In my first year in New York, I was exploring the Performing Arts Library at Lincoln Center. Some notion came into my head to ask about my great-great Aunt Elisabeth Risdon. I’m not sure why. But the librarian helped me to discover all kinds of PR, photographs, press releases, and reviews they had on file of hers and also of my great-great Uncle Brandon Evans. 

When I took all the papers I’d been studying back to the library desk at the end of my session, the librarian asked me if I was an actress. I said, “Yes!” He asked if I would mind signing the signature book they had. I was honored. He pulled out a big black-covered book, which had maybe 10 pages of signatures by that time. I remember seeing Baryshnikov’s signature in there, somewhere near mine. Twenty-some years later, I was on the phone with the library and I happened to ask about the book. No one seemed to know anything about it. But they contacted somebody who’d been around the library for many years. He remembered the book and found it. They found my signature and emailed me a picture of it. It wasn’t near Baryshnikov’s as I remembered, but it was near Tina Howe’s, whose play Painting Churches I did the year after signing this. When the library asked me for my signature, I took it as an omen that something good might happen. Indeed, a career in theatre followed!

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