{"id":264,"date":"2020-11-28T20:47:11","date_gmt":"2020-11-28T20:47:11","guid":{"rendered":"https:\/\/performingartslegacy.org\/salaamabdelr\/?p=264"},"modified":"2021-07-07T11:57:12","modified_gmt":"2021-07-07T15:57:12","slug":"dance-reviews-and-articles","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/salaamabdelr\/dance-reviews-and-articles\/","title":{"rendered":"Dance Reviews and Articles"},"content":{"rendered":"[aesop_gallery pslightbox=&#8221;on&#8221; galleryType=&#8221;sequence&#8221; id=&#8221;446&#8243;]\n\n<h5>Reviews<\/h5>\n<ul>\n<li><a href=\"https:\/\/www.nytimes.com\/1997\/09\/29\/arts\/dance-review-meld-of-forms-informed-by-the-sea.html\" rel=\"noopener noreferrer\"><em>New York Times:<\/em> &#8220;DANCE REVIEW: Meld of Forms Informed by the Sea&#8221;<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/1988\/10\/16\/arts\/reviews-dance-forces-nature-choreographer-modernizes-traditional-african-forms.html\"><em>New York Times:<\/em> &#8220;Review\/Dance: The Forces of Nature Choreographer Modernizes Traditional African Forms&#8221;<\/a><\/li>\n<\/ul>\n<h5>Articles<\/h5>\n<ul>\n<li><a href=\"https:\/\/dancetabs.com\/2018\/05\/danceafrica-festival-2018-new-york\/\"><em>DanceTabs<\/em>: DanceAfrica Festival 2018 \u2013 New York <\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2014\/05\/17\/arts\/dance\/transition-in-leadership-for-bams-danceafrica.html?smid=pl-share\"><em>New York Times<\/em>: Transition in Leadership for BAM\u2019s DanceAfrica<\/a><\/li>\n<li><a href=\"https:\/\/www.bizjournals.com\/dayton\/news\/2019\/01\/25\/forces-of-nature-creates-visceral-thought.html\"><em>Dayton Business Journal<\/em>: &#8220;Forces of Nature creates visceral, thought-provoking art&#8221;<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2019\/05\/23\/arts\/dance\/danceafrica-bam.html\" rel=\"noopener noreferrer\"><em>New York Times:<\/em> &#8220;DanceAfrica Celebrates Rwanda and a &#8216;Living Sense of Grace'&#8221;<\/a><\/li>\n<li><a href=\"https:\/\/www.nytimes.com\/2021\/05\/27\/arts\/dance\/danceafrica-turns-its-virtual-gaze-to-haiti.html\"><em>New York Times:<\/em> &#8220;DanceAfrica Turns It&#8217;s (Virtual) Gaze to Haiti&#8221;<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>[aesop_gallery pslightbox=&#8221;on&#8221; galleryType=&#8221;sequence&#8221; id=&#8221;446&#8243;] Reviews New York Times: &#8220;DANCE REVIEW: Meld of Forms Informed by the Sea&#8221; New York Times: &#8220;Review\/Dance: The Forces of Nature Choreographer Modernizes Traditional African Forms&#8221; Articles DanceTabs: DanceAfrica Festival 2018 \u2013 New York New York Times: Transition in Leadership for BAM\u2019s DanceAfrica Dayton Business Journal: &#8220;Forces of Nature creates visceral, [&hellip;]<\/p>\n","protected":false},"author":231,"featured_media":281,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlight"],"metadata":{"_edit_lock":["1625673295:67"],"_thumbnail_id":["281"],"_wp_old_date":["2020-11-27","2020-11-26"],"_edit_last":["67"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_chapter_enable_timeline":["off"],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"],"ase_mapbox_style":["openstreet"]},"acf":[],"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/posts\/264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/users\/231"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/comments?post=264"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/posts\/264\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/media\/281"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/media?parent=264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/categories?post=264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/salaamabdelr\/wp-json\/wp\/v2\/tags?post=264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}