{"id":247,"date":"2019-03-25T14:33:23","date_gmt":"2019-03-25T18:33:23","guid":{"rendered":"https:\/\/performingartslegacy.org\/ubarry\/?p=247"},"modified":"2019-04-01T14:48:18","modified_gmt":"2019-04-01T18:48:18","slug":"mario-a-killer-in-operation-poker-1991","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/ubarry\/mario-a-killer-in-operation-poker-1991\/","title":{"rendered":"Mario, a killer in Operation Poker 1991"},"content":{"rendered":"<div>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The Gorille: Operation Poker<\/div>\n<div><\/div>\n<div>In 1991 I was cast to do Mario, the killer in The Gorille: Operation&nbsp; Poker a French\/German co-production to be filmed in Prague, Czecoslovakia .&nbsp; &nbsp;Czecoslovakia was under a Communist government. I had to get a working visa&nbsp; from&nbsp; The Szecoslovakian embassy in Washington, DC. I had&nbsp;never been to a&nbsp; Communist&nbsp; country and I was a bit apprehensive but very curious. I flew on Lufthansa Airlines and changed planes in&nbsp; Frankfurt,Germany for Prague on Monday morning. My&nbsp;excitement grew on the plane while landing in Prague. It reminded me of all those movies I had seen on&nbsp;the TCM channel of World War Two movies. Thoughts came to mind of Cold War, Espionage, Spies,&nbsp;Orson Welles in the Third Man among others. my imagination&nbsp; ran wild.&nbsp; I was driven to the hotel, a&nbsp;&nbsp;few hours later I met the Austrian director Peter Patzak who told me that on that coming Friday we&nbsp;would&nbsp; be leaving for Vienna because the revolution was starting. I thought he was exaggerating but&nbsp;once in Vienna, on&nbsp; the news were stories of military tanks attacking protesters. On Sunday we returned to Prague to continue our film. The people were marching and the government kept fighting&nbsp; back.<\/div>\n<div>Lines to purchase foods were very long. In our hotel lobby I noticed a group of people were staring at&nbsp;me and that made me&nbsp; nervous,&nbsp; I thought they could be the secret police tracking foreigners just like in&nbsp;those Cold war movies. One of them was sent to my table and asked If I was&nbsp; in the movie Crocodile&nbsp;&nbsp;Dundee 2. I felt relieved. They invited me to their table and told that they were part of the Black market&nbsp;and&nbsp; could give twenty times the exchange rate. The banks were offering me five Czech dollars for each&nbsp;Deutschmark&nbsp; and the Black marketeers offered me twenty to one. This was the first time being&nbsp;recognized paid off&nbsp; for me. Shooting the film was tricky for me because each actor&nbsp; in the film spoke&nbsp;their dialogue in their native language. It was challenging but doable. Each country who had actors in&nbsp;&nbsp;the film also got&nbsp; their films dubbed in&nbsp; their language. We had actors from Italy, France, Germany, Yugoslavia. I spoke in English and got a response in another language.&nbsp;During the protests the foreign press arrived to report on the revolution so, I took the opportunity to&nbsp;start video taping and I still have a copy of&nbsp; the revolution on VHS.<\/div>\n<div><\/div>\n<p>\t<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-248\" src=\"https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001-731x1024.jpg\" alt=\"\" width=\"731\" height=\"1024\" srcset=\"https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001-731x1024.jpg 731w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001-214x300.jpg 214w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001-768x1075.jpg 768w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001-816x1142.jpg 816w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001-1250x1750.jpg 1250w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001-400x560.jpg 400w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/03\/the-Gorille_0001.jpg 1500w\" sizes=\"auto, (max-width: 731px) 100vw, 731px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; The Gorille: Operation Poker In 1991 I was cast to do Mario, the killer in The Gorille: [&hellip;]<\/p>\n","protected":false},"author":115,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-247","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1554144480:115"],"_edit_last":["115"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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