{"id":168,"date":"2006-04-23T00:00:00","date_gmt":"2006-04-23T00:00:00","guid":{"rendered":"https:\/\/performingartslegacy.org\/rachelle\/?p=168"},"modified":"2020-08-25T09:27:29","modified_gmt":"2020-08-25T13:27:29","slug":"inside-man","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/","title":{"rendered":"Inside Man, 2006"},"content":{"rendered":"<div id=\"attachment_220\" style=\"width: 6610px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-220\" class=\"size-full wp-image-220\" src=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg\" alt=\"\" width=\"6600\" height=\"5100\" srcset=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg 1600w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike-300x232.jpg 300w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike-768x593.jpg 768w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike-1024x791.jpg 1024w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike-973x752.jpg 973w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike-508x393.jpg 508w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike-1250x966.jpg 1250w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike-400x309.jpg 400w\" sizes=\"auto, (max-width: 6600px) 100vw, 6600px\" \/><p id=\"caption-attachment-220\" class=\"wp-caption-text\">Me with director Spike Lee at the US premiere for Inside Man, March 20th, 2006<\/p><\/div>\n<p>In April 2005, a call went out from 40 Acres and a Mule Production Company that Spike Lee, director, was looking for someone to portray an orthodox Jewish man in the film Inside Man, starring Denzel Washington. I called the CD, Kim Coleman, direct, and asked if I could come in to audition. She asked me to dress as a Hasidic Jewish man. At the audition, I told her that I was a graduate of Yeshiva University, and had attended Yeshiva Elementary and High School. I read for the role of Chaim, and she told me that whoever would get the role would have a scene with Denzel Washington.<\/p>\n<p>Two days later, I was back again for a twenty-minute audition with director Spike Lee. At the first audition, I had added a phrase in Yiddish. When I finished the audition this time for Mr. Lee, he said \u201cYou did something last time you didn\u2019t do today.\u201d At that point, I realized he liked what I did, and I proceeded to use the word \u201cmeshugah\u201d for the second reading.\u00a0<span style=\"font-family: inherit\">I was called in a third time, two days later, for a three-minute audition for Spike again.<\/span><\/p>\n<p>Three weeks later, I went to my agent\u2019s office, and she told me I\u2019d gotten the role of Chaim, one of the main roles in the film. The last week in June, I was in Spike Lee\u2019s office with producer Daniel Rosenberg, writer Russell Gewirtz, Clive Owen, and three other actors. My role, Chaim, was a Columbia University professor of Holocaust studies.<\/p>\n<div id=\"attachment_210\" style=\"width: 5114px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-210\" class=\"size-full wp-image-210\" src=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2.jpg\" alt=\"\" width=\"5104\" height=\"6600\" srcset=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2.jpg 1237w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2-232x300.jpg 232w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2-768x993.jpg 768w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2-792x1024.jpg 792w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2-973x1258.jpg 973w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2-508x657.jpg 508w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2-1250x1616.jpg 1250w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Call-Sheet-2-400x517.jpg 400w\" sizes=\"auto, (max-width: 5104px) 100vw, 5104px\" \/><p id=\"caption-attachment-210\" class=\"wp-caption-text\">Call sheet including the days I shot my interrogation scenes.<\/p><\/div>\n<p>The film had an eight and a half week shoot. I was on the film for eight weeks. One of the most exciting and positive experiences I\u2019ve had as an actor. My scenes with Denzel Washington were both improvised because that\u2019s the way he likes to work. I felt that Spike trusts his actors and lets them do their thing. For me, the most important thing was to keep the character real and not make him a stereotype as an orthodox Jewish man.<\/p>\n<div id=\"attachment_222\" style=\"width: 6610px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-222\" class=\"size-full wp-image-222\" src=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot.jpg\" alt=\"\" width=\"6600\" height=\"5100\" srcset=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot.jpg 1600w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot-300x232.jpg 300w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot-768x593.jpg 768w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot-1024x791.jpg 1024w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot-973x752.jpg 973w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot-508x393.jpg 508w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot-1250x966.jpg 1250w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Screenshot-400x309.jpg 400w\" sizes=\"auto, (max-width: 6600px) 100vw, 6600px\" \/><p id=\"caption-attachment-222\" class=\"wp-caption-text\">Still of me in Inside Man.