{"id":264,"date":"2019-04-01T15:06:45","date_gmt":"2019-04-01T19:06:45","guid":{"rendered":"https:\/\/performingartslegacy.org\/ubarry\/?p=264"},"modified":"2019-04-01T15:09:37","modified_gmt":"2019-04-01T19:09:37","slug":"mcbain","status":"publish","type":"post","link":"https:\/\/performingartslegacy.org\/ubarry\/mcbain\/","title":{"rendered":"McBain"},"content":{"rendered":"<p>McBain blog<\/p>\n<p>A film starring Christopher Walken was auditioning and I had been requested for one of two roles:<br \/>\nIn 1990 I was living in Hollywood when my agent Lynne called to tell me that<br \/>\nthe good guy who gets killed or Simon Escobar the bad guy. I chose to audition for Simon Escobar,<br \/>\nthe drug kingpin.. I had to fly back to New York for the audition. The morning of the audition, I got a<br \/>\nbrainstorm: Since my monologue talked about sending flowers to the ex-president of the country at a<br \/>\ncemetery, I bought a beautiful flower and decided I would audition using the flower as a prop.<br \/>\nTouching it, smelling it, No shouting, but very intimate, yet menacing. I was in charge! After the<br \/>\naudition I offered the flower to the casting director and left quietly. That same afternoon I flew back to<br \/>\nHollywood. A few days later my agent called and she said: \u201dI don&#8217;t know what you did but, they don&#8217;t<br \/>\nwant to see anybody else for that part \u201c. Mission accomplished! I left Hollywood and headed back to<br \/>\nNYC. Two weeks later I was flying to the Philippines to begin shooting McBain. When I got to<br \/>\nManila, the producers wanted me to come to the location set which was three hours away by car. The<br \/>\ndriver was waiting at the hotel to take me to the jungle and and upon seeing me said: are you one of<br \/>\nEscobar&#8217;s men? I got into character, looked at him and said:I am Escobar, let&#8217;s go! Three hours later I<br \/>\nwas in the Jungle. I had fun doing McBain. The day I finished shooting my scenes, they provided a<br \/>\ndriver for me and my henchman Hans a Brit, a driver to get us back to Manila. The car broke down<br \/>\nand we had to hitch hike back to our hotel two hours away. Luckily we hitched a ride back from<br \/>\nstrangers in the back of a pickup truck. We hanged on for dear life. Not a pleasant ending to a<br \/>\nsuccessful shoot. In the lobby of The Mandarin Oriental hotel Christopher Walken and I had a few<br \/>\ndrinks. I mentioned to him how odd it was that he plays the hero and I the villain and yet we never<br \/>\nmeet in the film . He said \u201c Yes, that doesn&#8217;t make sense does it? \u201c.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-265\" src=\"https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/mcbain_0001-1024x791.jpg\" alt=\"\" width=\"1024\" height=\"791\" srcset=\"https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/mcbain_0001-1024x791.jpg 1024w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/mcbain_0001-300x232.jpg 300w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/mcbain_0001-768x593.jpg 768w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/mcbain_0001-816x631.jpg 816w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/mcbain_0001-1250x966.jpg 1250w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/mcbain_0001-400x309.jpg 400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-266\" src=\"https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/simon-escobar_0001-1024x819.jpg\" alt=\"\" width=\"1024\" height=\"819\" srcset=\"https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/simon-escobar_0001-1024x819.jpg 1024w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/simon-escobar_0001-300x240.jpg 300w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/simon-escobar_0001-768x614.jpg 768w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/simon-escobar_0001-816x653.jpg 816w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/simon-escobar_0001-1250x1000.jpg 1250w, https:\/\/performingartslegacy.org\/ubarry\/wp-content\/uploads\/sites\/112\/2019\/04\/simon-escobar_0001-400x320.jpg 400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>McBain blog A film starring Christopher Walken was auditioning and I had been requested for one of two roles: In 1990 I was living in Hollywood when my agent Lynne called to tell me that the good guy who gets killed or Simon Escobar the bad guy. I chose to audition for Simon Escobar, the [&hellip;]<\/p>\n","protected":false},"author":115,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-264","post","type-post","status-publish","format-standard","hentry","category-highlight"],"metadata":{"_edit_lock":["1554145638:115"],"_edit_last":["115"],"_wpac_members_redirect_to":[""],"_wpac_show_in_search":["0"],"_wpac_show_excerpt_in_search":["0"],"_wpac_nonmembers_redirect_to":[""],"ase_map_component_start_point":["a:2:{s:3:\"lat\";d:29.76;s:3:\"lng\";d:-95.38;}"]},"acf":[],"_links":{"self":[{"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/posts\/264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/users\/115"}],"replies":[{"embeddable":true,"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/comments?post=264"}],"version-history":[{"count":0,"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/posts\/264\/revisions"}],"wp:attachment":[{"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/media?parent=264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/categories?post=264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/performingartslegacy.org\/ubarry\/wp-json\/wp\/v2\/tags?post=264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}