{"id":269,"date":"2021-11-09T12:37:36","date_gmt":"2021-11-09T17:37:36","guid":{"rendered":"https:\/\/performingartslegacy.org\/sakatajeanne\/?p=269"},"modified":"2022-03-14T12:33:14","modified_gmt":"2022-03-14T16:33:14","slug":"2008-theatre-la-ovation-award-best-lead-actress-red-at-east-west-players","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/sakatajeanne\/2008-theatre-la-ovation-award-best-lead-actress-red-at-east-west-players\/","title":{"rendered":"2002 THEATRE LA OVATION AWARD, Best Lead Actress, RED at East West Players"},"content":{"rendered":"<div>\n<div id=\"attachment_794\" style=\"width: 603px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-794\" class=\"wp-image-794\" src=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops.jpg\" alt=\"\" srcset=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops.jpg 1139w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops-190x300.jpg 190w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops-648x1024.jpg 648w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops-768x1214.jpg 768w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops-972x1536.jpg 972w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops-816x1290.jpg 816w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/11\/JeanneSakata0045vertcrops-400x632.jpg 400w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" width=\"593\" height=\"937\"><p id=\"caption-attachment-794\" class=\"wp-caption-text\">Jeanne at 2002 Theatre LA Ovation Awards. Photo by Jon Deshler.<\/p><\/div>\n<\/p>\n<p>When Chay Yew first asked me to play the man\u2019s role of Master Hua Wai Mun in his play <a href=\"https:\/\/performingartslegacy.org\/sakatajeanne\/red-2001\/\" target=\"_blank\" rel=\"noopener\">RED, <\/a>I hesitated.&nbsp; Could I play a man?&nbsp; Could I play a man who was a Master in Beijing Opera who specialized in playing women?&nbsp; Could I perform the singing and the dance moves convincingly?&nbsp; Could I\u2026.could I\u2026..<\/p>\n<p>My mind was full of doubts.&nbsp; But fortunately Chay did not let me say no to this amazing opportunity.&nbsp; And at his prodding and under his astute direction, I jumped off the cliff and played this role, first in his home country of Singapore, and then home in LA at East West Players.&nbsp; And this leap into the unknown ended with my winning a Theatre LA Ovation Award for Outstanding Lead Actress.&nbsp; A total surprise, as I never thought about awards during our runs\u2013I was too preoccupied and too terrified just playing the role itself.<\/p>\n<p>Sometimes you are lucky and someone enters your life who looks into your artist&#8217;s soul, and sees the potential there, and then stubbornly pushes you way beyond what you think you are capable of.&nbsp; Chay Yew has certainly been that for me, both as an actor and playwright.<\/p>\n<p>This is a role I never dreamed of playing&#8212;and it ended up being the role of my dreams.<\/p>\n<p>Chay, thank you, and I hope I made you proud.<\/p>\n<div id=\"attachment_778\" style=\"width: 699px\" class=\"wp-caption alignnone\"><img decoding=\"async\" aria-describedby=\"caption-attachment-778\" loading=\"lazy\" class=\"size-full wp-image-778\" src=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2022\/02\/zHjL2tgTrqlndHQKZqGAg_thumb_115c5.jpg\" sizes=\"auto, (max-width: 689px) 100vw, 689px\" srcset=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2022\/02\/zHjL2tgTrqlndHQKZqGAg_thumb_115c5.jpg 689w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2022\/02\/zHjL2tgTrqlndHQKZqGAg_thumb_115c5-300x225.jpg 300w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2022\/02\/zHjL2tgTrqlndHQKZqGAg_thumb_115c5-400x300.jpg 400w\" alt=\"\" width=\"689\" height=\"517\"><p id=\"caption-attachment-778\" class=\"wp-caption-text\">Theatre LA Ovation Awards, 2002, Timothy Patterson and Jeanne Sakata<\/p><\/div>\n<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>When Chay Yew first asked me to play the man\u2019s role of Master Hua Wai Mun in his play RED, I hesitated.&nbsp; Could I play a man?&nbsp; Could I play a man who was a Master in Beijing Opera who specialized in playing women?&nbsp; Could I perform the singing and the dance moves convincingly?&nbsp; Could [&hellip;]<\/p>\n","protected":false},"author":277,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-269","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["277"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"_edit_lock":["1647275584:277"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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