{"id":547,"date":"2021-12-28T20:01:22","date_gmt":"2021-12-29T01:01:22","guid":{"rendered":"https:\/\/performingartslegacy.org\/sakatajeanne\/?p=547"},"modified":"2022-03-14T18:20:42","modified_gmt":"2022-03-14T22:20:42","slug":"547-2","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/sakatajeanne\/547-2\/","title":{"rendered":"MACBETH at The Public Theatre, 1990\u2013My Mainstage Debut"},"content":{"rendered":"<p>I walked down the halls of New York\u2019s Public Theatre in the early morning, and gazed at the photos on the walls in awe.&nbsp; Meryl Streep.&nbsp; Raul Julia.&nbsp; And so many more theatre and film luminaries and legends.<\/p>\n<p>What on earth was I doing here?!<\/p>\n<p>It was the first day of rehearsal for the New York Shakespeare Festival\u2019s production of MACBETH, starring Raul Julia.&nbsp; The director, Richard Jordan, had cast me as an understudy at Los Angeles\u2019 Mark Taper Forum in Vaclav Havel\u2019s morality play, TEMPTATION, and I had gone on for a performance, and Richard had heard good things about me.&nbsp; He told me he wanted me to come to New York to audition for one of the witches in MACBETH.&nbsp; \u201cAnd you\u2019ll be auditioning for Joseph Papp,\u201d he said.<\/p>\n<p>I was floored.&nbsp; Wasn\u2019t New York full of actors who could play this role?&nbsp; Why on earth was he asking me?&nbsp; This understudy job was my very first job at the Taper, and my theatrical experience before that was largely 99-seat theatres, often working for little or no pay.&nbsp; But somehow Richard saw fit to ask me to come to NYC to audition for the legendary Joseph Papp!<\/p>\n<p>I flew to NYC and memorized every line of the \u201cchestnut speech.\u201d&nbsp; I planned out my audition costume\u2013scraps and rags thrown together.&nbsp; A dear friend, Meg Kruszewska, coached me on the audition.&nbsp; I would start the monologue lying on the ground, croaking ungodly sounds out of my mouth.&nbsp; I\u2019d slowly rise and raise a rattle in the air above my head, do an incantation, perform the monologue, spin madly around in circles, and collapse in a heap to the ground.&nbsp; <\/p>\n<p>Then I got the phone call from casting director Nancy Piccione.&nbsp; \u201cJust calling to confirm that you will be auditioning for Mr. Papp at 1:00pm at the Public. tomorrow.\u201d<\/p>\n<p>GULP.<\/p>\n<p>I got there early and rehearsed the lines over and over in the hallway.&nbsp; Richard Jordan opened the door and smiled at me.&nbsp; \u201cDon\u2019t worry, you\u2019re going to do great!\u201d&nbsp; he said.&nbsp; And I walked into the room and there was&nbsp; Joseph Papp.<\/p>\n<p>He smiled kindly at me and greeted me.&nbsp; \u201cI\u2019ve been hearing good things about you from Richard here.&nbsp; But you\u2019re too pretty to be a witch.\u201d<\/p>\n<p>Bless his heart!&nbsp; But\u2013did that mean I wasn\u2019t going to get the part?&nbsp; Suddenly I was worried.<\/p>\n<p>\u201cOK, let\u2019s see what you\u2019ve got.\u201d<\/p>\n<p>I took a deep breath and collapsed on the floor and began croaking ungodly sounds out of my mouth.&nbsp; And then I did the monologue exactly as Meg and I had planned, and collapsed on the floor again.<\/p>\n<p>It was over. I had no idea&nbsp; how I\u2019d done.&nbsp; <\/p>\n<p>I slowly looked up.<\/p>\n<p>Mr.&nbsp; Papp looked at me, then he looked at Richard Jordan.&nbsp; He smiled.&nbsp; \u201cOK,\u201d he said to Richard.<\/p>\n<p>Richard looked at me, beaming.&nbsp; \u201dJeanne&#8212;\u2018OK\u2019 means you got the part!!!\u201d<\/p>\n<p>If I could have levitated into the air above the Public Theatre I would have.&nbsp; I couldn\u2019t believe this was happening to me. \u201cTh-thank you so much!\u201d&nbsp; I think I managed to stutter.&nbsp;&nbsp; \u201cI\u2019m so honored to be part of this production.\u201d<\/p>\n<p>Fast forward to the first day of rehearsal.&nbsp; I am staring at a photo of Meryl Streep on the wall, and who should come around the corner but the star himself, Raul Julia.<\/p>\n<p>\u201cH-hello, Mr, Julia.