{"id":587,"date":"1971-01-01T12:00:28","date_gmt":"1971-01-01T17:00:28","guid":{"rendered":"https:\/\/performingartslegacy.org\/miros\/?p=587"},"modified":"2018-02-21T22:34:54","modified_gmt":"2018-02-22T03:34:54","slug":"la-vendedora-de-amor-3","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/","title":{"rendered":"Nos Solo Para Nosotras (WADO-AM)"},"content":{"rendered":"<p>Gilda was the host and producer of Nos Solo Para Nostras at WADO-AM Radio beginning 1971 and continuing into the 1980s.<\/p>\n<p><span style=\"font-family: inherit\">During her time there, WADO hit its highest-ever ratings since its inception in 1927. Her slot, from 10 am to 3 pm, was the third highest ranked among all New York City radio stations.<\/span><\/p>\n<p>When WADO&#8217;s past is chronicled, &#8220;Nos Solo Para Nosotras&#8221; is sadly often overlooked. Gilda wishes to remember Nelson Lavergne, Premier Maldonado and all the people who worked in sound engineering, promotion, news, sales, as well as the hardworking secretaries and assistants.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-587 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"238\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-300x238.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-597\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-300x238.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-768x609.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-816x647.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-400x317.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-597'>\n\t\t\t\tBirchscan Monthly Demographic Detail Report \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"235\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-235x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-596\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-235x300.jpg 235w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-768x981.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-801x1024.jpg 801w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-816x1043.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-1250x1597.jpg 1250w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-400x511.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia.jpg 1252w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-596'>\n\t\t\t\tAdvertisement for the show\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"218\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1-218x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-595\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1-218x300.jpg 218w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1-400x550.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1.jpg 698w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-595'>\n\t\t\t\tNewspaper advertisement for WADO-AM 1280\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"270\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-300x270.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-593\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-300x270.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-768x692.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-816x735.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-400x360.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-593'>\n\t\t\t\tGilda and Eli Mendez recording in the studio\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-300x239.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-592\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-300x239.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-768x611.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-816x649.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-400x318.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-592'>\n\t\t\t\tSpanish Language Radio Schedule \n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Gilda was the host and producer of Nos Solo Para Nostras at WADO-AM Radio beginning 1971 and continuing into the 1980s. During her time there, WADO hit its highest-ever ratings since its inception in 1927. Her slot, from 10 am to 3 pm, was the third highest ranked among all New York City radio stations. [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":594,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[49,55,74],"class_list":["post-587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight","tag-live","tag-radio","tag-wado"],"metadata":{"_edit_lock":["1519270862:54"],"_edit_last":["54"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["594"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nos Solo Para Nosotras (WADO-AM) - Gilda Mir\u00f3s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nos Solo Para Nosotras (WADO-AM) - Gilda Mir\u00f3s\" \/>\n<meta property=\"og:description\" content=\"Gilda was the host and producer of Nos Solo Para Nostras at WADO-AM Radio beginning 1971 and continuing into the 1980s. During her time there, WADO hit its highest-ever ratings since its inception in 1927. Her slot, from 10 am to 3 pm, was the third highest ranked among all New York City radio stations. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Gilda Mir\u00f3s\" \/>\n<meta property=\"article:published_time\" content=\"1971-01-01T17:00:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-22T03:34:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"307\" \/>\n\t<meta property=\"og:image:height\" content=\"220\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Gilda Mir\u00f3s\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gilda Mir\u00f3s\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-3\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-3\\\/\"},\"author\":{\"name\":\"Gilda Mir\u00f3s\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#\\\/schema\\\/person\\\/921d8bb7b712b842edeaa5d9e9880026\"},\"headline\":\"Nos Solo Para Nosotras (WADO-AM)\",\"datePublished\":\"1971-01-01T17:00:28+00:00\",\"dateModified\":\"2018-02-22T03:34:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-3\\\/\"},\"wordCount\":107,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-3\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/12\\\/GILDA-WADO-AM-1280-2.jpg\",\"keywords\":[\"Live\",\"Radio\",\"WADO\"],\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-3\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/la-vendedora-de-amor-3\\\/\",\"name\":\"Nos Solo Para Nosotras (WADO-AM) - 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Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\\\/Hunter\\\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\\\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\\\/Hispanics in NYC Prisons; \\\"March of Dimes\\\"\\\/\\\"The Eye Bank of NYC.