{"id":581,"date":"2003-01-01T12:00:36","date_gmt":"2003-01-01T17:00:36","guid":{"rendered":"https:\/\/performingartslegacy.org\/miros\/?p=581"},"modified":"2018-02-21T23:31:22","modified_gmt":"2018-02-22T04:31:22","slug":"la-vendedora-de-amor-2","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-2\/","title":{"rendered":"Celia Cruz and Sonora Matancera"},"content":{"rendered":"<p>In 2003, Gilda published &#8220;Celia Cruz and Sonora Matancera.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-584\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Sonora-Mantecera-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Sonora-Mantecera-194x300.jpg 194w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Sonora-Mantecera.jpg 205w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/p>\n<p>This unique, 6&#215;9, perfect bind, paperback book is divided into segments focusing on different aspects of Cuba\u2019s premier musical group, the Sonora Matancera, which was founded in 1924 and made Celia Cruz a star.<\/p>\n<p>Mir\u00f3s compiled the interviews during her two decades of hosting the top rated Spanish radio show in New York. They include the shared memories of Rogelio Martinez, co-founder and director of the Sonora Matancera, and of Don Rogelio\u2019s sidekick, Carlos Manuel Diaz, also known as Caito.<\/p>\n<p>Other prominent voices include that of the recently deceased international Latin music diva Celia Cruz, who reminisces about her early days with the original ten members of the Sonora. The book is a collection of insightful anecdotes and the memories of Bobby Cap\u00f3, Leo Marini, Carlos Argentino, Celio Gonzalez, Alberto Beltr\u00e1n, Carmen Delia Dipin\u00ed, Elliot Romero and Joe Quijano. It contains 152 pages and numerous rarely-seen photographs spanning the entire Sonora Matancera reign. With a laminated cover, the best-selling paperback \u201cCelia Cruz, La Sonora Matancera,&#8221; is written entirely in Spanish.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-581 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"236\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz-300x236.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-583\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz-300x236.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz-768x604.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz-400x315.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz.jpg 798w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-583'>\n\t\t\t\tThe Sonora Matancera \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz-.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz--300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-582\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz--300x225.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz--400x300.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Celia-Cruz-.jpg 736w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-582'>\n\t\t\t\tGilda with Celia Cruz \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n\n","protected":false},"excerpt":{"rendered":"<p>In 2003, Gilda published &#8220;Celia Cruz and Sonora Matancera.&#8221; This unique, 6&#215;9, perfect bind, paperback book is divided into segments focusing on different aspects of Cuba\u2019s premier musical group, the Sonora Matancera, which was founded in 1924 and made Celia Cruz a star. Mir\u00f3s compiled the interviews during her two decades of hosting the top [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":585,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[89,71,34],"class_list":["post-581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight","tag-author","tag-book","tag-spanish"],"metadata":{"_edit_lock":["1519273747:54"],"_edit_last":["54"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["585"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Celia Cruz and Sonora Matancera - Gilda Mir\u00f3s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Celia Cruz and Sonora Matancera - Gilda Mir\u00f3s\" \/>\n<meta property=\"og:description\" content=\"In 2003, Gilda published &#8220;Celia Cruz and Sonora Matancera.&#8221; This unique, 6&#215;9, perfect bind, paperback book is divided into segments focusing on different aspects of Cuba\u2019s premier musical group, the Sonora Matancera, which was founded in 1924 and made Celia Cruz a star. Mir\u00f3s compiled the interviews during her two decades of hosting the top [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Gilda Mir\u00f3s\" \/>\n<meta property=\"article:published_time\" content=\"2003-01-01T17:00:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-22T04:31:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-NEW-COVER-FOR-CELIA-SONORA-AUDIO-BOOK-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Gilda Mir\u00f3s\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gilda Mir\u00f3s\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-2\\\/\"},\"author\":{\"name\":\"Gilda Mir\u00f3s\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#\\\/schema\\\/person\\\/921d8bb7b712b842edeaa5d9e9880026\"},\"headline\":\"Celia Cruz and Sonora Matancera\",\"datePublished\":\"2003-01-01T17:00:36+00:00\",\"dateModified\":\"2018-02-22T04:31:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-2\\\/\"},\"wordCount\":195,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/12\\\/GILDA-NEW-COVER-FOR-CELIA-SONORA-AUDIO-BOOK-2.jpg\",\"keywords\":[\"Author\",\"Book\",\"Spanish\"],\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-2\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-2\\\/\",\"name\":\"Celia Cruz and Sonora Matancera - 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Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\\\/Hunter\\\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\\\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\\\/Hispanics in NYC Prisons; \\\"March of Dimes\\\"\\\/\\\"The Eye Bank of NYC.\u201d Dubbed \\\"Mother Angelica Live\\\" EWTN. Mir\u00f3s has 12 books \\\"Celia Cruz &amp; Sonora Matancera\\\" (2003 Ebook\\\/Soft\\\/Audio 2017); \\\"A Portrait of Puerto Rico\\\" (2005); \\\"Hortense and Her Happy Ducklings\\\" Bilingual children's (2006); \\\"Memorias De Los Espiritus y MI Madre\\\" (2009); \\\"Spirit Messages To My Mother\\\" (2010); \\\"Mystical Wings; \\\"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\\\/Soft\\\/Audio 2016. \\\"Poetisas de Hispanoamericana\\\" (2016 Audio). Presently Produces \\\"Latin Icons Past &amp; Present\\\" for All Access Cable TV, NYC.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/author\\\/miros\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Celia Cruz and Sonora Matancera - Gilda Mir\u00f3s","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-2\/","og_locale":"en_US","og_type":"article","og_title":"Celia Cruz and Sonora Matancera - Gilda Mir\u00f3s","og_description":"In 2003, Gilda published &#8220;Celia Cruz and Sonora Matancera.&#8221; This unique, 6&#215;9, perfect bind, paperback book is divided into segments focusing on different aspects of Cuba\u2019s premier musical group, the Sonora Matancera, which was founded in 1924 and made Celia Cruz a star. 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Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\/Hunter\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\/Hispanics in NYC Prisons; \"March of Dimes\"\/\"The Eye Bank of NYC.\u201d Dubbed \"Mother Angelica Live\" EWTN. Mir\u00f3s has 12 books \"Celia Cruz &amp; Sonora Matancera\" (2003 Ebook\/Soft\/Audio 2017); \"A Portrait of Puerto Rico\" (2005); \"Hortense and Her Happy Ducklings\" Bilingual children's (2006); \"Memorias De Los Espiritus y MI Madre\" (2009); \"Spirit Messages To My Mother\" (2010); \"Mystical Wings; \"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\/Soft\/Audio 2016. \"Poetisas de Hispanoamericana\" (2016 Audio). Presently Produces \"Latin Icons Past &amp; Present\" for All Access Cable TV, NYC.","url":"https:\/\/performingartslegacy.org\/miros\/author\/miros\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/comments?post=581"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/581\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media\/585"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media?parent=581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/categories?post=581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/tags?post=581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}