&nbsp; My name is Jeanne Sakata and I\u2019m going to be one of your witches.\u201d<\/p>\n<p>He smiled said, \u201cAND I AM RAUL.\u201d&nbsp; He said it quietly, but I had to type it in BOLD just now because that\u2019s the way I heard the words, like they were thundering through the ears of this little 99-seat theatre actress who was still stunned she was in this production.<\/p>\n<p>So much more to tell, so much more!&nbsp; But how very fortunate I am to say, this was my first mainstage Equity role.&nbsp; <\/p>\n<p>This is where it all began.<\/p>\n<p><strong>MACBETH<\/strong><br \/>\n<strong>NEW YORK SHAKESPEARE FESTIVAL, PUBLIC THEATRE, 1990<\/strong><br \/>\nPictured:&nbsp; Raul Julia, Jeanne Sakata, Mary Louise Wilson, Katharine Hiler.<br \/>\nPhotos by Martha Swope,&nbsp; \u00a9The New York Public Library for the Performing Arts<\/p>\n<p>\t<img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-543\" src=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.cf039920-900a-0131-8bd9-58d385a7bbd0.001.w-2.jpg\" alt=\"\" srcset=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.cf039920-900a-0131-8bd9-58d385a7bbd0.001.w-2.jpg 760w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.cf039920-900a-0131-8bd9-58d385a7bbd0.001.w-2-300x198.jpg 300w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.cf039920-900a-0131-8bd9-58d385a7bbd0.001.w-2-400x264.jpg 400w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" width=\"760\" height=\"501\">\t<\/p>\n<p>\t<img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-544\" src=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.b3ea0540-900a-0131-394e-58d385a7bbd0.001.w1.jpg\" alt=\"\" srcset=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.b3ea0540-900a-0131-394e-58d385a7bbd0.001.w1.jpg 760w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.b3ea0540-900a-0131-394e-58d385a7bbd0.001.w1-300x198.jpg 300w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.b3ea0540-900a-0131-394e-58d385a7bbd0.001.w1-400x264.jpg 400w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" width=\"760\" height=\"501\">\t<\/p>\n<p>\t<img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-545\" src=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.d0a9f670-900a-0131-c66a-58d385a7bbd0.001.w.jpg\" alt=\"\" srcset=\"https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.d0a9f670-900a-0131-c66a-58d385a7bbd0.001.w.jpg 501w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.d0a9f670-900a-0131-c66a-58d385a7bbd0.001.w-198x300.jpg 198w, https:\/\/performingartslegacy.org\/sakatajeanne\/wp-content\/uploads\/sites\/255\/2021\/12\/nypl.digitalcollections.d0a9f670-900a-0131-c66a-58d385a7bbd0.001.w-400x607.jpg 400w\" sizes=\"auto, (max-width: 501px) 100vw, 501px\" width=\"501\" height=\"760\">\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I walked down the halls of New York\u2019s Public Theatre in the early morning, and gazed at the photos on the walls in awe.&nbsp; Meryl Streep.&nbsp; Raul Julia.&nbsp; And so many more theatre and film luminaries and legends. What on earth was I doing here?! It was the first day of rehearsal for the New [&hellip;]<\/p>\n","protected":false},"author":277,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-547","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_last":["38"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"],"_edit_lock":["1647296352:277"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MACBETH at The Public Theatre, 1990\u2013My Mainstage Debut - Jeanne Sakata<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/sakatajeanne\/547-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MACBETH at The Public Theatre, 1990\u2013My Mainstage Debut - Jeanne Sakata\" \/>\n<meta property=\"og:description\" content=\"I walked down the halls of New York\u2019s Public Theatre in the early morning, and gazed at the photos on the walls in awe.&nbsp; Meryl Streep.&nbsp; Raul Julia.&nbsp; And so many more theatre and film luminaries and legends. 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