{"id":604,"date":"2024-01-03T00:52:48","date_gmt":"2024-01-03T00:52:48","guid":{"rendered":"https:\/\/performingartslegacy.org\/pashalinski\/?p=604"},"modified":"2026-06-01T20:23:12","modified_gmt":"2026-06-02T00:23:12","slug":"further-reading","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/pashalinski\/further-reading\/","title":{"rendered":"Further Reading"},"content":{"rendered":"

\t\t\t\t\t\t [aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” credit=”\u00a9 2024 The Peter Hujar Archive \/ Artists Rights Society (ARS), New York” caption=”Lola in Camille” captionsrc=”custom” align=”center” offset=”500px” imgwidth=”55%” img=”https:\/\/performingartslegacy.org\/pashalinski\/wp-content\/uploads\/sites\/91\/2023\/11\/1_Pashalinski_Camille_Hujar.jpg” panorama=”off”]\n

Interviews<\/strong><\/h2>\n

\u201cArts Feature: Lola Pashalinski Interviews Herself.\u201d Dyke TV, created by Linda Chapman, Mary Patierno, and Ana Mar\u00eda Simo, episode 53, Sangfroid LLT, June 7, 1994. https:\/\/media.smith.edu\/departments\/ssc\/dyketv\/dyketv1994_playlist.html<\/a><\/p>\n

Coffeehouse Chronicles #159<\/a>: Lola And Linda \u2013 Secrets From Their First 40 Years. LaMaMa Experimental Theatre Club. March 13, 2021. With JoAnne Akalaitis, Anne Bogart, Linda Chapman, Clove Galilee, Melanie Joseph, Nicky Paraiso, and Mia Yoo. https:\/\/www.youtube.com\/watch?v=E2bBg2iCpW8&ab_channel=LaMamaExperimentalTheatreClub<\/a><\/p>\n

\u201cI was a Lesbian Child: Lola Pashalinski.\u201d Dyke TV, created by Linda S. Chapman, Mary Patierno, and Ana Mar\u00eda Simo, episode 18, Sangfroid LLT, October 5, 1993.
\nhttps:\/\/media.smith.edu\/departments\/ssc\/dyketv\/dyketv1993_playlist.html<\/a>.<\/p>\n

Interview with Penny Arcade. The Lower East Side Biography Project \u2013 Stemming the Tide of Cultural Amnesia. February 27, 2007. Filmed at the New York Theatre Workshop rehearsal space.<\/p>\n

Interview with Steven Watson. Circa 2000.<\/p>\n

\u201cLola Pashalinski: Evoking a Sense of Menace.\u201d Interview by Shimi Horwitz. Backstage, Nov. 5, 2019.
\nhttps:\/\/www.backstage.com\/magazine\/article\/lola-pashalinski-evoking-sense-menace-1-44257\/<\/a>.<\/p>\n

\u201cLola Pashalinski & Linda Chapman.\u201d Interview by Sara Farrington. The Lost Conversation: Interviews with an Enduring Avant-Garde. 53rd State Press, 2022, p. 93.
\nAlso includes interviews with Black-Eyed Susan of the Ridiculous Theatrical Company, as well as JoAnn Akalaitis, Ann Bogart, Lee Breuer, Richard Foreman, Kate Valk, and Robert Wilson.<\/p>\n

\u201cLola Pashalinski and Miss Cubbidge: Interview.\u201d 2002. Lola talks about Charles Ludlam and The Ridiculous Theatrical Company, the famous scene from Bluebeard: The Seduction of Miss Cubbidge and the avant-garde theatre of New York in the 60s and 70s.  https:\/\/vimeo.com\/388940948<\/a><\/p>\n

Pashalinski, Lola. Interviwed by Alastair Curtis. \u201cCharles Ludlam (1943-1987): I\u2019m not serious and I don\u2019t intend to be, ever: In conversation with Charles Busch and Lola Pashalinski.\u201d The AIDS Plays Project: Queer Plays from Trailblazing Writers Lost to HIV\/AIDS, edited by Alastair Curtis, Methuen Drama, 2026. https:\/\/www.bloomsbury.com\/uk\/aids-plays-project-9781350588066\/<\/p>\n

\u201cA Question for Lola Pashalinski.\u201d New York Magazine, April 28, 1986, p. 21. https:\/\/www.nytimes.com\/1996\/04\/28\/magazine\/sunday-april-28-1996-a-question-for-lola-pashalinski.html<\/a><\/p>\n

