{"id":145,"date":"2019-10-17T01:57:03","date_gmt":"2019-10-17T01:57:03","guid":{"rendered":"https:\/\/performingartslegacy.org\/mlotekzalmen\/?p=145"},"modified":"2020-01-23T14:05:00","modified_gmt":"2020-01-23T19:05:00","slug":"what-is-the-family-business","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/","title":{"rendered":"\u201cThe Family Business\u201d"},"content":{"rendered":"<\/p>\n[aesop_gallery pslightbox=&#8221;on&#8221; caption=&#8221;Photo by: Alexander Archer&#8221; galleryType=&#8221;sequence&#8221; id=&#8221;245&#8243;]\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=0NdsovsPzlY\" rel=\"noopener noreferrer\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=0NdsovsPzlY'); return false;\"><\/a><span style=\"font-family: inherit;\">I grew up in a home where my father was a Yiddish writer-producer, editor, and presenter. My mother was a Yiddish folk song musicologist. They worked passionately together to collect and publish thousands of soon-to-be forgotten Yiddish songs in several songbooks that informed the advent of the Klezmer music revival.&nbsp;<\/span><\/p>\n<p>Partly joking, my brother Moish (Mark) and my sister-in-law Audrey came up with the term, \u201cthe family business\u201d in reference to the work I do and the work they so generously support.<\/p>\n<p>Remembering Yosl Mlotek,&nbsp;an excerpt of a film about my father from a short documentary by Sam Ball of Citizen Film, remembering the \u201caddress for Yiddish\u201d Yosl Mlotek and the impact he and his wife and partner, Chana Mlotek, had on Yiddish and Jewish culture.&nbsp;<strong style=\"font-family: inherit;\">click<\/strong><span style=\"font-family: inherit;\"><a href=\"https:\/\/www.youtube.com\/watch?v=far9RSAk0uA\" rel=\"noopener noreferrer\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=far9RSAk0uA'); return false;\">&nbsp;here<\/a><strong><\/strong><\/span><\/p>\n<p><span style=\"font-family: inherit;\">My cousin and long time collaborator on theatrical projects, Moishe Rosenfeld&nbsp;speaking about me for an interview with the National Yiddish Book Center. <\/span><strong style=\"font-family: inherit;\">click<a href=\"https:\/\/www.youtube.com\/watch?time_continue=1&amp;v=0NdsovsPzlY&amp;feature=emb_logo\" rel=\"noopener noreferrer\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?time_continue=1&amp;v=0NdsovsPzlY&amp;feature=emb_logo'); return false;\"> here<\/a><br class=\"Apple-interchange-newline\"><\/strong><\/p>\n<p><span style=\"font-family: inherit;\">Chana Mlotek and Zalmen Mlotek:&nbsp;<\/span><em style=\"font-size: 17px;\">\u201cVatch Your Step!\u201d<\/em><span style=\"font-family: inherit;\">&nbsp;Chana and Zalmen Mlotek recount the discovery and adaptation of this Yiddish theater song, and give an impromptu performance. Interview by Neil W. Levin and Barry Serota. Milken Archive oral history excerpt.<\/span><strong style=\"font-family: inherit;\"> click<em><\/em><a href=\"https:\/\/www.youtube.com\/watch?v=pCovxc6SqVs\" rel=\"noopener noreferrer\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=pCovxc6SqVs'); return false;\"> here<\/a><em><\/em><\/strong><\/p>\n<p>The National Yiddish Theatre Folksbiene mourns the passing of Chana Gordon Mlotek.&nbsp;<strong>click<\/strong> <a href=\"https:\/\/www.youtube.com\/watch?v=DtCSwgKj5C0\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=DtCSwgKj5C0'); return false;\"><em><strong>here<\/strong><\/em><\/a><\/p>\n<p>Tribute concert at the Toronto Ashkenaz Festival to my mother, Chana Mlotek,&nbsp;The Mlotek family pays musical tribute to their matriarch, Chana Mlotek (1922 \u2013 2013), Yiddish folksong collector, archivist, researcher and anthologist \u2013 the \u201cSherlock Holmes of Yiddish song.\u201d  Featuring her grandchildren Avram, Elisha, Sara, and Marissa Mlotek, w<span style=\"font-family: inherit;\">ith special guests Kyra Folk-Farber, Faye Kellerstein, Lenka Lichtenberg, Sasha Lurje, Charles Osborne, Polina Shepherd, Mitch Smolkin, Theresa Tova, and David Wall and me at the piano.&nbsp;<\/span><span style=\"font-family: inherit;\">August 28, 2014, Temple Sinai, Toronto.&nbsp;<\/span><span style=\"font-family: inherit;\">Co-presented by Ashkenaz, UJA Committee For Yiddish, Toronto Workmen\u2019s Circle, and United Jewish People\u2019s Order.