{"id":252,"date":"2004-04-08T19:48:03","date_gmt":"2004-04-08T19:48:03","guid":{"rendered":"https:\/\/performingartslegacy.org\/salaamabdelr\/?p=252"},"modified":"2021-09-25T15:38:05","modified_gmt":"2021-09-25T19:38:05","slug":"katonga-tales-of-the-jungle","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/salaamabdelr\/katonga-tales-of-the-jungle\/","title":{"rendered":"KaTonga: Tales of the Jungle"},"content":{"rendered":"<ul>\n<li>Commercials for KaTonga:\n<ul>\n<li>Short Commercial: <a href=\"https:\/\/www.youtube.com\/watch?v=w8XY2T0-ous\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=w8XY2T0-ous'); return false;\">https:\/\/www.youtube.com\/watch?v=w8XY2T0-ous&nbsp;<\/a><\/li>\n<li>Extended Commercial: <a href=\"https:\/\/www.youtube.com\/watch?v=x-rpcZSWIkQ\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=x-rpcZSWIkQ'); return false;\">https:\/\/www.youtube.com\/watch?v=x-rpcZSWIkQ<\/a><\/li>\n<\/ul>\n<\/li>\n<li>News article for KaTonga on WTSP: <a href=\"https:\/\/www.wtsp.com\/article\/news\/katonga\/67-396502163\" rel=\"noopener noreferrer\" onclick=\"javascript:window.open('https:\/\/www.wtsp.com\/article\/news\/katonga\/67-396502163'); return false;\">https:\/\/www.wtsp.com\/article\/news\/katonga\/67-396502163<\/a><\/li>\n<li>FULL show: <a href=\"https:\/\/www.youtube.com\/watch?v=LC2pb-9A4Dw&amp;t=40s\" onclick=\"javascript:window.open('https:\/\/www.youtube.com\/watch?v=LC2pb-9A4Dw&amp;t=40s'); return false;\">https:\/\/www.youtube.com\/watch?v=LC2pb-9A4Dw&amp;t=40s<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Commercials for KaTonga: Short Commercial: https:\/\/www.youtube.com\/watch?v=w8XY2T0-ous&nbsp; Extended Commercial: https:\/\/www.youtube.com\/watch?v=x-rpcZSWIkQ News article for KaTonga on WTSP: https:\/\/www.wtsp.com\/article\/news\/katonga\/67-396502163 FULL show: https:\/\/www.youtube.com\/watch?v=LC2pb-9A4Dw&amp;t=40s<\/p>\n","protected":false},"author":231,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-252","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_wp_old_date":["1970-01-01","2020-11-16"],"_edit_last":["67"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"],"_edit_lock":["1633039132:67"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>KaTonga: Tales of the Jungle - Abdel R. Salaam<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/performingartslegacy.org\/salaamabdelr\/katonga-tales-of-the-jungle\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KaTonga: Tales of the Jungle - Abdel R. Salaam\" \/>\n<meta property=\"og:description\" content=\"Commercials for KaTonga: Short Commercial: https:\/\/www.youtube.com\/watch?v=w8XY2T0-ous&nbsp; Extended Commercial: https:\/\/www.youtube.com\/watch?v=x-rpcZSWIkQ News article for KaTonga on WTSP: https:\/\/www.wtsp.com\/article\/news\/katonga\/67-396502163 FULL show: https:\/\/www.youtube.com\/watch?v=LC2pb-9A4Dw&amp;t=40s\" \/>\n<meta property=\"og:url\" content=\"https:\/\/performingartslegacy.org\/salaamabdelr\/katonga-tales-of-the-jungle\/\" \/>\n<meta property=\"og:site_name\" content=\"Abdel R. 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He has received numerous awards and fellowships for excellence in Dance including\u00a0the National Endowment for the Arts, The New England Foundation on the Arts, Brooklyn Academy of Music, New York Foundation for the Arts, The New York State Council for Arts, The National Council for Arts and Culture and Herbert H. Lehman College. He and his company received the 2013 Audelco Award for Dance Company of the Year. He has served as a choreographer and\\\/or director for the New York Shakespeare Festival, The Billie Holiday Theater, The Apollo Theater, The Winter Solstice at the Cathedral of St. John the Divine, The New York Musical Theater Festival, BAM, Black Dance USA and The Tennessee Performing Arts Festival. Some of his specific commercial credits in theater , film and