Stuart Sherman. Interviewed by Lola Pashalinski. Spectacle: A Portrait of Stuart Sherman<\/em>, By Robin Deacon, 2013.<\/p>\n

[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” credit=”Photo by Leandro Katz” caption=”Lola and Charles Ludlam as Miss Cubbidge and Bluebeard” captionsrc=”custom” align=”center” imgwidth=”75%” img=”https:\/\/performingartslegacy.org\/pashalinski\/wp-content\/uploads\/sites\/91\/2018\/11\/IMG_2251.jpg” panorama=”off”]\n

On The Ridiculous Theatrical Company<\/strong><\/h2>\n

\u201cBluebeard.\u201d More Plays from Off-Off Broadway, edited by Michael Townsend Smith, Bobbs-Merrill, 1972, p. 359.<\/p>\n

\u201cBluebeard.\u201d The OFF OFF Broadway Book: The Plays, People, Theatre, edited by Albert Poland and Bruce Mailman, Bobbs-Merrill, 1972, p. 388.<\/p>\n

Bottom, Stephen. Playing Underground: A Critical History of the 1960s Off Off Broadway Movement. University of Michigan Press, 2004.
\nLola appears on the cover as Miss Cubbidge in a 1969 shoot for The New York Times. Charles Ludlam is referenced on pp. 7, 216, 226-27, 230-32, 234, 274, 326-28, 329, 356-59, 365.<\/em><\/p>\n

Brecht, Stefan. The Original Theatre of the City of New York: From the Mid-60s to the Mid-70s. Book 2: Queer Theatre. German Suhrkamp Verlag, 1978.
\nDiscusses Charles Ludlam, John Vaccaro, Ronald Tavel, Jack Smith, among others related to the Ridiculous. <\/em><\/p>\n

Edgecome, Sean F. Charles Ludlam LIVES!. University of Michigan Press, 2017.
\nSee \u201cChapter 1: Charles Ludlam\u2019s Queer Legacy.\u201d<\/p>\n

\u201cFrom the Invisible to the Ridiculous: The Emergence of an Out Theatre Aesthetic.\u201d The Queerest Art: Essays on Lesbian and Gay Theater, edited by Alisa Solomon and Framji Minwalle. New York University Press, 2002, p. 135.
\nLola and Charles also appear on the cover as Miss Cubbidge and Bluebeard.<\/em><\/p>\n

Kaufman, David. Ridiculous! The Theatrical Life and Times of Charles Ludlam. Applause Theatre & Cinema Books, 2002.<\/p>\n

\u201cThe Life of Lady Godiva.\u201d The New Underground Theatre, edited by Robert J Schroeder, Bantam World Drama Edition, 1968, p. 171.<\/p>\n

Marranca, Bonnie and Gautam Dsagupta, editors. Theatre of the Ridiculous. Performing Arts Journal Publications, 1979.
\nChapters dedicated to The Life of Lady Godiva p. 13, and Stage Blood p. 51. <\/em><\/p>\n

Marranca, Bonnie and Gautam Dsagupta, editors. Theatre of the Ridiculous. Performing Arts Journal Publications, 1998.
\nUpdated to include \u201cThe Plays of Ronald Tavel\u201d p. 19 and \u201cTheatre & the Ridiculous: Conversation with Charles and Gautam\u201d p. 77 as well as The Life of Lady Godiva p. 37 and Stage Blood p. 93<\/p>\n

Poland, Albert. Stages: A Memoir. Albert Poland, 2019.
\nCharles Ludlam is referenced on pp. 85, 87, 97, 99, 130, 249. <\/em><\/p>\n

Roemer, Rick. Charles Ludlam and the Ridiculous Theatrical Company. McFarland & Company Inc, 1988.
\nOf particular note: Chapter 2 \u201cRoots of Ridiculosity\u201d p. 17 and Chapter 5 \u201cThe Ridiculous Plays, Part One: 1967-1979\u201d p. 83. <\/em><\/p>\n

Samuels, Steven. Ridiculous Theatre: Scourge of Human Folly: Essays & Opinions of Charles Ludlam. Theatre Communications Group, 1992.
\nA posthumous collection of Charles\u2019 writings, including manifestos.<\/em><\/p>\n