<\/p><\/div>\n<p>The film premiered on March 20th, 2006, Spike Lee\u2019s birthday, at the Ziegfield Theater. First weekend box office: $29 million \u2014 #1. Reviews from The New York Times, The Wall Street Journal, and many others, were raves.<\/p>\n<p>In 2006, my wife and I flew to Israel for the premiere. The film was received enthusiastically by Israeli audiences. It played all over Israel, and had a new life again a year later at the Cinematheque in Jerusalem.<\/p>\n<div id=\"attachment_231\" style=\"width: 3610px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-231\" class=\"wp-image-231 size-full\" src=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel.jpg\" alt=\"\" width=\"3600\" height=\"2400\" srcset=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel.jpg 1600w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel-300x200.jpg 300w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel-768x512.jpg 768w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel-1024x683.jpg 1024w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel-973x649.jpg 973w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel-508x339.jpg 508w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel-1250x833.jpg 1250w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Chiwetel-400x267.jpg 400w\" sizes=\"auto, (max-width: 3600px) 100vw, 3600px\" \/><p id=\"caption-attachment-231\" class=\"wp-caption-text\">Me with Chiwetel Ejiofor at the US premiere, March 20th 2006.<\/p><\/div>\n<div id=\"attachment_232\" style=\"width: 2291px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-232\" class=\"size-full wp-image-232\" src=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive.jpg\" alt=\"\" width=\"2281\" height=\"2356\" srcset=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive.jpg 1549w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive-290x300.jpg 290w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive-768x793.jpg 768w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive-991x1024.jpg 991w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive-973x1005.jpg 973w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive-508x525.jpg 508w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive-1250x1291.jpg 1250w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/01\/Clive-400x413.jpg 400w\" sizes=\"auto, (max-width: 2281px) 100vw, 2281px\" \/><p id=\"caption-attachment-232\" class=\"wp-caption-text\">Me with Clive Owen at the US premiere, March 20th 2006.<\/p><\/div>\n<div id=\"attachment_215\" style=\"width: 3610px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-215\" class=\"size-full wp-image-215\" src=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere.jpg\" alt=\"\" width=\"3600\" height=\"2400\" srcset=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere.jpg 1600w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere-300x200.jpg 300w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere-768x512.jpg 768w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere-1024x683.jpg 1024w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere-973x649.jpg 973w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere-508x339.jpg 508w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere-1250x833.jpg 1250w, https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/Family-at-the-Premiere-400x267.jpg 400w\" sizes=\"auto, (max-width: 3600px) 100vw, 3600px\" \/><p id=\"caption-attachment-215\" class=\"wp-caption-text\">Me with my family at the US premiere, March 20th 2006.<\/p><\/div>\n<p class=\"wp-report-this\"><a class=\"thickbox\" title=\n\n\n<p class=\"wp-report-this\"><a class=\"thickbox\" title=\n\n\n<p class=\"wp-report-this\"><a class=\"thickbox\" title=\n\n\n<p class=\"wp-report-this\"><a class=\"thickbox\" title=\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In April 2005, a call went out from 40 Acres and a Mule Production Company that Spike Lee, director, was looking for someone to portray an orthodox Jewish man in the film Inside Man, starring Denzel Washington. I called the CD, Kim Coleman, direct, and asked if I could come in to audition. She asked [&hellip;]<\/p>\n","protected":false},"author":50,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-168","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1598361932:38"],"_wp_old_date":["2018-03-12","2018-03-26","2018-04-23"],"_edit_last":["38"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Inside Man, 2006 - Bernard Rachelle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inside Man, 2006 - Bernard Rachelle\" \/>\n<meta property=\"og:description\" content=\"In April 2005, a call went out from 40 Acres and a Mule Production Company that Spike Lee, director, was looking for someone to portray an orthodox Jewish man in the film Inside Man, starring Denzel Washington. I called the CD, Kim Coleman, direct, and asked if I could come in to audition. She asked [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/\" \/>\n<meta property=\"og:site_name\" content=\"Bernard Rachelle\" \/>\n<meta property=\"article:published_time\" content=\"2006-04-23T00:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-08-25T13:27:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg\" \/>\n<meta