television include: \u201cMeasure for Measure,\u201d New York Shakespeare Festival (Choreographer ) ; \u201cPecong\u201d, Newark Symphony Hall (Choreographer); \u201cTUT\u201d, New York Musical Theatre Festival, (Director \\\/Choreographer); \u201dEbony Magic: The Life and Legend of Marie Laveau\u201d, Aaronow Theater, (Director\\\/Choreographer); \u201cJuJu Man\u201c , Billie holiday Theater (Director\\\/ Choreographer); \u201c The Liberation of Mother Goose\u201d, Billie Holiday Theater ( Director Choreographer); \u201cEclipse; Visions of the Crescent and the Cross\u201d, Tennessee Performing Arts Center (Director\\\/Choreographer); \u201cFree to Dance \u201c, PBS Channel 13 (Choreographer); \u201c Expressions in Black; The Story of a People, ABC ( Choreographer); \u201c The Richard Pryor Show\u201d, NBC ( Dancer); and \u201c Black Nativity\u201d Fox Searchlight Films ( Performing Artist). 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He has served as a choreographer and\/or director for the New York Shakespeare Festival, The Billie Holiday Theater, The Apollo Theater, The Winter Solstice at the Cathedral of St. John the Divine, The New York Musical Theater Festival, BAM, Black Dance USA and The Tennessee Performing Arts Festival. Some of his specific commercial credits in theater , film and television include: \u201cMeasure for Measure,\u201d New York Shakespeare Festival (Choreographer ) ; \u201cPecong\u201d, Newark Symphony Hall (Choreographer); \u201cTUT\u201d, New York Musical Theatre Festival, (Director \/Choreographer); \u201dEbony Magic: The Life and Legend of Marie Laveau\u201d, Aaronow Theater, (Director\/Choreographer); \u201cJuJu Man\u201c , Billie holiday Theater (Director\/ Choreographer); \u201c The Liberation of Mother Goose\u201d, Billie Holiday Theater ( Director Choreographer); \u201cEclipse; Visions of the Crescent and the Cross\u201d, Tennessee Performing Arts Center (Director\/Choreographer); \u201cFree to Dance \u201c, PBS Channel 13 (Choreographer); \u201c Expressions in Black; The Story of a People, ABC ( Choreographer); \u201c The Richard Pryor Show\u201d, NBC ( Dancer); and \u201c Black Nativity\u201d Fox Searchlight Films ( Performing Artist). Abdel has created ballets for Philadanco , Joan Miller Chamber Arts\/ Dance Players, The Chuck Davis Dance Company , Union Dance Theater (London), Ballet Islenos ( Puerto Rico), Sakoba Dance Theater (London), Muntu Dance Theater, The Nashville Ballet, The African American Dance Ensemble and Gywa Maten. Mr. Salaam has served on the faculties of the American Dance Festivals in the United States and\u00a0Seoul, Korea, Herbert H. Lehman College , The Alvin Ailey American Dance Center , The Restoration Youth Arts Academy and The Harlem Children\u2019s Zone. Mr. Salaam is the creator of the Kwanzaa Regeneration Night Celebration in Harlem, now 39 years old, which was inspired by the teachings of its visionary creator and founder of Kwanzaa, Dr. Maulana Karenga.\u00a0Mr. Salaam is also the Artistic Director of Brooklyn Academy of Music\u2019s Dance Africa, originally founded by the late Chuck Davis in 1977; the recipient of the 2017 Bessie Award for Outstanding Production of \u201cThe Healings Sevens\u201d and the 2019 American Dance Guild Lifetime Achievement Award in Dance.","url":"https:\/\/performingartslegacy.org\/salaamabdelr\/author\/salaamabdelr\/"}]}},"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/posts\/252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/users\/231"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/comments?post=252"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/posts\/252\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/media?parent=252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/categories?post=252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/tags?post=252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}