[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” credit=”Photo by Martha Swope \u00a9The New York Public Library for the Performing Arts” caption=”Egyptology” captionsrc=”custom” align=”center” imgwidth=”70%” img=”https:\/\/performingartslegacy.org\/pashalinski\/wp-content\/uploads\/sites\/91\/2023\/10\/nypl.digitalcollections.a1c10510-ea6d-0131-794b-58d385a7b928.001.w.jpg” panorama=”off”]\n

Photographs<\/strong><\/h2>\n

Hujar, Peter. [Photo of Lola Pashalinski]. Peter Hujar, Grey Art Gallery: NYU, 1990. p. 37.<\/p>\n

Hujar, Peter. [Photo of Lola Pashalinski]. Portraits in Life and Death. Da Capo Press, 1976. n. pag.<\/p>\n

Katz, Leandro. Bedlam Days: The Early Plays of the Charles Ludlam and the Ridiculous Theatrical Company. Viper\u2019s Tongue Books, 2020.<\/p>\n

Waldman, Max. Bluebeard.<\/i> Waldman on Theater. Doubleday and Company, 1971, p. 163.<\/p>\n

[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” credit=”Photo by: Leandro Katz” caption=”Turds in Hell.” captionsrc=”custom” align=”center” imgwidth=”75%” img=”https:\/\/performingartslegacy.org\/pashalinski\/wp-content\/uploads\/sites\/91\/2018\/12\/IMG_2257.jpg” panorama=”off”]\n

Journals, Periodicals, Reviews (and more Photos)<\/strong><\/h2>\n

American Theatre. July-August 1987.  Lola appears on the cover in Egyptology. A profile of Charles Ludlam is on p. 84 and an overview of Richard Foreman\u2019s career, \u201cBoth Halves of Richard Foreman\u201d is on p. 14. <\/em><\/p>\n

\u201cCharles Ludlam.\u201d TDR: The Drama Review, vol. 14, no. 2, Winter 1970, p. 203<\/p>\n

\u201cCharles Ludlam: The Mating of Theater and Art.\u201d  ArtForum, September 1981, p. 67.
\nPhotos of Lola in Corn p. 69; Camille p. 72; Bluebeard p. 71; and When Queens Collide p. 70 <\/em><\/p>\n

Godfried, Martin. \u201cPeople are Talking About: Tarot: A Take-Over Deal.\u201d Vogue, February 15, 1971, pp. 84-85. Includes a review of The Grand Tarot and photo of Lola as The Empress. <\/em><\/p>\n

Kaufman, David. \u201cFrom the Ridiculous to the Sublime.\u201d Interview, Dec. 1989, p. 74.<\/p>\n

\u201cLiberation of Lear.\u201d American Theatre, July-August 1988, pp. 12-14. Includes a photo of Lola as gender-reversed Kent, p. 14. <\/em><\/p>\n

Performing Arts Journal, vol. 8, no. 1, Spring\/Summer 1978.
\nSee \u201cSpecial Section: Theatre of the Ridiculous\u201d p. 40, and \u201cThe Plays of Ronald Tavel\u201d p. 55 which includes The Life of Lady Godiva. An interview with Charles Ludlam appears on p. 69. Photos of Lola in Bluebeard p. 72; Der Ring Gott Farblonjet p. 74; Corn p. 76; and Camille p. 78. <\/em><\/p>\n

\u201cThe Ridiculous Theatrical Company.\u201d Vogue, March 1975, pp. 132-133. Richard Avedon\u2019s photo of Lola as Miss Cubbidge, and Company in assorted character dress p. 133. <\/i><\/p>\n

Sherman, Stuart. \u201cCharles Ludlam.\u201d Theater magazine, Yale School of Drama, Spring-Summer 1994. pp. 12-13.<\/p>\n

Smith, Michael Townsend, Theatre Journal: Reviews from The Village Voice 1960-1974. Fast Books, 2015.
\n\u201cThe Ridiculous 1966 \u2013 1957\u201d pp. 222-229 includes reviews of The Life of Lady Godiva and Conquest of the Universe. \u201cThe Ridiculous II 1972-1973\u201d p. 291 includes reviews of Eunuchs of the Forbidden City. A review of Corn appears on p. 296.<\/em><\/p>\n

TDR: The Drama Review, vol. 13, no. 1, Fall 1968.
\nSee an interview with Charles Ludlam p. 116; an article on Ronald Tavel p. 106; Stefan Brecht\u2019s \u201cNotes on the Theatre of the Ridiculous\u201d p. 117; and Lola photographed as Bunny Eisenhower\/War in When Queens Collide p. 137. <\/em><\/p>\n