name=\"author\" content=\"Bernard Rachelle\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Bernard Rachelle\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/\"},\"author\":{\"name\":\"Bernard Rachelle\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/#\\\/schema\\\/person\\\/b6b9bfb89f85733b6bcb93eec314569a\"},\"headline\":\"Inside Man, 2006\",\"datePublished\":\"2006-04-23T00:00:00+00:00\",\"dateModified\":\"2020-08-25T13:27:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/\"},\"wordCount\":520,\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/wp-content\\\/uploads\\\/sites\\\/52\\\/2018\\\/03\\\/With-Spike.jpg\",\"articleSection\":[\"Highlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/\",\"name\":\"Inside Man, 2006 - Bernard Rachelle\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/wp-content\\\/uploads\\\/sites\\\/52\\\/2018\\\/03\\\/With-Spike.jpg\",\"datePublished\":\"2006-04-23T00:00:00+00:00\",\"dateModified\":\"2020-08-25T13:27:29+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/#\\\/schema\\\/person\\\/b6b9bfb89f85733b6bcb93eec314569a\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/#primaryimage\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/wp-content\\\/uploads\\\/sites\\\/52\\\/2018\\\/03\\\/With-Spike.jpg\",\"contentUrl\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/wp-content\\\/uploads\\\/sites\\\/52\\\/2018\\\/03\\\/With-Spike.jpg\",\"width\":1600,\"height\":1236,\"caption\":\"Bernie with director Spike Lee at the premiere for Inside Man, March 20th, 2006\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/inside-man\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Inside Man, 2006\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/#website\",\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/\",\"name\":\"Bernard Rachelle\",\"description\":\"A Performing Arts Legacy Project site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/#\\\/schema\\\/person\\\/b6b9bfb89f85733b6bcb93eec314569a\",\"name\":\"Bernard Rachelle\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ded1e2736af82494f787a2350ae05cae8feffbf1d3d74c856578a62d764dcfe?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ded1e2736af82494f787a2350ae05cae8feffbf1d3d74c856578a62d764dcfe?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ded1e2736af82494f787a2350ae05cae8feffbf1d3d74c856578a62d764dcfe?s=96&d=mm&r=g\",\"caption\":\"Bernard Rachelle\"},\"description\":\"Bernard Rachelle began his professional career at George Hamids's Steel Pier in Atlantic City with his idol Johnny Ray, whom he impersonated. That summer he appeared on Ted Mack's amateur hour and made a subsequent appearance two years later. In 1959 Bernard introduced rock and roll to Israel and appeared opposite Topol in the comedy feature film \\\"I Like Mike\\\". Soap fans will recall his role as photographer\\\/pornographer Stu Samuels opposite Sylvia Miles and Kim Delaney on \\\"All My Children\\\". He is most proud of his work on Arthur Miller's \\\"Incident at Vichy\\\". The first New York City revival that Mr. Miller attended was in 1981. Years later Mr. Miller graced 4 staged readings with \\\"Bernie\\\", along with varying casts featuring Richard Dreyfuss, Fritz Weaver, Peter Weller, Austin Pendelton, F. Murray Abraham and Barry Primus. While his film career spans 3 decades including \\\"Fort Apache, The Bronx\\\", \\\"Rollover\\\", \\\"Blowout\\\", \\\"The Purple Rose of Cairo\\\" and \\\"The Yards\\\", in 2006 Bernard co-starred as Chaim opposite Denzel Washington and Clive Owen in Spike Lee's \\\"Inside Man\\\". Recently, Bernard played the lead, Edgar, in the short film \\\"The Cemetery Club\\\", winner of the Palm Beach International Film Festival, and Schleimann in the Vlad Nikolic cult film \\\"Zenith\\\". In 2013 he appeared as Judge Glaser in the feature film \\\"Rob the Mob.\\\" \\\"Courier X,\\\" released in 2016, saw him play a diamond examiner. On the small screen, Bernard currently appears in an Emblem Health Insurance commercial. Bernard has written and will soon perform his one man show \\\"Abe &amp; Lillian's Bungalow Colony\\\", a take-off on the Catskills Mountains, set in 1977. Bernard is a proud member of ARTC - American Renaissance Theatre.\",\"sameAs\":[\"https:\\\/\\\/www.bernardrachelle.com\\\/\"],\"url\":\"https:\\\/\\\/performingartslegacy.org\\\/rachelle\\\/author\\\/rachelle\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Inside Man, 2006 - Bernard Rachelle","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/","og_locale":"en_US","og_type":"article","og_title":"Inside Man, 2006 - Bernard Rachelle","og_description":"In April 2005, a call went out from 40 Acres and a Mule Production Company that Spike Lee, director, was looking for someone to portray an orthodox Jewish man in the film Inside Man, starring Denzel Washington. I called the CD, Kim Coleman, direct, and asked if I could come in to audition. She asked [&hellip;]","og_url":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/","og_site_name":"Bernard Rachelle","article_published_time":"2006-04-23T00:00:00+00:00","article_modified_time":"2020-08-25T13:27:29+00:00","og_image":[{"url":"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg","type":"","width":"","height":""}],"author":"Bernard