{"id":587,"date":"1971-01-01T12:00:28","date_gmt":"1971-01-01T17:00:28","guid":{"rendered":"https:\/\/performingartslegacy.org\/miros\/?p=587"},"modified":"2018-02-21T22:34:54","modified_gmt":"2018-02-22T03:34:54","slug":"la-vendedora-de-amor-3","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/miros\/la-vendedora-de-amor-3\/","title":{"rendered":"Nos Solo Para Nosotras (WADO-AM)"},"content":{"rendered":"<p>Gilda was the host and producer of Nos Solo Para Nostras at WADO-AM Radio beginning 1971 and continuing into the 1980s.<\/p>\n<p><span style=\"font-family: inherit\">During her time there, WADO hit its highest-ever ratings since its inception in 1927. Her slot, from 10 am to 3 pm, was the third highest ranked among all New York City radio stations.<\/span><\/p>\n<p>When WADO&#8217;s past is chronicled, &#8220;Nos Solo Para Nosotras&#8221; is sadly often overlooked. Gilda wishes to remember Nelson Lavergne, Premier Maldonado and all the people who worked in sound engineering, promotion, news, sales, as well as the hardworking secretaries and assistants.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-587 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"238\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-300x238.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-597\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-300x238.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-768x609.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-816x647.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1-400x317.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-5-1.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-597'>\n\t\t\t\tBirchscan Monthly Demographic Detail Report \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"235\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-235x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-596\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-235x300.jpg 235w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-768x981.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-801x1024.jpg 801w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-816x1043.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-1250x1597.jpg 1250w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia-400x511.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-establece-records-de-audiencia.jpg 1252w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-596'>\n\t\t\t\tAdvertisement for the show\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"218\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1-218x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-595\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1-218x300.jpg 218w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1-400x550.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-1.jpg 698w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-595'>\n\t\t\t\tNewspaper advertisement for WADO-AM 1280\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"270\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-300x270.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-593\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-300x270.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-768x692.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-816x735.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280-400x360.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-AM-1280.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-593'>\n\t\t\t\tGilda and Eli Mendez recording in the studio\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-300x239.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-592\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-300x239.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-768x611.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-816x649.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3-400x318.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-WADO-1280-3.jpg 960w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-592'>\n\t\t\t\tSpanish Language Radio Schedule \n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Gilda was the host and producer of Nos Solo Para Nostras at WADO-AM Radio beginning 1971 and continuing into the 1980s. During her time there, WADO hit its highest-ever ratings since its inception in 1927. Her slot, from 10 am to 3 pm, was the third highest ranked among all New York City radio stations. [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":594,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[49,55,74],"class_list":["post-587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight","tag-live","tag-radio","tag-wado"],"metadata":{"_edit_lock":["1519270862:54"],"_edit_last":["54"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["594"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/comments?post=587"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/587\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media\/594"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media?parent=587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/categories?post=587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/tags?post=587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}