{"id":610,"date":"1985-08-01T12:00:50","date_gmt":"1985-08-01T16:00:50","guid":{"rendered":"https:\/\/performingartslegacy.org\/miros\/?p=610"},"modified":"2018-02-21T23:27:31","modified_gmt":"2018-02-22T04:27:31","slug":"women-without-men-the-public-theater","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/","title":{"rendered":"Women Without Men (The Public Theater)"},"content":{"rendered":"<p>Gilda starred in\u00a0Edward Gallardo&#8217;s play &#8220;Women Without Men&#8221; at the Public Theater as part of the Festival Latino in 1985.<\/p>\n<p>Mel Gussow of the New York Times reviewed the play. (See: https:\/\/www.nytimes.com\/1985\/08\/10\/theater\/theater-women-without-men-by-gallardo.html).<\/p>\n<blockquote><p>&#8220;The head of the work force, the oldest of the women, is Orquidea, a dominant matriarch who rules the workers as she does her adult daughter (also a worker). As played by Gilda Mir\u00f2s, this is a rigid woman of the old school, striking a moralistic pose. She cannot forget that the Japanese bombed Pearl Harbor on a Sunday. &#8216;The infidels!&#8217; she exclaims.<\/p>\n<p>At the same time that she subjugates her daughter (Socorro Santiago) to her will and spurns her son&#8217;s widow and child (he had the audacity, by her measure, to marry a black woman), she goes her own merry way toward remarriage with the man who abused her children. Gradually, it is clear that the mother has a monstrous streak. With careful self-control, Miss Mir\u00f2s never becomes melodramatic.&#8221;<\/p>\n<\/blockquote>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-610 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"277\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7-277x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-613\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7-277x300.jpg 277w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7-768x830.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7-947x1024.jpg 947w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7-816x882.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7-1250x1352.jpg 1250w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7-400x433.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-Without-Men-7.jpg 1586w\" sizes=\"auto, (max-width: 277px) 100vw, 277px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-613'>\n\t\t\t\tGilda in Costume as Orquidea\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3-200x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-611\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3-200x300.jpg 200w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3-768x1154.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3-681x1024.jpg 681w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3-816x1227.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3-1250x1879.jpg 1250w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3-400x601.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-3.jpg 1064w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-611'>\n\t\t\t\tPlaybill from the Public Theater\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"224\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2-300x224.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-612\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2-300x224.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2-768x574.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2-1024x765.jpg 1024w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2-816x609.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2-1250x934.jpg 1250w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2-400x299.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-2.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-612'>\n\t\t\t\tA signed picture to Gilda from the director\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6-300x200.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-615\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6-300x200.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6-768x512.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6-1024x683.jpg 1024w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6-816x544.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6-1250x833.jpg 1250w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6-400x267.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-6.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-615'>\n\t\t\t\tProduction still from Gilda and the &#8216;Women&#8217;\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-617\" srcset=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4-300x225.jpg 300w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4-768x577.jpg 768w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4-1024x769.jpg 1024w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4-816x613.jpg 816w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4-1250x939.jpg 1250w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4-400x300.jpg 400w, https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-4.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-617'>\n\t\t\t\tWrite up about the show in The Villager Downtown \n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Gilda starred in\u00a0Edward Gallardo&#8217;s play &#8220;Women Without Men&#8221; at the Public Theater as part of the Festival Latino in 1985. Mel Gussow of the New York Times reviewed the play. (See: https:\/\/www.nytimes.com\/1985\/08\/10\/theater\/theater-women-without-men-by-gallardo.html). &#8220;The head of the work force, the oldest of the women, is Orquidea, a dominant matriarch who rules the workers as she does [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":614,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[90,24],"class_list":["post-610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight","tag-offbroadway","tag-stage"],"metadata":{"_edit_lock":["1519273516:54"],"_edit_last":["54"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_thumbnail_id":["614"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.760000000000001563194018672220408916473388671875;s:3:\"lng\";d:-95.3799999999999954525264911353588104248046875;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Women Without Men (The Public Theater) - Gilda Mir\u00f3s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Women Without Men (The Public Theater) - Gilda Mir\u00f3s\" \/>\n<meta property=\"og:description\" content=\"Gilda starred in\u00a0Edward Gallardo&#8217;s play &#8220;Women Without Men&#8221; at the Public Theater as part of the Festival Latino in 1985. Mel Gussow of the New York Times reviewed the play. (See: https:\/\/www.nytimes.com\/1985\/08\/10\/theater\/theater-women-without-men-by-gallardo.html). &#8220;The head of