{"id":815,"date":"2023-10-22T10:17:16","date_gmt":"2023-10-22T14:17:16","guid":{"rendered":"https:\/\/performingartslegacy.org\/perryigal\/?p=815"},"modified":"2024-03-17T12:59:43","modified_gmt":"2024-03-17T16:59:43","slug":"dia-mono-logues","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/perryigal\/dia-mono-logues\/","title":{"rendered":"Dia-Mono-logues"},"content":{"rendered":"<p>Dia-Mono-Logues [2017]\n<p>Dia-Mono-Logues revolves around the ways in which people subconsciously project their own<br \/>\nprejudices and preconceived notions onto others, affecting every<br \/>\ninteraction and relationship. As the name implies, our Dialogs with others are often a depiction of our own unspoken Monologues which are always running beneath our conscious surface and may or may not be apparent to us<\/p>\n<p>Original Music and Text: &nbsp;Ofer Bashan&nbsp;<br class=\"wixui-rich-text__text\"><br \/>\nLive Musicians: String Quartet from New Asia Chamber Music Society: Violins &#8211; Deborah Song, <\/p>\n<p>I-Jung Huang; Viola &#8211; Andy Lin; <\/p>\n<p>Cello &#8211; Nan-Cheng Chen<br class=\"wixui-rich-text__text\"><\/p>\n[aesop_video show_subtitles=&#8221;off&#8221; nocookies=&#8221;off&#8221; force_fullwidth=&#8221;off&#8221; mute=&#8221;off&#8221; viewend=&#8221;off&#8221; viewstart=&#8221;off&#8221; controls=&#8221;on&#8221; autoplay=&#8221;off&#8221; loop=&#8221;on&#8221; disable_for_mobile=&#8221;on&#8221; id=&#8221;874620568?share=copy&#8221; src=&#8221;vimeo&#8221; align=&#8221;center&#8221; width=&#8221;100%&#8221;]\n","protected":false},"excerpt":{"rendered":"<p>Dia-Mono-Logues [2017] Dia-Mono-Logues revolves around the ways in which people subconsciously project their own prejudices and preconceived notions onto others, affecting every interaction and relationship. As the name implies, our Dialogs with others are often a depiction of our own unspoken Monologues which are always running beneath our conscious surface and may or may not [&hellip;]<\/p>\n","protected":false},"author":276,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-815","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1710695234:267"]},"acf":[],"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/posts\/815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/users\/276"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/comments?post=815"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/posts\/815\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/media?parent=815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/categories?post=815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/perryigal\/wp-json\/wp\/v2\/tags?post=815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}