Rachelle","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Bernard Rachelle","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/#article","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/"},"author":{"name":"Bernard Rachelle","@id":"https:\/\/performingartslegacy.org\/rachelle\/#\/schema\/person\/b6b9bfb89f85733b6bcb93eec314569a"},"headline":"Inside Man, 2006","datePublished":"2006-04-23T00:00:00+00:00","dateModified":"2020-08-25T13:27:29+00:00","mainEntityOfPage":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/"},"wordCount":520,"image":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg","articleSection":["Highlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/","url":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/","name":"Inside Man, 2006 - Bernard Rachelle","isPartOf":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/#website"},"primaryImageOfPage":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/#primaryimage"},"image":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/#primaryimage"},"thumbnailUrl":"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg","datePublished":"2006-04-23T00:00:00+00:00","dateModified":"2020-08-25T13:27:29+00:00","author":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/#\/schema\/person\/b6b9bfb89f85733b6bcb93eec314569a"},"breadcrumb":{"@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/performingartslegacy.org\/rachelle\/inside-man\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/#primaryimage","url":"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg","contentUrl":"https:\/\/performingartslegacy.org\/rachelle\/wp-content\/uploads\/sites\/52\/2018\/03\/With-Spike.jpg","width":1600,"height":1236,"caption":"Bernie with director Spike Lee at the premiere for Inside Man, March 20th, 2006"},{"@type":"BreadcrumbList","@id":"https:\/\/performingartslegacy.org\/rachelle\/inside-man\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/performingartslegacy.org\/rachelle\/"},{"@type":"ListItem","position":2,"name":"Inside Man, 2006"}]},{"@type":"WebSite","@id":"https:\/\/performingartslegacy.org\/rachelle\/#website","url":"https:\/\/performingartslegacy.org\/rachelle\/","name":"Bernard Rachelle","description":"A Performing Arts Legacy Project site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/performingartslegacy.org\/rachelle\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/performingartslegacy.org\/rachelle\/#\/schema\/person\/b6b9bfb89f85733b6bcb93eec314569a","name":"Bernard Rachelle","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/6ded1e2736af82494f787a2350ae05cae8feffbf1d3d74c856578a62d764dcfe?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/6ded1e2736af82494f787a2350ae05cae8feffbf1d3d74c856578a62d764dcfe?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6ded1e2736af82494f787a2350ae05cae8feffbf1d3d74c856578a62d764dcfe?s=96&d=mm&r=g","caption":"Bernard Rachelle"},"description":"Bernard Rachelle began his professional career at George Hamids's Steel Pier in Atlantic City with his idol Johnny Ray, whom he impersonated. That summer he appeared on Ted Mack's amateur hour and made a subsequent appearance two years later. In 1959 Bernard introduced rock and roll to Israel and appeared opposite Topol in the comedy feature film \"I Like Mike\". Soap fans will recall his role as photographer\/pornographer Stu Samuels opposite Sylvia Miles and Kim Delaney on \"All My Children\". He is most proud of his work on Arthur Miller's \"Incident at Vichy\". The first New York City revival that Mr. Miller attended was in 1981. Years later Mr. Miller graced 4 staged readings with \"Bernie\", along with varying casts featuring Richard Dreyfuss, Fritz Weaver, Peter Weller, Austin Pendelton, F. Murray Abraham and Barry Primus. While his film career spans 3 decades including \"Fort Apache, The Bronx\", \"Rollover\", \"Blowout\", \"The Purple Rose of Cairo\" and \"The Yards\", in 2006 Bernard co-starred as Chaim opposite Denzel Washington and Clive Owen in Spike Lee's \"Inside Man\". Recently, Bernard played the lead, Edgar, in the short film \"The Cemetery Club\", winner of the Palm Beach International Film Festival, and Schleimann in the Vlad Nikolic cult film \"Zenith\". In 2013 he appeared as Judge Glaser in the feature film \"Rob the Mob.\" \"Courier X,\" released in 2016, saw him play a diamond examiner. On the small screen, Bernard currently appears in an Emblem Health Insurance commercial. Bernard has written and will soon perform his one man show \"Abe &amp; Lillian's Bungalow Colony\", a take-off on the Catskills Mountains, set in 1977. Bernard is a proud member of ARTC - American Renaissance Theatre.","sameAs":["https:\/\/www.bernardrachelle.com\/"],"url":"https:\/\/performingartslegacy.org\/rachelle\/author\/rachelle\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/posts\/168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/users\/50"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/posts\/168\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/media?parent=168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/categories?post=168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/rachelle\/wp-json\/wp\/v2\/tags?post=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}