{"id":269,"date":"2019-10-29T17:56:42","date_gmt":"2019-10-29T21:56:42","guid":{"rendered":"https:\/\/performingartslegacy.org\/nakahararon\/?p=269"},"modified":"2019-11-18T01:56:13","modified_gmt":"2019-11-18T06:56:13","slug":"acting-directing","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/","title":{"rendered":"Acting\/Directing"},"content":{"rendered":"<p>This production of \u201cAloha Las Vegas\u201d by Ed Sakamoto was notable for me for several reasons. &nbsp;First, I think it is Ed\u2019s best play, funny and timely, with characters who are true to what I think of as \u201clocal people,\u201d a terrific story, and a great ending. &nbsp;Second, I had a terrifc cast made up entirely of actors from Hawaii, one of whom was me, which is the third, and probably most important, notable reason. &nbsp;Here\u2019s why.&nbsp;<\/p>\n<p>&nbsp;I had acted under my own direction before this show but that was a sudden, last-minute thing, an actor dropping out right before previews. &nbsp;For \u201cAloha Las Vegas\u201d I had decided to cast myself from the beginning. &nbsp;I just thought that I was the best actor for the role. &nbsp;And fortunately I worked well with myself, and with the other actors. &nbsp;The rehearsal was a breeze for me as an actor, and also as a director, I was surprised to find. &nbsp;<\/p>\n<p>I hadn\u2019t really known, or heard of, others who had done this kind of double duty, in my circle, at least, and I wondered before I started rehearsals if I had made a mistake, if I was going to have a problem with the acting, or the directing, or both, but, happily, none of that came to be. &nbsp;I think that I had such fun with my character in the play that it affected my directing. &nbsp;In a funny way it was as if the play directed itself, with a little help from me, from time to time. &nbsp;The actors picked up on that and they were all loose with their characters, and it was so much fun, and by that I mean the work was so good, all the way. &nbsp; The run was more of the same, one of the best times I\u2019ve had directing a play, and acting in a play.&nbsp;<\/p>\n<p>&nbsp;As fun and easy as it sounds, I think that that was a unique situation, a coming-together of many elements, and not something that can be easily repeated. &nbsp;I\u2019ve never done it again, acting\/directing. &nbsp;Once-in-a-lifetime. &nbsp;But I\u2019m glad I had that once.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This production of \u201cAloha Las Vegas\u201d by Ed Sakamoto was notable for me for several reasons. &nbsp;First, I think it is Ed\u2019s best play, funny and timely, with characters who are true to what I think of as \u201clocal people,\u201d a terrific story, and a great ending. &nbsp;Second, I had a terrifc cast made up [&hellip;]<\/p>\n","protected":false},"author":172,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-269","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1574060070:172"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Acting\/Directing - Ron Nakahara<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Acting\/Directing - Ron Nakahara\" \/>\n<meta property=\"og:description\" content=\"This production of \u201cAloha Las Vegas\u201d by Ed Sakamoto was notable for me for several reasons. &nbsp;First, I think it is Ed\u2019s best play, funny and timely, with characters who are true to what I think of as \u201clocal people,\u201d a terrific story, and a great ending. &nbsp;Second, I had a terrifc cast made up [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/\" \/>\n<meta property=\"og:site_name\" content=\"Ron Nakahara\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-29T21:56:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-11-18T06:56:13+00:00\" \/>\n<meta name=\"author\" content=\"Ron Nakahara\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ron Nakahara\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/acting-directing\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/acting-directing\\\/\"},\"author\":{\"name\":\"Ron Nakahara\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"headline\":\"Acting\\\/Directing\",\"datePublished\":\"2019-10-29T21:56:42+00:00\",\"dateModified\":\"2019-11-18T06:56:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/acting-directing\\\/\"},\"wordCount\":382,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/acting-directing\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/acting-directing\\\/\",\"name\":\"Acting\\\/Directing - 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He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\\\/Public Theatre,) As You Like It (NYSF\\\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/author\\\/nakahararon\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Acting\/Directing - Ron Nakahara","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/","og_locale":"en_US","og_type":"article","og_title":"Acting\/Directing - Ron Nakahara","og_description":"This production of \u201cAloha Las Vegas\u201d by Ed Sakamoto was notable for me for several reasons. &nbsp;First, I think it is Ed\u2019s best play, funny and timely, with characters who are true to what I think of as \u201clocal people,\u201d a terrific story, and a great ending. &nbsp;Second, I had a terrifc cast made up [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/","og_site_name":"Ron Nakahara","article_published_time":"2019-10-29T21:56:42+00:00","article_modified_time":"2019-11-18T06:56:13+00:00","author":"Ron Nakahara","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ron Nakahara","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/"},"author":{"name":"Ron Nakahara","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"headline":"Acting\/Directing","datePublished":"2019-10-29T21:56:42+00:00","dateModified":"2019-11-18T06:56:13+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/"},"wordCount":382,"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/","url":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/","name":"Acting\/Directing - Ron Nakahara","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website"},"datePublished":"2019-10-29T21:56:42+00:00","dateModified":"2019-11-18T06:56:13+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/nakahararon\/acting-directing\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/nakahararon\/"},{"@type":"ListItem","position":2,"name":"Acting\/Directing"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website","url":"https:\/\/performingartslegacy.org\/nakahararon\/","name":"Ron Nakahara","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/nakahararon\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f","name":"Ron Nakahara","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","caption":"Ron Nakahara"},"description":"https:\/\/www.ronnakahara.com Ron is a New York City based actor\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\/Public Theatre,) As You Like It (NYSF\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.","url":"https:\/\/performingartslegacy.org\/nakahararon\/author\/nakahararon\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/comments?post=269"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/269\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/media?parent=269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/categories?post=269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/tags?post=269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}