerto Rico\" (2005); \"Hortense and Her Happy Ducklings\" Bilingual children's (2006); \"Memorias De Los Espiritus y MI Madre\" (2009); \"Spirit Messages To My Mother\" (2010); \"Mystical Wings; \"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\/Soft\/Audio 2016. \"Poetisas de Hispanoamericana\" (2016 Audio). Presently Produces \"Latin Icons Past &amp; Present\" for All Access Cable TV, NYC.","url":"https:\/\/performingartslegacy.org\/miros\/author\/miros\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/comments?post=521"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/521\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media\/530"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media?parent=521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/categories?post=521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/tags?post=521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}