&nbsp;<\/span><span style=\"font-family: inherit;\">Sponsored by the Jerry and May Cohen Fund at the Jewish Foundation.&nbsp;<\/span><strong style=\"font-family: inherit;\">click <a href=\"https:\/\/www.youtube.com\/watch?v=UzNFHUUcHm8\" rel=\"noopener noreferrer\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=UzNFHUUcHm8'); return false;\">here<\/a><\/strong><\/p>\n<p><i style=\"font-family: inherit;\"><em>&nbsp;<\/em><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[aesop_gallery pslightbox=&#8221;on&#8221; caption=&#8221;Photo by: Alexander Archer&#8221; galleryType=&#8221;sequence&#8221; id=&#8221;245&#8243;] I grew up in a home where my father was a Yiddish writer-producer, editor, and presenter. My mother was a Yiddish folk song musicologist. They worked passionately together to collect and publish thousands of soon-to-be forgotten Yiddish songs in several songbooks that informed the advent of the [&hellip;]<\/p>\n","protected":false},"author":179,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-145","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["179"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cThe Family Business\u201d - Zalmen Mlotek<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cThe Family Business\u201d - Zalmen Mlotek\" \/>\n<meta property=\"og:description\" content=\"[aesop_gallery pslightbox=&#8221;on&#8221; caption=&#8221;Photo by: Alexander Archer&#8221; galleryType=&#8221;sequence&#8221; id=&#8221;245&#8243;] I grew up in a home where my father was a Yiddish writer-producer, editor, and presenter. My mother was a Yiddish folk song musicologist. They worked passionately together to collect and publish thousands of soon-to-be forgotten Yiddish songs in several songbooks that informed the advent of the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/\" \/>\n<meta property=\"og:site_name\" content=\"Zalmen Mlotek\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-17T01:57:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-23T19:05:00+00:00\" \/>\n<meta name=\"author\" content=\"Zalmen Mlotek\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Zalmen Mlotek\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/\"},\"author\":{\"name\":\"Zalmen Mlotek\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#\\\/schema\\\/person\\\/e0349f2c0900761e86d6bf906049f1aa\"},\"headline\":\"\u201cThe Family Business\u201d\",\"datePublished\":\"2019-10-17T01:57:03+00:00\",\"dateModified\":\"2020-01-23T19:05:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/\"},\"wordCount\":346,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/\",\"name\":\"\u201cThe Family Business\u201d - Zalmen Mlotek\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#website\"},\"datePublished\":\"2019-10-17T01:57:03+00:00\",\"dateModified\":\"2020-01-23T19:05:00+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#\\\/schema\\\/person\\\/e0349f2c0900761e86d6bf906049f1aa\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/what-is-the-family-business\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u201cThe Family Business\u201d\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/\",\"name\":\"Zalmen Mlotek\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#\\\/schema\\\/person\\\/e0349f2c0900761e86d6bf906049f1aa\",\"name\":\"Zalmen Mlotek\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g\",\"caption\":\"Zalmen Mlotek\"},\"description\":\"Zalmen Mlotek (Yiddish: \u05d6\u05dc\u05de\u05df \u05e0\u05ea\u05df \u05de\u05dc\u05d0\u05d8\u05e2\u05e7), born June 15, 1951 in the Bronx, NY), is an American conductor, pianist, musical arranger, accompanist, composer, and the Artistic Director of the National Yiddish Theatre Folksbiene (NYTF), the longest continuous running Yiddish theatre in the world. He is an internationally recognized authority on Yiddish folk and theater music and a leading figure in the Jewish theatre and concert worlds. As the Artistic Director of the NYTF for the past twenty years, Mlotek helped revive Yiddish classics, instituted bi-lingual simultaneous English and Russian supertitles at all performances and brought leading creative artists of television, theatre and film, such as Itzhak Perlman, Mandy Patinkin, Sheldon Harnick, Theo Bikel, Ron Rifkin, Mandy Patinkin and Joel Grey, to the