{"id":148,"date":"2019-10-17T01:57:31","date_gmt":"2019-10-17T01:57:31","guid":{"rendered":"https:\/\/performingartslegacy.org\/mlotekzalmen\/?p=148"},"modified":"2020-01-23T19:15:37","modified_gmt":"2020-01-24T00:15:37","slug":"studying-with-leonard-bernstein","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/mlotekzalmen\/studying-with-leonard-bernstein\/","title":{"rendered":"Studying with Leonard Bernstein"},"content":{"rendered":"<p>        [aesop_image overlay_revealfx=&#8221;off&#8221; revealfx=&#8221;off&#8221; force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Conducting and studying with Leonard Bernstein at Tanglewood&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;800px&#8221; img=&#8221;https:\/\/performingartslegacy.org\/mlotekzalmen\/wp-content\/uploads\/sites\/171\/2019\/10\/ZM-LB-Tanglewood.jpg&#8221; panorama=&#8221;off&#8221;]\n<p style=\"text-align: center;\"><em>Copyright Heinz H. Weissenstein \/ Whitestone<br \/>\nPhoto courtesy Peter Weissenstein and Boston Symphony Orchestra Archives<\/em><\/p>\n<p><span style=\"font-family: inherit;\"><br \/>\nThe very first time I encountered Leonard Bernstein was as a student of conducting at Juilliard. I was one of six Conducting students, part of the Young Conductors Project.&nbsp; It was a warm day in the late spring, early summer, and normally the Conductors orchestra was made up of Juilliard players who really did <\/span><em style=\"font-size: 17px;\">not<\/em><span style=\"font-family: inherit;\"> want to be in the Conductors orchestra as it was a working laboratory for us young conductors. But on that day word got out that Bernstein was coming to do a session, and practically the whole school wanted to sit in on the various sections, particularly the strings.<\/span><\/p>\n<p>We Conducting students were&nbsp; all assembled waiting at a table when Bernstein came in wearing a cape and smoking a cigarette. The room was packed, Bernstein jumped on the podium and exclaimed, <em>\u201cJimmy did it!! Jimmy did it!!!\u201d<\/em> It was the day that Jimmy Carter had negotiated a peace settlement between Menachem Begin, the Prime minister of Israel, and Anwar Sadat, the President of Egypt. Very few in the room knew what he was talking about as most Juilliard students made little time for anything else but practice. I was slightly older than the others, 27 or 28 and I knew what he was talking about.<\/p>\n<p>Excitedly he raised his arms and called out to the orchestra, <i>\u201dLet\u2019s play an Eb Major chord for Jimmy Carter.\u201d<\/i>&nbsp;Everyone who had been transfixed by his presence scurried for their instruments, no one quite ready to play, and began to play whatever note in an Eb Major chord they chose as he gave the downbeat in the most triumphant fashion he could muster. The room resounded with a glorious Eb Major chord.<\/p>\n<p>He then said <i>\u201cAnd now lets play an E minor chord for Menachem Begin,\u201d<\/i> as he raised his arms in a gentle and tender way and the orchestra played a beautiful soft chord.<\/p>\n<p><span style=\"font-family: inherit;\">It was a glorious moment.<\/span><\/p>\n<p>My next encounter was when I studied with the Maestro at Tanglewood, as depicted in the photograph.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[aesop_image overlay_revealfx=&#8221;off&#8221; revealfx=&#8221;off&#8221; force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Conducting and studying with Leonard Bernstein at Tanglewood&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;800px&#8221; img=&#8221;https:\/\/performingartslegacy.org\/mlotekzalmen\/wp-content\/uploads\/sites\/171\/2019\/10\/ZM-LB-Tanglewood.jpg&#8221; panorama=&#8221;off&#8221;] Copyright Heinz H. Weissenstein \/ Whitestone Photo courtesy Peter Weissenstein and Boston Symphony Orchestra Archives The very first time I encountered Leonard Bernstein was as a student of conducting at Juilliard. I was one of six [&hellip;]<\/p>\n","protected":false},"author":179,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-148","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["179"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"_edit_lock":["1579824941:179"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Studying with Leonard Bernstein - Zalmen