the work force, the oldest of the women, is Orquidea, a dominant matriarch who rules the workers as she does [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/\" \/>\n<meta property=\"og:site_name\" content=\"Gilda Mir\u00f3s\" \/>\n<meta property=\"article:published_time\" content=\"1985-08-01T16:00:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-22T04:27:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1070\" \/>\n\t<meta property=\"og:image:height\" content=\"1600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Gilda Mir\u00f3s\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gilda Mir\u00f3s\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/women-without-men-the-public-theater\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/women-without-men-the-public-theater\\\/\"},\"author\":{\"name\":\"Gilda Mir\u00f3s\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/#\\\/schema\\\/person\\\/921d8bb7b712b842edeaa5d9e9880026\"},\"headline\":\"Women Without Men (The Public Theater)\",\"datePublished\":\"1985-08-01T16:00:50+00:00\",\"dateModified\":\"2018-02-22T04:27:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/women-without-men-the-public-theater\\\/\"},\"wordCount\":187,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/women-without-men-the-public-theater\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/wp-content\\\/uploads\\\/sites\\\/37\\\/2017\\\/12\\\/GILDA-Women-without-men-1.jpg\",\"keywords\":[\"Offbroadway\",\"Stage\"],\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/women-without-men-the-public-theater\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/women-without-men-the-public-theater\\\/\",\"name\":\"Women Without Men (The Public Theater) - 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Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\\\/Hunter\\\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\\\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\\\/Hispanics in NYC Prisons; \\\"March of Dimes\\\"\\\/\\\"The Eye Bank of NYC.\u201d Dubbed \\\"Mother Angelica Live\\\" EWTN. Mir\u00f3s has 12 books \\\"Celia Cruz &amp; Sonora Matancera\\\" (2003 Ebook\\\/Soft\\\/Audio 2017); \\\"A Portrait of Puerto Rico\\\" (2005); \\\"Hortense and Her Happy Ducklings\\\" Bilingual children's (2006); \\\"Memorias De Los Espiritus y MI Madre\\\" (2009); \\\"Spirit Messages To My Mother\\\" (2010); \\\"Mystical Wings; \\\"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\\\/Soft\\\/Audio 2016. \\\"Poetisas de Hispanoamericana\\\" (2016 Audio). Presently Produces \\\"Latin Icons Past &amp; Present\\\" for All Access Cable TV, NYC.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/miros\\\/author\\\/miros\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Women Without Men (The Public Theater) - Gilda Mir\u00f3s","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/","og_locale":"en_US","og_type":"article","og_title":"Women Without Men (The Public Theater) - Gilda Mir\u00f3s","og_description":"Gilda starred in\u00a0Edward Gallardo&#8217;s play &#8220;Women Without Men&#8221; at the Public Theater as part of the Festival Latino in 1985. Mel Gussow of the New York Times reviewed the play. (See: https:\/\/www.nytimes.com\/1985\/08\/10\/theater\/theater-women-without-men-by-gallardo.html). &#8220;The head of the work force, the oldest of the women, is Orquidea, a dominant matriarch who rules the workers as she does [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/","og_site_name":"Gilda Mir\u00f3s","article_published_time":"1985-08-01T16:00:50+00:00","article_modified_time":"2018-02-22T04:27:31+00:00","og_image":[{"width":1070,"height":1600,"url":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-1.jpg","type":"image\/jpeg"}],"author":"Gilda Mir\u00f3s","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Gilda Mir\u00f3s","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/"},"author":{"name":"Gilda Mir\u00f3s","@id":"https:\/\/performingartslegacy.org\/miros\/#\/schema\/person\/921d8bb7b712b842edeaa5d9e9880026"},"headline":"Women Without Men (The Public Theater)","datePublished":"1985-08-01T16:00:50+00:00","dateModified":"2018-02-22T04:27:31+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/"},"wordCount":187,"image":{"@id":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/miros\/wp-content\/uploads\/sites\/37\/2017\/12\/GILDA-Women-without-men-1.jpg","keywords":["Offbroadway","Stage"],"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/","url":"https:\/\/performingartslegacy.org\/miros\/women-without-men-the-public-theater\/","name":"Women Without Men (The Public Theater) - 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Born in Puerto Rico, Mir\u00f3s worked with numerous radio and television stations including WADO-AM, WJIT-AM radio stations in New York; WXTV-TV, Channel 41 (Univision) and WNJU-TV, Channel 47 (Telemundo), both in the New York area. While working for the Spanish Broadcasting System at WQBA-AM Miami, she hosted the first national live daily show to run simultaneously in New York and Los Angeles from Florida. Recently Puerto Rican Studies\/Hunter\/CUNY posted her oral history, and created the Gilda Mir\u00f3s file in their archives, available to the public. Raised in the Bronx, Gilda has done films, theatre, television, in Mexico, Puerto Rico and the USA. Her NYC radio programs transmitted from and to Latin America\/Spain. Produced &amp; narrated documentaries including: Viet Nam War\/Hispanics in NYC Prisons; \"March of Dimes\"\/\"The Eye Bank of NYC.\u201d Dubbed \"Mother Angelica Live\" EWTN. Mir\u00f3s has 12 books \"Celia Cruz &amp; Sonora Matancera\" (2003 Ebook\/Soft\/Audio 2017); \"A Portrait of Puerto Rico\" (2005); \"Hortense and Her Happy Ducklings\" Bilingual children's (2006); \"Memorias De Los Espiritus y MI Madre\" (2009); \"Spirit Messages To My Mother\" (2010); \"Mystical Wings; \"Alas M\u00edsticas (201; \u201cIn Touch With Mom in Spirit\u201d \u201c\u00a1En Contacto Con Mami en Espiritu ,\u201cDe La Monta\u01f9a Venimos \u2013 \u00ccconos Latinoamericanos.\u201d (2017 Ebook\/Soft\/Audio 2016. \"Poetisas de Hispanoamericana\" (2016 Audio). Presently Produces \"Latin Icons Past &amp; Present\" for All Access Cable TV, NYC.","url":"https:\/\/performingartslegacy.org\/miros\/author\/miros\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/comments?post=610"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/posts\/610\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media\/614"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/media?parent=610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/categories?post=610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/miros\/wp-json\/wp\/v2\/tags?post=610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}