Yiddish stage. His vision has propelled classics including NYTF productions of the world premiere of Isaac Bashevis Singer\u2019s Yentl in Yiddish (1998), Di Yam Gazlonim (The Yiddish Pirates of Penzance, 2006) and the 1923 Rumshinky operetta, The Golden Bride (2016), which was nominated for a Drama Desk Award and listed as a New York Times Critics Pick. During his tenure at the NYTF, the theatre company has been nominated for over ten Drama Desk Awards, four Lucille Lortel Awards, and has been nominated for three Tony Awards. In 2015, he was listed as one of the Forward 50 by The Forward, which features American Jews who have had a profound impact on the American Jewish community. 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They worked passionately together to collect and publish thousands of soon-to-be forgotten Yiddish songs in several songbooks that informed the advent of the [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/","og_site_name":"Zalmen Mlotek","article_published_time":"2019-10-17T01:57:03+00:00","article_modified_time":"2020-01-23T19:05:00+00:00","author":"Zalmen Mlotek","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Zalmen Mlotek","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/"},"author":{"name":"Zalmen Mlotek","@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/#\/schema\/person\/e0349f2c0900761e86d6bf906049f1aa"},"headline":"\u201cThe Family Business\u201d","datePublished":"2019-10-17T01:57:03+00:00","dateModified":"2020-01-23T19:05:00+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/"},"wordCount":346,"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/","url":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/","name":"\u201cThe Family Business\u201d - Zalmen Mlotek","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/#website"},"datePublished":"2019-10-17T01:57:03+00:00","dateModified":"2020-01-23T19:05:00+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/#\/schema\/person\/e0349f2c0900761e86d6bf906049f1aa"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/what-is-the-family-business\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/mlotekzalmen\/"},{"@type":"ListItem","position":2,"name":"\u201cThe Family Business\u201d"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/#website","url":"https:\/\/performingartslegacy.org\/mlotekzalmen\/","name":"Zalmen Mlotek","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/mlotekzalmen\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/mlotekzalmen\/#\/schema\/person\/e0349f2c0900761e86d6bf906049f1aa","name":"Zalmen Mlotek","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g","caption":"Zalmen Mlotek"},"description":"Zalmen Mlotek (Yiddish: \u05d6\u05dc\u05de\u05df \u05e0\u05ea\u05df \u05de\u05dc\u05d0\u05d8\u05e2\u05e7), born June 15, 1951 in the Bronx, NY), is an American conductor, pianist, musical arranger, accompanist, composer, and the Artistic Director of the National Yiddish Theatre Folksbiene (NYTF), the longest continuous running Yiddish theatre in the world. He is an internationally recognized authority on Yiddish folk and theater music and a leading figure in the Jewish theatre and concert worlds. As the Artistic Director of the NYTF for the past twenty years, Mlotek helped revive Yiddish classics, instituted bi-lingual simultaneous English and Russian supertitles at all performances and brought leading creative artists of television, theatre and film, such as Itzhak Perlman, Mandy Patinkin, Sheldon Harnick, Theo Bikel, Ron Rifkin, Mandy Patinkin and Joel Grey, to the Yiddish stage. His vision has propelled classics including NYTF productions of the world premiere of Isaac Bashevis Singer\u2019s Yentl in Yiddish (1998), Di Yam Gazlonim (The Yiddish Pirates of Penzance, 2006) and the 1923 Rumshinky operetta, The Golden Bride (2016), which was nominated for a Drama Desk Award and listed as a New York Times Critics Pick. During his tenure at the NYTF, the theatre company has been nominated for over ten Drama Desk Awards, four Lucille Lortel Awards, and has been nominated for three Tony Awards. In 2015, he was listed as one of the Forward 50 by The Forward, which features American Jews who have had a profound impact on the American Jewish community. 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