Mlotek<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/mlotekzalmen\/studying-with-leonard-bernstein\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Studying with Leonard Bernstein - Zalmen Mlotek\" \/>\n<meta property=\"og:description\" content=\"[aesop_image overlay_revealfx=&#8221;off&#8221; revealfx=&#8221;off&#8221; force_fullwidth=&#8221;off&#8221; lightbox=&#8221;off&#8221; captionposition=&#8221;left&#8221; caption=&#8221;Conducting and studying with Leonard Bernstein at Tanglewood&#8221; captionsrc=&#8221;custom&#8221; align=&#8221;center&#8221; imgwidth=&#8221;800px&#8221; img=&#8221;https:\/\/performingartslegacy.org\/mlotekzalmen\/wp-content\/uploads\/sites\/171\/2019\/10\/ZM-LB-Tanglewood.jpg&#8221; panorama=&#8221;off&#8221;] Copyright Heinz H. Weissenstein \/ Whitestone Photo courtesy Peter Weissenstein and Boston Symphony Orchestra Archives The very first time I encountered Leonard Bernstein was as a student of conducting at Juilliard. I was one of six [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/mlotekzalmen\/studying-with-leonard-bernstein\/\" \/>\n<meta property=\"og:site_name\" content=\"Zalmen Mlotek\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-17T01:57:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-24T00:15:37+00:00\" \/>\n<meta name=\"author\" content=\"Zalmen Mlotek\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Zalmen Mlotek\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/\"},\"author\":{\"name\":\"Zalmen Mlotek\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#\\\/schema\\\/person\\\/e0349f2c0900761e86d6bf906049f1aa\"},\"headline\":\"Studying with Leonard Bernstein\",\"datePublished\":\"2019-10-17T01:57:31+00:00\",\"dateModified\":\"2020-01-24T00:15:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/\"},\"wordCount\":398,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/\",\"name\":\"Studying with Leonard Bernstein - Zalmen Mlotek\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#website\"},\"datePublished\":\"2019-10-17T01:57:31+00:00\",\"dateModified\":\"2020-01-24T00:15:37+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#\\\/schema\\\/person\\\/e0349f2c0900761e86d6bf906049f1aa\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/studying-with-leonard-bernstein\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Studying with Leonard Bernstein\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/\",\"name\":\"Zalmen Mlotek\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/mlotekzalmen\\\/#\\\/schema\\\/person\\\/e0349f2c0900761e86d6bf906049f1aa\",\"name\":\"Zalmen Mlotek\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/685ec053239ce4379d49a6a8e9bc42dd836941dfb7ddd48593060c9cd55285d9?s=96&d=blank&r=g\",\"caption\":\"Zalmen Mlotek\"},\"description\":\"Zalmen Mlotek (Yiddish: \u05d6\u05dc\u05de\u05df \u05e0\u05ea\u05df \u05de\u05dc\u05d0\u05d8\u05e2\u05e7), born June 15, 1951 in the Bronx, NY), is an American conductor, pianist, musical arranger, accompanist, composer, and the Artistic Director of the National Yiddish Theatre Folksbiene (NYTF), the longest continuous running Yiddish theatre in the world. He is an internationally recognized authority on Yiddish folk and theater music and a leading figure in the Jewish theatre and concert worlds. As the Artistic Director of the NYTF for the past twenty years, Mlotek helped revive Yiddish classics, instituted bi-lingual simultaneous English and Russian supertitles at all performances and brought leading creative artists of television, theatre and film, such as Itzhak Perlman, Mandy Patinkin, Sheldon Harnick, Theo Bikel, Ron Rifkin, Mandy Patinkin and Joel Grey, to the Yiddish stage. His vision has propelled classics including NYTF productions of the world premiere of Isaac Bashevis Singer\u2019s Yentl in Yiddish (1998), Di Yam Gazlonim (The Yiddish Pirates of Penzance, 2006) and the 1923 Rumshinky operetta, The Golden Bride (2016), which was nominated for a Drama Desk Award and listed as a New York Times Critics Pick. During his tenure at the NYTF, the theatre company has been nominated for over ten Drama Desk Awards, four Lucille Lortel Awards, and has been nominated for three Tony Awards. In 2015, he was listed as one of the Forward 50 by The Forward, which features American Jews who have had a profound impact on the American Jewish community. 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