{"id":301,"date":"2019-11-06T01:14:53","date_gmt":"2019-11-06T06:14:53","guid":{"rendered":"https:\/\/performingartslegacy.org\/nakahararon\/?p=301"},"modified":"2019-11-18T02:39:25","modified_gmt":"2019-11-18T07:39:25","slug":"aloha","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/","title":{"rendered":"Aloha"},"content":{"rendered":"<p>&#8220;Marat\/Sade&#8221; was my last show with The Public Theatre. &nbsp;I was saying aloha to Hawaii and flying off to Atlanta soon.  <\/p>\n<p>I was supposed to do Bottom in &#8220;A Midsummer Night\u2019s Dream&#8221; with The Honolulu Theatre For Youth and Wally Chappell but it fell through so I went into &#8220;Marat Sade.&#8221; &nbsp;I played an inmate in the asylum that the entire play is set in, and I remember doing crazy-person makeup and dirty, ratted hair with greasy tips to go along with the filthy shifts all the inmates wore. &nbsp;The play is a play-within-a-play, a performance the inmates give for some important visitors that goes awry, to say the least. &nbsp;For me, with no real lines because I wasn\u2019t supposed to be in the show, it was all about behavior, with some interesting interactions in vignettes with other inmates, most of them graphic, lewd, or shocking, or all three at once. &nbsp;But that\u2019s not why this show is so memorable for me.  <\/p>\n<p>My mom came to this show, as she had come to most of my performances, and I wondered what she thought of it, the kind of show it was. &nbsp;So after the performance, when I saw her, I asked, thinking of how outrageous and graphic the show was and kind of smirking in my mind thinking of my mom\u2019s response to such a show, \u201cSo, mom, what\u2019d you think?\u201d &nbsp;Usually it\u2019s oh, nice show, good, so funny, I liked it, etc., etc. &nbsp;But when I asked her that night, she just looked at me for a bit, like she didn\u2019t know what to say. &nbsp;I thought later it was like she didn\u2019t quite know who I was. &nbsp;And then she said, quietly, I remember, \u201cYou were good.\u201d  <\/p>\n<p>She saw something, I thought, and it wasn\u2019t her son, it was a crazy, grotesque, obscene inmate. &nbsp;She saw an actor. &nbsp;That moment, as much as anything else that had gone before, told me I was ready to fly to Atlanta, and to the rest of my career. &nbsp;Aloha indeed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Marat\/Sade&#8221; was my last show with The Public Theatre. &nbsp;I was saying aloha to Hawaii and flying off to Atlanta soon. I was supposed to do Bottom in &#8220;A Midsummer Night\u2019s Dream&#8221; with The Honolulu Theatre For Youth and Wally Chappell but it fell through so I went into &#8220;Marat Sade.&#8221; &nbsp;I played an inmate [&hellip;]<\/p>\n","protected":false},"author":172,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-301","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1574062699:172"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Aloha - Ron Nakahara<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aloha - Ron Nakahara\" \/>\n<meta property=\"og:description\" content=\"&#8220;Marat\/Sade&#8221; was my last show with The Public Theatre. &nbsp;I was saying aloha to Hawaii and flying off to Atlanta soon. I was supposed to do Bottom in &#8220;A Midsummer Night\u2019s Dream&#8221; with The Honolulu Theatre For Youth and Wally Chappell but it fell through so I went into &#8220;Marat Sade.&#8221; &nbsp;I played an inmate [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/\" \/>\n<meta property=\"og:site_name\" content=\"Ron Nakahara\" \/>\n<meta property=\"article:published_time\" content=\"2019-11-06T06:14:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-11-18T07:39:25+00:00\" \/>\n<meta name=\"author\" content=\"Ron Nakahara\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ron Nakahara\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/\"},\"author\":{\"name\":\"Ron Nakahara\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"headline\":\"Aloha\",\"datePublished\":\"2019-11-06T06:14:53+00:00\",\"dateModified\":\"2019-11-18T07:39:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/\"},\"wordCount\":363,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/\",\"name\":\"Aloha - Ron Nakahara\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\"},\"datePublished\":\"2019-11-06T06:14:53+00:00\",\"dateModified\":\"2019-11-18T07:39:25+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/aloha\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Aloha\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\",\"name\":\"Ron Nakahara\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\",\"name\":\"Ron Nakahara\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"caption\":\"Ron Nakahara\"},\"description\":\"https:\\\/\\\/www.ronnakahara.com Ron is a New York City based actor\\\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\\\/Public Theatre,) As You Like It (NYSF\\\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/author\\\/nakahararon\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Aloha - Ron Nakahara","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/","og_locale":"en_US","og_type":"article","og_title":"Aloha - Ron Nakahara","og_description":"&#8220;Marat\/Sade&#8221; was my last show with The Public Theatre. &nbsp;I was saying aloha to Hawaii and flying off to Atlanta soon. I was supposed to do Bottom in &#8220;A Midsummer Night\u2019s Dream&#8221; with The Honolulu Theatre For Youth and Wally Chappell but it fell through so I went into &#8220;Marat Sade.&#8221; &nbsp;I played an inmate [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/","og_site_name":"Ron Nakahara","article_published_time":"2019-11-06T06:14:53+00:00","article_modified_time":"2019-11-18T07:39:25+00:00","author":"Ron Nakahara","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ron Nakahara","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/"},"author":{"name":"Ron Nakahara","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"headline":"Aloha","datePublished":"2019-11-06T06:14:53+00:00","dateModified":"2019-11-18T07:39:25+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/"},"wordCount":363,"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/","url":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/","name":"Aloha - Ron Nakahara","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website"},"datePublished":"2019-11-06T06:14:53+00:00","dateModified":"2019-11-18T07:39:25+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/nakahararon\/aloha\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/nakahararon\/aloha\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/nakahararon\/"},{"@type":"ListItem","position":2,"name":"Aloha"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website","url":"https:\/\/performingartslegacy.org\/nakahararon\/","name":"Ron Nakahara","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/nakahararon\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f","name":"Ron Nakahara","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","caption":"Ron Nakahara"},"description":"https:\/\/www.ronnakahara.com Ron is a New York City based actor\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\/Public Theatre,) As You Like It (NYSF\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.","url":"https:\/\/performingartslegacy.org\/nakahararon\/author\/nakahararon\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/comments?post=301"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/301\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/media?parent=301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/categories?post=301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/tags?post=301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}