{"id":345,"date":"2019-11-13T15:41:33","date_gmt":"2019-11-13T20:41:33","guid":{"rendered":"https:\/\/performingartslegacy.org\/nakahararon\/?p=345"},"modified":"2019-11-25T16:11:44","modified_gmt":"2019-11-25T21:11:44","slug":"keep-your-head","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/","title":{"rendered":"Keep Your Head"},"content":{"rendered":"<p>&#8221; Seven Minutes To Heaven,&#8221; episode 9, is three episodes after the last one my character, Hirochi, appeared in. \u00a0In that episode, number 6, Hirochi is revealed to be a very bad man, one who orders people killed, which is an extreme change for the character, for me, the actor, and for the audience. \u00a0But it is nothing compared to what is revealed, in this episode, about Hirochi and his role in The Hand, the criminal cabal at the heart of all the terror in Daredevil&#8217;s life, and world.<\/p>\n<p>Hirochi, it turns out is the master of The Hand&#8217;s search for immortality, for the ability to reincarnate themselves, and thereby fulfilling their mission to rule the world. \u00a0At this point, the reincarnation process involves draining blood from captured people into a sarcophagus, in which a dead Hand VIP is lying. \u00a0Then he or she would rise from the dead, alive and well. Simple. \u00a0There was one caveat, though.<\/p>\n<p>On set when we were shooting the scene where you see the blood drainees in their cages, I saw Nobu, a character who had died in the previous season, walk on set. \u00a0I asked a crew person, didn&#8217;t he die last season, and he shrugged. \u00a0So I met the actor playing Nobu, and we shot the scene. \u00a0During lunch I asked him didn&#8217;t he die the season before, and he says, &#8220;Tell you a secret. \u00a0If they don&#8217;t cut your head off, you can come back.&#8221; \u00a0What&#8217;s funny is, the &#8220;they&#8221;could have been your enemies onscreen, or the writers offscreen.<\/p>\n<p>I learned all this about Hirochi, and The Hand, and the script, just days before the shoot, so this was another extreme example of having to adjust my thinking, my character, and my acting choices, on the fly. The nature of the series was made clear to me by this episode, that in essence, it was a comic book we were filming. \u00a0Terrific! \u00a0So much fun to play a guy this bad, but bad in such a surreal way. \u00a0Fun because you had to work harder to not play a comic book villain, per se, but find a way to humanize the character. \u00a0And, with this kind of character progression, this kind of story and sensibility, this kind of plot twist, well, you have to keep your head here, too.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8221; Seven Minutes To Heaven,&#8221; episode 9, is three episodes after the last one my character, Hirochi, appeared in. \u00a0In that episode, number 6, Hirochi is revealed to be a very bad man, one who orders people killed, which is an extreme change for the character, for me, the actor, and for the audience. \u00a0But [&hellip;]<\/p>\n","protected":false},"author":172,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-345","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1574716310:38"],"_edit_last":["38"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Keep Your Head - Ron Nakahara<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Keep Your Head - Ron Nakahara\" \/>\n<meta property=\"og:description\" content=\"&#8221; Seven Minutes To Heaven,&#8221; episode 9, is three episodes after the last one my character, Hirochi, appeared in. \u00a0In that episode, number 6, Hirochi is revealed to be a very bad man, one who orders people killed, which is an extreme change for the character, for me, the actor, and for the audience. \u00a0But [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/\" \/>\n<meta property=\"og:site_name\" content=\"Ron Nakahara\" \/>\n<meta property=\"article:published_time\" content=\"2019-11-13T20:41:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-11-25T21:11:44+00:00\" \/>\n<meta name=\"author\" content=\"Ron Nakahara\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ron Nakahara\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/\"},\"author\":{\"name\":\"Ron Nakahara\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"headline\":\"Keep Your Head\",\"datePublished\":\"2019-11-13T20:41:33+00:00\",\"dateModified\":\"2019-11-25T21:11:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/\"},\"wordCount\":395,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/\",\"name\":\"Keep Your Head - Ron Nakahara\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\"},\"datePublished\":\"2019-11-13T20:41:33+00:00\",\"dateModified\":\"2019-11-25T21:11:44+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/keep-your-head\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Keep Your Head\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/\",\"name\":\"Ron Nakahara\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/#\\\/schema\\\/person\\\/186390bf470a80ff3acbcea42aed799f\",\"name\":\"Ron