{"id":299,"date":"2019-11-05T19:53:23","date_gmt":"2019-11-06T00:53:23","guid":{"rendered":"https:\/\/performingartslegacy.org\/nakahararon\/?p=299"},"modified":"2019-11-05T19:53:23","modified_gmt":"2019-11-06T00:53:23","slug":"commercials","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/nakahararon\/commercials\/","title":{"rendered":"Commercials"},"content":{"rendered":"<p>This is the most unusual commercial\/film project I have ever been in. It was Charles Schwab&#8217;s new commercial campaign, titled, &#8220;Talk To Chuck,&#8221; in which                         seemingly ordinary people talked to the camera about investing with Charles &#8220;Chuck&#8221; Schwab.&nbsp;<\/p>\n<p>&nbsp;They flew me to Austin for the shoot and it went well, in and out in a couple of days. But this is when I found out that the director was a guy named Bob Sabiston and the spot was going to be animated. Bob Sabiston created a program for a style of animation called rotoscoping which he used in collaboration with film maker Richard Linklater on two films, &#8220;Waking Life,&#8221; and &#8220;A Scanner Darkly.&#8221;  Rotoscoping involves drawing on film and Bob&#8217;s program automated the process for computers.&nbsp;<\/p>\n<p>So, they filmed me and the five other actors involved in this first &#8220;Talk To Chuck&#8221; campaign, separately, and then worked with Bob&#8217;s program to animate each of the films. Each commercial had a different look, some more realistic looking than others, and mine, I thought, when I saw the commercials, was the most cartoon-like. I got calls from friends all over asking if that was me, and we&#8217;d laugh about it.&nbsp;<\/p>\n<p>&nbsp;The commercials were unlike anything else on TV, so unusual, and a lot of fun to be in.  But commercials, in general, are noticed by a lot of people, including industry people, and are lucrative as well.  Early on in my career I was kind of in that theatre-only mode, and if there&#8217;s one thing I would do a bit differently it would be to be more open to TV and film, and especially to doing commercials.  Ah, well, water under the bridge.  But here&#8217;s a list of regional, national, and international commercials that I did do, over time:  Wells Fargo, Conoco Philips, Mass Mutual with John Mahoney which ran for a long time, Shell Oil MasterCard, Verizon, Verizon International.  Also, one called &#8220;Macau,&#8221; or &#8220;The Audition,&#8221; which is the most expensive commercial ever made.  To find out more about that, see &#8220;The Audition&#8221; further on in my grid.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is the most unusual commercial\/film project I have ever been in. It was Charles Schwab&#8217;s new commercial campaign, titled, &#8220;Talk To Chuck,&#8221; in which seemingly ordinary people talked to the camera about investing with Charles &#8220;Chuck&#8221; Schwab.&nbsp; &nbsp;They flew me to Austin for the shoot and it went well, in and out in a [&hellip;]<\/p>\n","protected":false},"author":172,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-299","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1573001607:172"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Commercials - Ron Nakahara<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/nakahararon\/commercials\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Commercials - Ron Nakahara\" \/>\n<meta property=\"og:description\" content=\"This is the most unusual commercial\/film project I have ever been in. It was Charles Schwab&#8217;s new commercial campaign, titled, &#8220;Talk To Chuck,&#8221; in which seemingly ordinary people talked to the camera about investing with Charles &#8220;Chuck&#8221; Schwab.&nbsp; &nbsp;They flew me to Austin for the shoot and it went well, in and out in a [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/nakahararon\/commercials\/\" \/>\n<meta property=\"og:site_name\" content=\"Ron Nakahara\" \/>\n<meta property=\"article:published_time\" content=\"2019-11-06T00:53:23+00:00\" \/>\n<meta name=\"author\" content=\"Ron Nakahara\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ron Nakahara\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/\"},\"author\":{\"name\":\"Ron Nakahara\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"headline\":\"Commercials\",\"datePublished\":\"2019-11-06T00:53:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/\"},\"wordCount\":361,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/\",\"name\":\"Commercials - Ron Nakahara\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\"},\"datePublished\":\"2019-11-06T00:53:23+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/commercials\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Commercials\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\",\"name\":\"Ron Nakahara\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\",\"name\":\"Ron Nakahara\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"caption\":\"Ron Nakahara\"},\"description\":\"https:\\\/\\\/www.ronnakahara.com Ron is a New York City based actor\\\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\\\/Public Theatre,) As You Like It (NYSF\\\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/author\\\/nakahararon\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Commercials - Ron Nakahara","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/nakahararon\/commercials\/","og_locale":"en_US","og_type":"article","og_title":"Commercials - Ron Nakahara","og_description":"This is the most unusual commercial\/film project I have ever been in. 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He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\/Public Theatre,) As You Like It (NYSF\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.","url":"https:\/\/performingartslegacy.org\/nakahararon\/author\/nakahararon\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/comments?post=299"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/299\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/media?parent=299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/categories?post=299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/tags?post=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}