{"id":217,"date":"2019-10-19T19:17:23","date_gmt":"2019-10-19T23:17:23","guid":{"rendered":"https:\/\/performingartslegacy.org\/nakahararon\/?p=217"},"modified":"2019-12-01T16:57:15","modified_gmt":"2019-12-01T21:57:15","slug":"the-screens","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/","title":{"rendered":"The Screens"},"content":{"rendered":"<p>\u201cThe Screens\u201d is a Middle Eastern epic by Jean Genet, directed by Joanne Akalaitis at the Guthrie\u2019s deep, thrust, mainstage, with the Guthrie\u2019s resident acting company and a big group of diverse actors from NY. &nbsp;There was no diversity in the resident company so the actors from NY were necessary to bring \u201cThe Screens\u201d to life. &nbsp;The production ultimately ran over four hours, with a dinner break for actors and audience alike. &nbsp;It was a huge production in all ways, cast, script, set, costumes, props, tech and running crew, and time. &nbsp;It was a two month rehearsal process, three months and change including the run.&nbsp;<\/p>\n<p>&nbsp;The length of time it took was partly because of the length of the script, but was also because of Joanne\u2019s process, particularly with the actors.  <\/p>\n<p>Most of us hadn\u2019t worked with Joanne before, I think, so we had to learn her \u201cvocabulary,\u201d how she did things, how she saw things, etc. &nbsp;This is true with every director, I\u2019m sure, but Joanne is different. &nbsp;Her staging and movement stylings are unique. &nbsp;For example, there was a net above the stage and over part of the audience and there was time taken to work in the net for those who were in the scenes in the net.  Then there were the actors who had to learn to walk with catherni, the high-soled shoes actors used in ancient Greek Theatre, but our actors had to walk backwards, and up a ramp, from  the voms. &nbsp;There were other things, like my character had to have gold teeth, so I had to go to a dentist and get fitted and then I had to practice with the teeth. &nbsp;It had real gold in them, by the way, and I still have them someplace.&nbsp;<\/p>\n<p>&nbsp;This not to disparage any of this, it was fabulous. &nbsp;This is by way of saying how this show really showed me how a unique artist and a big theatre could work together, and what it actually took to make her vision a reality. &nbsp;Time, money, commitment, vision, and artistry. &nbsp;Well done, Joanne.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe Screens\u201d is a Middle Eastern epic by Jean Genet, directed by Joanne Akalaitis at the Guthrie\u2019s deep, thrust, mainstage, with the Guthrie\u2019s resident acting company and a big group of diverse actors from NY. &nbsp;There was no diversity in the resident company so the actors from NY were necessary to bring \u201cThe Screens\u201d to [&hellip;]<\/p>\n","protected":false},"author":172,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-217","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1575237357:172"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Screens - Ron Nakahara<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Screens - Ron Nakahara\" \/>\n<meta property=\"og:description\" content=\"\u201cThe Screens\u201d is a Middle Eastern epic by Jean Genet, directed by Joanne Akalaitis at the Guthrie\u2019s deep, thrust, mainstage, with the Guthrie\u2019s resident acting company and a big group of diverse actors from NY. &nbsp;There was no diversity in the resident company so the actors from NY were necessary to bring \u201cThe Screens\u201d to [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/\" \/>\n<meta property=\"og:site_name\" content=\"Ron Nakahara\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-19T23:17:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-12-01T21:57:15+00:00\" \/>\n<meta name=\"author\" content=\"Ron Nakahara\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ron Nakahara\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/\"},\"author\":{\"name\":\"Ron Nakahara\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"headline\":\"The Screens\",\"datePublished\":\"2019-10-19T23:17:23+00:00\",\"dateModified\":\"2019-12-01T21:57:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/\"},\"wordCount\":370,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/\",\"name\":\"The Screens - Ron Nakahara\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\"},\"datePublished\":\"2019-10-19T23:17:23+00:00\",\"dateModified\":\"2019-12-01T21:57:15+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/the-screens\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Screens\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\",\"name\":\"Ron Nakahara\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\",\"name\":\"Ron Nakahara\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"caption\":\"Ron Nakahara\"},\"description\":\"https:\\\/\\\/www.ronnakahara.com Ron is a New York City based actor\\\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\\\/Public Theatre,) As You Like It (NYSF\\\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/author\\\/nakahararon\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Screens - Ron Nakahara","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/","og_locale":"en_US","og_type":"article","og_title":"The Screens - Ron Nakahara","og_description":"\u201cThe Screens\u201d is a Middle Eastern epic by Jean Genet, directed by Joanne Akalaitis at the Guthrie\u2019s deep, thrust, mainstage, with the Guthrie\u2019s resident acting company and a big group of diverse actors from NY. &nbsp;There was no diversity in the resident company so the actors from NY were necessary to bring \u201cThe Screens\u201d to [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/","og_site_name":"Ron Nakahara","article_published_time":"2019-10-19T23:17:23+00:00","article_modified_time":"2019-12-01T21:57:15+00:00","author":"Ron Nakahara","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ron Nakahara","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/"},"author":{"name":"Ron Nakahara","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"headline":"The Screens","datePublished":"2019-10-19T23:17:23+00:00","dateModified":"2019-12-01T21:57:15+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/"},"wordCount":370,"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/","url":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/","name":"The Screens - Ron Nakahara","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website"},"datePublished":"2019-10-19T23:17:23+00:00","dateModified":"2019-12-01T21:57:15+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/nakahararon\/the-screens\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/nakahararon\/"},{"@type":"ListItem","position":2,"name":"The Screens"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website","url":"https:\/\/performingartslegacy.org\/nakahararon\/","name":"Ron Nakahara","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/nakahararon\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f","name":"Ron Nakahara","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","caption":"Ron Nakahara"},"description":"https:\/\/www.ronnakahara.com Ron is a New York City based actor\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\/Public Theatre,) As You Like It (NYSF\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.","url":"https:\/\/performingartslegacy.org\/nakahararon\/author\/nakahararon\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/comments?post=217"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/217\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/media?parent=217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/categories?post=217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/tags?post=217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}