TDR: The Drama Review, vol. 31, no. 4, Winter 1987.
\nLola appears on the cover of this edition with additional photos pp. 134, 137, 146-147, 152, 155, 165, 168, 171, 175. An article on Richard Foreman\u2019s work including Film is Evil, Radio is Good with photos by Babette Mangolte on pp. 125, 136, 143, 149.<\/em><\/p>\n

\u201cTurds in Hell.\u201d TDR: The Drama Review, vol. 14, no. 4, September 1970, pp. 110-119.
\nProduction photos pp. 115, 119. <\/em><\/p>\n

Scripts<\/strong><\/h2>\n

Ludlam, Charles. The Complete Plays of Charles Ludlam. Perennial Library, 1989.<\/p>\n

Ludlam, Charles. Eunuchs of the Forbidden City. Scripts, vol. 1, no. 6, New York Shakespeare Festival, April 1972, p. 28.<\/p>\n

[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” credit=”Photo by: Leandro Katz” caption=”Eunuchs of the Forbidden City” captionsrc=”custom” align=”center” imgwidth=”70%” img=”https:\/\/performingartslegacy.org\/pashalinski\/wp-content\/uploads\/sites\/91\/2019\/10\/LOLA_PICS39.jpg” panorama=”off”]\n","protected":false},"excerpt":{"rendered":"

[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” credit=”\u00a9 2024 The Peter Hujar Archive \/ Artists Rights Society (ARS), New York” caption=”Lola in Camille” captionsrc=”custom” align=”center” offset=”500px” imgwidth=”55%” img=”https:\/\/performingartslegacy.org\/pashalinski\/wp-content\/uploads\/sites\/91\/2023\/11\/1_Pashalinski_Camille_Hujar.jpg” panorama=”off”] Interviews \u201cArts Feature: Lola Pashalinski Interviews Herself.\u201d Dyke TV, created by Linda Chapman, Mary Patierno, and Ana Mar\u00eda Simo, episode 53, Sangfroid LLT, June 7, 1994. https:\/\/media.smith.edu\/departments\/ssc\/dyketv\/dyketv1994_playlist.html Coffeehouse Chronicles #159: […]<\/p>\n","protected":false},"author":85,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-604","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1780359766:85"],"_wp_old_date":["2024-01-21"],"_edit_last":["85"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"wp_featherlight_disable":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"]},"acf":[],"yoast_head":"\nFurther Reading - Lola Pashalinski<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/pashalinski\/further-reading\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Further Reading - Lola Pashalinski\" \/>\n<meta property=\"og:description\" content=\"[aesop_image force_fullwidth=”off” lightbox=”off” captionposition=”left” credit=”\u00a9 2024 The Peter Hujar Archive \/ Artists Rights Society (ARS), New York” caption=”Lola in Camille” captionsrc=”custom” align=”center” offset=”500px” imgwidth=”55%” img=”https:\/\/performingartslegacy.org\/pashalinski\/wp-content\/uploads\/sites\/91\/2023\/11\/1_Pashalinski_Camille_Hujar.jpg” panorama=”off”] Interviews \u201cArts Feature: Lola Pashalinski Interviews Herself.\u201d Dyke TV, created by Linda Chapman, Mary Patierno, and Ana Mar\u00eda Simo, episode 53, Sangfroid LLT, June 7, 1994. https:\/\/media.smith.edu\/departments\/ssc\/dyketv\/dyketv1994_playlist.html Coffeehouse Chronicles #159: […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/pashalinski\/further-reading\/\" \/>\n<meta property=\"og:site_name\" content=\"Lola Pashalinski\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-03T00:52:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-02T00:23:12+00:00\" \/>\n<meta name=\"author\" content=\"Lola Pashalinski\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lola Pashalinski\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/pashalinski\\\/further-reading\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/pashalinski\\\/further-reading\\\/\"},\"author\":{\"name\":\"Lola Pashalinski\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/pashalinski\\\/#\\\/schema\\\/person\\\/71c20046c297d3209a138757d4064f9c\"},\"headline\":\"Further Reading\",\"datePublished\":\"2024-01-03T00:52:48+00:00\",\"dateModified\":\"2026-06-02T00:23:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/pashalinski\\\/further-reading\\\/\"},\"wordCount\":1398,\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/pashalinski\\\/further-reading\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/pashalinski\\\/further-reading\\\/\",\"name\":\"Further Reading - 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