\u201d Dubbed \\\"Mother Angelica Live\\\" EWTN. Mir\u00f3s has 12 books \\\"Celia Cruz &amp; Sonora Matancera\\\" (2003 Ebook\\\/Soft\\\/Audio 2017); \\\"A Portrait of Puerto Rico\\\" (2005); \\\"Hortense and Her Happy Ducklings\\\" Bilingual children's (2006); \\\"Memorias De Los Espiritus y MI Madre\\\" (2009); \\\"Spirit Messages To My Mother\\\" (2010); \\\"Mystical Wings; \\\"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\\\/Soft\\\/Audio 2016. \\\"Poetisas de Hispanoamericana\\\" (2016 Audio). Presently Produces \\\"Latin Icons Past &amp; Present\\\" for All Access Cable TV, NYC.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/author\\\/miros\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Nos Solo Para Nosotras (WADO-AM) - Gilda Mir\u00f3s","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/","og_locale":"en_US","og_type":"article","og_title":"Nos Solo Para Nosotras (WADO-AM) - Gilda Mir\u00f3s","og_description":"Gilda was the host and producer of Nos Solo Para Nostras at WADO-AM Radio beginning 1971 and continuing into the 1980s. During her time there, WADO hit its highest-ever ratings since its inception in 1927. Her slot, from 10 am to 3 pm, was the third highest ranked among all New York City radio stations. [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/","og_site_name":"Gilda Mir\u00f3s","article_published_time":"1971-01-01T17:00:28+00:00","article_modified_time":"2018-02-22T03:34:54+00:00","og_image":[{"width":307,"height":220,"url":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-2.jpg","type":"image\/jpeg"}],"author":"Gilda Mir\u00f3s","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Gilda Mir\u00f3s","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/"},"author":{"name":"Gilda Mir\u00f3s","@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026"},"headline":"Nos Solo Para Nosotras (WADO-AM)","datePublished":"1971-01-01T17:00:28+00:00","dateModified":"2018-02-22T03:34:54+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/"},"wordCount":107,"image":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-2.jpg","keywords":["Live","Radio","WADO"],"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/","url":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/","name":"Nos Solo Para Nosotras (WADO-AM) - Gilda Mir\u00f3s","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/miros\/#website"},"primaryImageOfPage":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/#primaryimage"},"image":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-2.jpg","datePublished":"1971-01-01T17:00:28+00:00","dateModified":"2018-02-22T03:34:54+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/#primaryimage","url":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-2.jpg","contentUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-2.jpg","width":307,"height":220},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/miros\/"},{"@type":"ListItem","position":2,"name":"Nos Solo Para Nosotras (WADO-AM)"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/miros\/#website","url":"https:\/\/performingartslegacy.org\/miros\/","name":"Gilda Mir\u00f3s","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/miros\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026","name":"Gilda Mir\u00f3s","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3a062455b7c2ff4405b6958f322cadd298d62d53c9cf1c26b5dfb3fc2f6a2347?s=96&d=mm&r=g","caption":"Gilda Mir\u00f3s"},"description":"The Smithsonian\u2019s National Museum of American History is working to document and tell the story of Spanish-language broadcasting in the U.S. with an emphasis on television, as part of a new initiative, \u201cEscuchame: the History of Spanish Language Broadcasting in the U.S.\u201d Materials from the career of New York-based broadcaster, theater and screen actress and author Gilda Mir\u00f3s were recently added to the national collections. Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\/Hunter\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\/Hispanics in NYC Prisons; \"March of Dimes\"\/\"The Eye Bank of NYC.\u201d Dubbed \"Mother Angelica Live\" EWTN. Mir\u00f3s has 12 books \"Celia Cruz &amp; Sonora Matancera\" (2003 Ebook\/Soft\/Audio 2017); \"A Portrait of Puerto Rico\" (2005); \"Hortense and Her Happy Ducklings\" Bilingual children's (2006); \"Memorias De Los Espiritus y MI Madre\" (2009); \"Spirit Messages To My Mother\" (2010); \"Mystical Wings; \"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\/Soft\/Audio 2016. \"Poetisas de Hispanoamericana\" (2016 Audio). Presently Produces \"Latin Icons Past &amp; Present\" for All Access Cable TV, NYC.","url":"https:\/\/performingartslegacy.org\/miros\/author\/miros\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/comments?post=587"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/587\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media\/594"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media?parent=587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/categories?post=587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/tags?post=587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}