Nakahara\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g\",\"caption\":\"Ron Nakahara\"},\"description\":\"https:\\\/\\\/www.ronnakahara.com Ron is a New York City based actor\\\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\\\/Public Theatre,) As You Like It (NYSF\\\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/nakahararon\\\/author\\\/nakahararon\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Keep Your Head - Ron Nakahara","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/","og_locale":"en_US","og_type":"article","og_title":"Keep Your Head - Ron Nakahara","og_description":"&#8221; Seven Minutes To Heaven,&#8221; episode 9, is three episodes after the last one my character, Hirochi, appeared in. \u00a0In that episode, number 6, Hirochi is revealed to be a very bad man, one who orders people killed, which is an extreme change for the character, for me, the actor, and for the audience. \u00a0But [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/","og_site_name":"Ron Nakahara","article_published_time":"2019-11-13T20:41:33+00:00","article_modified_time":"2019-11-25T21:11:44+00:00","author":"Ron Nakahara","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Ron Nakahara","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/"},"author":{"name":"Ron Nakahara","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"headline":"Keep Your Head","datePublished":"2019-11-13T20:41:33+00:00","dateModified":"2019-11-25T21:11:44+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/"},"wordCount":395,"articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/","url":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/","name":"Keep Your Head - Ron Nakahara","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website"},"datePublished":"2019-11-13T20:41:33+00:00","dateModified":"2019-11-25T21:11:44+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/nakahararon\/keep-your-head\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/nakahararon\/"},{"@type":"ListItem","position":2,"name":"Keep Your Head"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#website","url":"https:\/\/performingartslegacy.org\/nakahararon\/","name":"Ron Nakahara","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/nakahararon\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/nakahararon\/#\/schema\/person\/186390bf470a80ff3acbcea42aed799f","name":"Ron Nakahara","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d76a4f17d33436129d32fdb5e637c8c122e4e4dba252d3e591934b4f1cdd265f?s=96&d=blank&r=g","caption":"Ron Nakahara"},"description":"https:\/\/www.ronnakahara.com Ron is a New York City based actor\/director originally from Hawaii. He studied at the University of Hawaii with Glenn Cannon from NY, Terry Knapp from The Royal Shakespeare Co. and with noted voice teacher Kristen Linklater. While there he also studied Kyogen theater with Japan National Treasure Nomura Mansaku and performed in Kabuki. Selected acting: NY\u2013Man In Snow (LaMama,) Ping Pong (The Public Theatre,) Ching Chong Chinaman, Rashomon (Pan Asian Repertory Theatre,) Earth and Sky (Second Stage,) The Three Sisters (Pan Asian,) Romeo And Juliet (NYSF\/Public Theatre,) As You Like It (NYSF\/Public Theatre,) Danton\u2019s Death (LaMama E.T.C.,) The School for Wives (NATCO,) Midsummer Night\u2019s Dream (Pan Asian) REGIONAL\u2013 Wild Swans (debut), (Young Vic, London, and A.R.T., Boston,) Snow Falling on Cedars, The Merchant of Venice (Hartford Stage Co.,) Comedy of Errors (The Shakespeare Theatre, D.C.,) The Screens (The Guthrie Theatre,) Othello (Alliance Theatre, Atlanta,) The Empress of China (Cincinnati Playhouse,) Cyrano (ACT, San Francisco,) Taming of the Shrew (ACT,) Diary of a Scoundrel (Hawaii Public Theatre) FILM\u2013Isn't It Romantic, The Wolf of Wall Street, Sleepwalk With Me, I Think I Love My Wife, College Road Trip. TV- can be seen currently recurring as Hirochi in Netflix's Daredevil Season 2; Madam Secretary, Elementary, NYC 22, The Good Wife, Fringe, 3 LBS., Whoopi, Cosby Mysteries, Law &amp; Order, Law &amp; Order SVU, One Life to Live, As the World Turns, All My Children, Pearl, The Miniseries, Hawaii 5-O (the original). As a director, Ron has worked at theatres and Universities around the country. He was one of the first 6 recipients of the NEA-TCG Director Fellowship Award in 1987.","url":"https:\/\/performingartslegacy.org\/nakahararon\/author\/nakahararon\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/users\/172"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/comments?post=345"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/posts\/345\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/media?parent=345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/categories?post=345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/nakahararon\/wp-json\/wp\/v2\/tags?post=345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}